This collection houses drafts of plays and books documenting the Readers Theatre and the Interpreters Theatre under the direction of K. B. Valentine at the University of Kentucky and at Arizona State University from the early 1960s to 2002.
Identification:
MS SC KVA
Language:
Material in English
Repository:
Arizona State University Library. Rare Books and Manuscripts P.O. Box 871006 Tempe, AZ 85287-1006 Phone: (480) 965-4932 E-Mail: archives@asu.edu Questions? Ask An Archivist!
Biographical Note
Kristin Bervig Valentine earned her B.S. from the University of Wisconsin, her M.A. from the University of Washington, and her Ph.D. from the University of Utah. She worked as a Professor of Communications at Arizona State University, where she specialized in oral traditions and literary criticism. Valentine also worked extensively with the Interpreters Theatre and directed the "Angle of Vision" project.
Scope and Content Note
This collection houses drafts of plays and books documenting the Readers Theatre and the Interpreters Theatre under the direction of K. B. Valentine at the University of Kentucky and at Arizona State University from the early 1960s to 2002.
Series I: Scripts (4 boxes) includes drafts of scripts for the Readers Theatre and the Interpreters Theatre as well as student written contributions, correspondence with authors, programs, research information, and photocopies of short stories. This series is arranged alphabetically by the title of the script.
Series II: The Angle of Vision Project (1 box) includes drafts of scripts, study guides, promotional items, calendars, and a comprehensive final report. It is arranged chronologically.
Series III: Festivals (2 boxes) includes fliers, applications, maps, financial receipts, hotel and restaurant information, letters, and programs for various performance festivals that Kristin Valentine or ASU participated in between the late 1970s and the 1990s. It is arranged chronologically by festival date.
Series IV: Class Materials (2 boxes) includes syllabi, handouts, and writings that Kristin B. Valentine created for her classes and is arranged alphabetically by subject.
Series V: Interpreters Theatre/Readers Theatre (1 box) includes fliers for student and faculty productions, audition notices, and other materials showing Interpreters Theatre and Readers Theatre productions at ASU and at the University of Kentucky. It is arranged chronologically.
Series VI: Black Interpreters Theatre (BIT) (1 box) includes scripts, research materials, play fliers, and production materials involving Black Interpreters Theatre at ASU. It is arranged alphabetically.
Series VII: Oversize Materials (2 boxes and posters) includes prompt books for Beowulf and Highly Classified as well as posters documenting the Angle of Vision project that were too large to fit in standard boxes. It is arranged chronologically.
Arrangement
This collection consists of sixteen boxes divided into seven series:
To view this collection, make an appointment at least five business days prior to your visit by contacting Ask an Archivist or calling (480) 965-4932. Appointments in the Wurzburger Reading Room at Hayden Library (rm. 138) on the Tempe campus are available Monday through Friday. Check the ASU Library Hours page for current availability.
Copyright
Arizona State University does not own the copyright to this collection. We recognize that it is incumbent upon the researcher to procure permission to publish information from this collection from the owner of the copyright.
A...My Name is Alice by Joan Micklin Silver and Julianne Boyd (Photocopy of Book with Cuts)
1
A...My Name is Alice (Readers Theatre Script; Photocopy of Book with Blocking)
1
After You, My Dear Alphonse by Shirley Jackson
See "Jackson, Shirley", Box 3
1
"All Stories are Anansi’s" by Harold Courlander, Impressions,
1975 (Photocopy and Dittos)
1
"All Stories are Anansi’s" (Photocopy Ditto with Handwritten Notes for Readers Theatre Assignment)
1
"All Stories are Anansi’s" (Readers Theatre Script, Typescript, Typescript Copy, and Typescript Dittos [2 Different Formats])
1
The American Dame by Patrick Sheils,
1976 December (Readers Theatre Script; Typescript with Handwritten Notes)
1
Arizona Pageant,
1930s (Typescript Copy)
Coll. NAU MS #65, with pageant committee list, scene breakdown, and handwritten cast of characters.
1
Arizona Pageant (1930s); "The Vale of Tempe: A Greek Pageant",
1930s (Photocopy of Book with Description of Production)
1
As I Lay Dying by William Faulkner; adapted for Readers Theatre by K. B. Valentine (Cast and Plot Outline)
1
As I Lay Dying (General Criticism, Character Analyses, Bibliography)
1
As I Lay Dying (Readers Theatre Script; Typescript Ditto )
1
As I Lay Dying (Readers Theatre; Lighting Cues with Handwritten Notes)
1
The Bald Soprano by Eugene Ionesco (Photocopy and Ditto of Book)
1
The Bald Soprano (Readers Theatre Script with some Revisions); "Mrs. Martin" (Blocking); Description of The Bald Soprano (Handwritten Note)
1
Beastly Boys and Ghastly Girls edited by William Cole,
1964 (Photocopy of Book Pages 28, 37-38, 40-41, 62, 65-68, 73-74, 89-90, 92-93, and 113-114)
1
Beowulf translated by Burton Raffel, adapted by K. B. Valentine,
1983-1984 (Typescript Copy with Handwritten Notes; Typescript Ditto with Notes for Cuts)
See also Beowulf, box 10.
1
Beowulf, translated by Burton Raffel, adapted by Leslie E. Williams (Typescript Copy)
1
Beowulf, translated by Burton Raffel, adapted by K. B. Valentine (Prompt Book)
1
Bless the Beasts and the Children by Glendon Swarthout
See "Swarthout, Glendon", box 5.
1
Blithe Spirit by Noel Coward
See "Tea-Time Witnesses", box 6.
1
The Cadillac Cowboy by Glendon Swarthout
See "Swarthout, Glendon", box 5.
1
The Catbird Seat by James Thurber
See "Thurber, James", box 6.
1
Charles by Shirley Jackson
See "Jackson, Shirley", box 3.
1
A Clear, Well-Lighted Place by Ernest Hemingway (Script; Typescript Ditto)
1
Come Dance With Me in Ireland by Shirley Jackson
See "Jackson, Shirley", box 3.
1
Crossing the Border
See "River Rising", box 5.
Box
2
Daedalus and Icarus by Penelope Farmer and Chris Connor
See Greek Myths, box 3.
2
Damon and Vandalia by Rita Dove
See "Dove, Rita", box 2.
2
Dazzle by Truman Capote (Photocopy of Book)
2
Dazzle by Truman Capote (Script with blocking for "Narrator")
2
The Deacon’s Masterpiece by Thomas Lewis
See Medusa and Snail, box 3.
2
The Diaries of Adam and Eve by Mark Twain, adapted for Readers Theatre by Leslie Irene Coger (Typescript; Typescript with Revisions and Blocking for "Adam"; Typescript Photocopy with Revisions and Blocking for "Eve")
File originally located in It All Started With Eve, box 3.
2
Did You Carry the Flag Today, Charley? by Rebecca Caudill,
1966 (Script; Typescript Copy)
2
Do Black Patent Leather Shoes Really Reflect Up? By John Powers, adapted by Charlotte Waisman,
1977 Spring (Typescript Copy with Handwritten Notes; Typescript Copies)
2
Everything That Rises Must Converge by Flannery O’Connor; adapted by Mary Jane Parrish (Typescript Ditto)
2
The Fall of the City by Archibald MacLeish,
1937, 1974 (Typescript Ditto; Typescript Photocopy with Handwritten Notes for Readers Theatre production [1974])
2
Families by J. Howard (Typescript Photocopy with Blocking; Missing Pages 23-24, 29-32, 45-46, 57-58, and 67-74)
2
Football Baby by Mary "Daisy" Mizell
See "Mizell, Mary 'Daisy'", box 3.
2
For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf; by Ntozake Shange (Typescript Photocopy with Notes for Readers Theatre Assignment)
2
From Mousie to Monkey’s Eyebrow: Kentucky Folklore in Readers Theatre by K. B. Valentine,
1975 (Readers Theatre Script; Typescript )
2
Fulfillment: Dilemmas and Solutions; "A Woman in Love With a Bottle" by Barbara Lovell (Photocopies); and "Ode to Your Cock" by Sara Rose; from Love Stories by New Women,
1978
2
Greek Myths description of Outline of Classical Mythology by Robert Wolverton,
1975 Spring (Script Bibliography)
2
Greek Myths Book Covers
Includes Book Covers for:
Hercules by Penelope Farmer and Graham McCallum
The Trojan Horse by James Reeves
Daedalus and Icarus by Penelope Farmer and Chris Connor
King Midas by Carol Barker
The Story of Persephone by Penelope Farmer and Graham McCallum
Pegasus by Krystyna Turska
2
Greek Myths; Daedalus and Icarus by Penelope Farmer (Readers Theatre Script; Typescript Copy with Revisions)
2
Greek Myths; Demeter and Persephone by Kristin Valentine,
1975 (Character List and Scene Breakdown for Readers Theatre Production and Photocopy)
2
Greek Myths; King Midas retold by Carol Barker; scripted by Scott Holsclaw (Readers Theatre Script; Typescript Dittos)
Hardy, Thomas; Selections from Collected Poems of Thomas Hardy (Includes Handwritten Notes)
2
Hercules by Penelope Farmer and Graham McCallum
See Greek Myths, box 3.
2
Here We Are by Dorothy Parker (Script; Typescript Photocopy with Blocking for "She" and Handwritten Notes)
2
How to Do a Touch-Kiss by Maxine Klein (Ditto of Book)
2
If Grant Had Been Drinking at Appomattox by James Thurber
See "Thurber, James", box 6.
2
If We Touch (Readers Theatre Script; Typescript Photocopy; Script Bibliography)
2
The Importance of Being Earnest by Oscar Wilde
See Tea-Time Witnesses, box 6.
2
Isabel Jones and Curabel Lee by David McCord
See Tea-Time Witnesses, box 6.
2
It All Started With Eve by K. B. Valentine,
1974 Fall (Selection Order/Scene Breakdown; Playbill)
See also The Diaries of Adam and Eve, box 2.
2
It All Started With Eve (Readers Theatre Script Ditto)
2
Jackson, Shirley; After You, My Dear Alphonse (Typescript Ditto)
2
Jackson, Shirley; Charles (Typescript Ditto)
2
Jackson, Shirley; Come Dance With Me in Ireland (Typescript with Revisions and Handwritten Notes)
2
Jackson, Shirley; The Lottery (Typescript Ditto; Typescript Ditto with Revisions)
2
The Jilting of Granny Weatherall by Katherine Anne Porter,
1987 April (Script with Handwritten Notes)
2
King Midas by Carol Barker
See Greek Myths, box 3.
2
The Little Girl and the Wolf by James Thurber
See "Thurber, James", box 6.
2
The Lives of Arizona Women: Private Conversations and Public Issues,
1982 Spring (Research Questions with Handwritten Notes)
2
The Lives of Arizona Women: Private Conversations and Public Issues by K. B. Valentine and Thelma Shinn,
1981-1982 (Typescript Photocopy with Some Revisions)
2
The Lottery by Shirley Jackson
See "Jackson, Shirley", box 3.
2
Love Stories by New Women
See Fulfillment: Dilemmas and Solutions.
2
Lt. Stanley Dinkle, U.S. Cavalry by Glendon Swarthout
See "Swarthout, Glendon", box 5.
2
Medusa and Snail by Thomas Lewis (Photocopies)
Includes:
"The Wonderful Mistake"
"The Deacon’s Masterpiece"
"On Natural Death"
"The Selves"
"The Youngest and Brightest Thing Around"
2
The Milagro Beanfield War by John Nichols (Photocopy of Book Pages 120-131 and 465-471)
2
The Milagro Beanfield War adapted for Interpreters Theatre by K. B. Valentine,
1978 March (Typescript Ditto with Blocking and Revisions)
2
The Milagro Beanfield War (Typescript Ditto Pages 1-4 with Revisions; Revised Typescript Pages 1-4)
2
Mizell, Mary "Daisy"; Football Baby (Typescript)
Box
3
No Bath Tonight by Jane Yolen (Typescript; Typescript Dittos)
3
No Exit by Jean-Paul Sartre (Typescript Photocopy)
3
Ode to Your Cock by Sara Rose
See Fulfillment: Dilemmas and Solutions, box 2.
3
On Natural Death by Thomas Lewis
See Medusa and Snail, box 3.
3
On Understanding Poetry by Ron Ross (Typescript Photocopy with Handwritten Notes and Blocking)
3
Ordinary Jenny White by Mary "Daisy" Mizell
See "Mizell, Mary 'Daisy'", box 3.
3
The Patented Gate and the Mean Hamburger by Robert Penn Warren,
1968 (Photocopy of Book with Handwritten Notes for Readers Theatre Assignment)
3
The Patented Gate and the Mean Hamburger; adapted by Chloe Learey,
1976 (Typescript Photocopy)
3
Pegasus by Krystyna Turska
See Greek Myths, box 3.
3
A Phoenix Too Frequent by Christopher Frye (Typescript Ditto with Handwritten Notes, Revisions, Blocking for "Dynamene", and Cutting)
3
Pima: The Great Hunters
See A Potsherd Speaks: Native American Folk Tales From the Pima and Yaqui Tribes, box 4.
3
Podsnappery by Charles Dickens, adapted by Richelle Johnston,
1991 (Production Concept; Typescript Photocopy)
3
Porcupines at the University by Donald Barthelme (Ditto of Book)
3
A Potsherd Speaks: Native American Folk Tales From the Pima and Yaqui Tribes compiled by K. B. Valentine,
1977 February (Photocopy of Pima: The Great Hunters; Photocopy of Book with Handwritten Notes)
3
Pride and Prejudice; Pride and Prejudice: A Play (Photocopy of Book, Pages v-vii, 55-57, 160-167; Reference Notecard)
3
Pride and Prejudice by Jane Austen (1813) (Readers Theatre Script; Typescript Ditto with Blocking and Cuts)
3
Puella; adapted for Interpreters Theatre by Janet Larsen McHughes,
1982 (Typescript Photocopy with Blocking)
3
River Rising by Joyce Carol Oates from Crossing the Border (Photocopy of Book with Handwritten Notes)
3
River Rising (Typescript Photocopy)
3
The Rocking-Horse Winner by D. H. Lawrence (Photocopy of Book with Handwritten Notes)
3
The Rocking-Horse Winner (Typescript Photocopy)
3
Save Me a Place at Forest Lawn by Lorees Yerby,
1961 (Book with Handwritten Notes on Cover; Photocopy of Book)
See also Tea-Time Witnesses, box 6.
3
The Scarlet Letter by Jean Stafford (Photocopy of Book with Notes for Readers Theatre Assignment)
3
The Second Tree From the Corner by E. B. White, adapted by John M. Allison, Jr. (Typescript Photocopy)
3
The Secret Life of Walter Mitty by James Thurber
See "Thurber, James", box 6.
3
Self-Accusation by Peter Handke (Typescript)
3
The Shrike and the Chipmunks by James Thurber
See "Thurber, James", box 6.
3
Silas the Good by H. E. Bates (Typescript Ditto)
3
Six Characters in Search of an Author by Luigi Pirandello,
1921 (Photocopy of Book with Blocking for "Father")
3
Six Characters in Search of an Author (Photocopy of Book and Description)
3
Six Characters in Search of an Author (Photocopy of Book with Blocking and Intro Page)
3
Six Characters in Search of an Author (Typescript with Revisions and Blocking)
3
Slapstick, or Lonesome No More! By Kurt Vonnegut, Jr.,
1976 (Photocopy of Book as Published in Playboy)
3
The Southpaw by Judith Viorst
See "Viorst, Judith", box 6.
3
Spoon River Anthology by Edgar Lee Masters (Typescript with Handwritten Notes)
3
The Story of Persephone by Penelope Farmer and Graham McCallum
See Greek Myths, box 3.
3
Swarthout, Glendon; The Cadillac Man, Bless the Beasts and Children, Lt. Stanley Dinkle, U.S. Cavalry, all adapted by Janet Elsea (Typescripts)
Box
4
A Tale of Two Cities: Paris and Berlin in the 1920s Scripted by Chloe Leary and Donna Medve (Typescript Ditto)
4
A Tale of Two Cities: Paris and Berlin in the 1920s (Typescript Ditto with Revisions and Blocking)
4
Tea-Time Witnesses by Janet Larsen McHughes and Kristin Valentine (Interpreters Theatre Script; Typescript Copy with Blocking and Some Revisions)
See also Save Me a Place at Forest Lawn, box 5. Consists of:
Isabel Jones and Curabel Lee by David McCord
The Importance of Being Earnest by Oscar Wilde
Save Me a Place at Forest Lawn by Lorees Yerby
Blithe Spirit by Noel Coward
4
The Ten Worst Things About a Man by Jean Kerr, adapted for Readers Theatre by Leslie Irene Coger (Typescript with Blocking for "He")
4
The Ten Worst Things About a Man (Typescript with Blocking for "She" and Some Revisions)
4
Thomas and Beulah by Rita Dove
See "Dove, Rita", box 2.
4
Thurber, James; The Catbird Seat (Typescript Copy with Blocking for "He"; Typescript with Blocking for "She")
4
Thurber, James; If Grant Had Been Drinking at Appomattox adapted for Reader’s Theatre by Patrick M. Sartz,
1973 (Typescript and Introduction)
4
Thurber, James; The Little Girl and the Wolf (Typescript with Handwritten Notes and Blocking for "F")
4
Thurber, James; The Owl Who Was God (Typescript with Some Revisions and Blocking for "F")
4
Thurber, James; The Secret Life of Walter Mitty (Typescript Ditto with Handwritten Notes, Blocking for "Reader no. 1"; Typescript Ditto with Handwritten notes and Blocking; Typescript Copy with Handwritten Notes)
4
Thurber, James; The Shrike and the Chipmunks (Typescript with Revisions and Blocking for "F"; Typescript Photocopy)
4
Thurber, James; The Very Proper Gander (Typescript with Blocking for "F")
4
Touched With Fire by Ray Bradbury (Photocopy of Book with Handwritten Notes)
4
The Trojan Horse by James Reeves
See Greek Myths, box 3.
4
Two Selves by Thomas Lewis
See Medusa and Snail, box 3.
4
The Vale of Tempe: A Greek Pageant
See Arizona Pageant, box 1.
4
The Very Proper Gander by James Thurber
See "Thurber, James", box 6.
4
Viorst, Judith; The Southpaw,
1974 (Typescript Photocopies)
4
Viorst, Judith; A Visit From St. Nicholas to a Liberated Household adapted by K. B. Valentine (Typescript Photocopies with Blocking and Handwritten Notes)
4
Viorst, Judith; A Visit From St. Nicholas to a Liberated Household adapted by K. B. Valentine (Typescript with Blocking for "W"; Typescript Photocopy with Blocking for "M")
4
A Visit From St. Nicholas to a Liberated Household by Judith Viorst
See "Viorst, Judith", box 6.
4
War Without End,
1975 (Typescript Ditto with Handwritten Notes for Readers Theatre Assignment and Production)
4
The Way of the World by William Congreve (Typescript with Handwritten Notes)
4
What is Readers Theatre? By Leslie Irene Coger and Melvin R. Whiter (Typescript Photocopy)
4
The White Rabbit Caper (Story with Some Revisions)
4
Who Wants to Live in a Shoe? Readers Theatre Script compiled by K. B. Valentine and Charlotte Waisman (Typescript Copy with Handwritten Notes)
4
Whose Woods These Are by Sally M. Gearhart,
1980 (Photocopy of Story with Some Revisions)
Partly inspired by "It Was a Dark and Stormy Night, or Why Are We Huddling About the Campfire?" by Ursula K. LeGuin.
4
Wives Are Like That by Corey Ford (Story with Notes for Readers Theatre Assignment and Blocking for "Husband"; Story with Blocking for "Wife")
4
A Woman in Love With a Bottle by Barbara Lovell
See Fulfillment: Dilemmas and Solutions, box 2.
4
Women’s Work is Never Done,
1972 (Typescript Copy)
4
The Wonderful Mistake by Thomas Lewis
See Medusa and Snail, box 3.
4
The World of Carl Sandburg by Norman Corwin,
1961 (Typescript Copy)
4
X: A Fabulous Child’s Story by Louise Gould (Typescript Ditto)
4
The Youngest and Brightest Thing Around by Thomas Lewis
See Medusa and Snail, box 3.
4
Your Strip is Showing: The Cartoon as Readers Theatre adapted for Interpreters Theatre by Dr. J. G. Elsea,
1977 (Photocopy of Script)
4
Your Strip is Showing: The Cartoon as Readers Theatre (Sequence of Scenes, "Peanuts", with Handwritten Notes; Sequence of Scenes, "Doonesbury", Handwritten)
Angle of Vision; calendar of events bookmark; informational booklet; business card
1
ASU directory page with picture and notation of Angle of Vision project,
1986-1987
1
Angle of Vision; Annotated bibliography of contemporary fiction about the modern American West,
1986
1
The Angle of Repose by Wallace Stegner, scripted by Laurie S. Buck (Typescript)
1
"Trapping the Trapper" from The Bronc People by William Eastlake; adapted and scripted by William E. Dobkin
1
The Milagro Beanfield War by John Nichols, adapted by Chris Muldoon (Typescript)
See also The Milagro Beanfield War, box 3.
1
Ceremony by Leslie Marmon Silko, adapted by Joe Rassulo (Typescript)
1
"Then They’d Watch Comedies" from The Iguana Killer by Alberto Rios, adapted by David Bailey (Typescript with Handwritten Notes)
1
"The Solace of Open Spaces" by Gretel Ehrlich, adapted by Lisa J. Vetter-Heinrich (Typescript Photocopy)
1
Bless Me, Ultima by Rudolfo Anaya, adapted by Susan Hoffer (Typescript Photocopy)
1
"Tell Me a Riddle" from Tell Me a Riddle by Tillie Olson, adapted by Michelle Muller-Rassulo (Typescript)
1
"Is The Modern West a Good Story?"; lecture-dialogue with Wayne C. Booth, University of Chicago, and T. Y. Booth, Utah State University (Typescript with Revisions)
1
The Bronc People; performance photographs; Mesa Public Library,
1986 June
1
Article discussing Angle of Vision in Arizona Highways (p. 45),
1986 September
1
Angle of Vision,
1986 (Book Draft)
1
Angle of Vision Final Report,
1987 September 28 (Title Page and Table of Contents)
Study Guides (#9-16) located in Arizona State University Archives, #17.3.9 An 1986
1
Angle of Vision Final report (Appendices #1-19 [missing #9-17])
Study Guides (#9-16) located in Arizona State University Archives, #17.3.9 An 1986
1
Angle of Vision Final report (Appendices #20-33)
1
Angle of Vision Final report (Appendices #34-43)
1
Angle of Vision Final report (Appendices #44-47.6)
1
Angle of Vision Accession Record, Arizona State University Archives,
1987 September 30
1
Letter from R. S. Goyer to K. B. Valentine, Janet Jacobsen, and C. Colbert regarding copy of Angle of Vision final report,
1987 October 2
1
Note regarding legal problems with Leslie Marmon Silko and Heard Museum,
1987 August-December
1
Correspondence between National Endowment for the Humanities (NEH) and Angle of Vision project regarding Grant, final financial and performance reports,
1987 October-1988 March
1
Letter from Interlibrary Loan Department, Angelo State College, TX, to K. B. Valentine regarding Bless Me, Ultima study guide,
2000 November 17
12th Northern California Pauline Nelson Oral Interpretation Festival, San Francisco State University, San Francisco, CA,
1987 November 20-21
2
Carolinas Fall Festival, The University of North Carolina at Wilmington, Wilmington, NC,
1987 November 20-22
2
North Texas State University Oral Interpretation Festival, North Texas State University, Denton, TX,
1988 February 25-27
2
University of South Florida Celebration of Literature, University of South Florida, Tampa, FL,
1988 March 3-5
2
Michigan Intercollegiate Speech League Oral Interpretation Festival, Oakland County Community College, Auburn Hills Campus, Rochester, MI,
1988 March 25-26
2
Desert Interpretation Festival, The University of Arizona, Tucson, AZ,
1988 March 31-April 1
2
Ozarks Performance Festival, Southwestern Missouri State University, Springfield, MO,
1988 April 7-9
Department of Communication Program Brochures (ASU)
1
As I Lay Dying by William Faulkner (Readers Theatre, University of Kentucky),
1972 February 28-March 1
1
War Without End by Raymond F. Betts (Readers Theatre, University of Kentucky),
1975 February 27-March 1
1
Greek Myths (Readers Theatre, University of Kentucky),
1975 April 22, 24
1
From Mousie to Monkey’s Eyebrow: Kentucky Folklore in Readers Theatre by K. B. Valentine (Readers Theatre, University of Kentucky),
1975
1
Do Black Patent Leather Shoes Really Reflect Up? By John Powers; adapted for Readers Theatre by Charlotte Waisman (Readers Theatre, ASU),
1977 March 9-10
1
Your Strip is Showing (Interpreters Theatre, ASU),
1977 November 20
1
The Milagro Beanfield War by John Nichols; adapted for Interpreters Theatre by K. B. Valentine (Interpreters Theatre, ASU),
1978
1
Fulfillment: Dilemmas and Solutions adapted and compiled by James A. Pearse (Interpreters Theatre, ASU),
1979
1
Tea-Time Witnesses by Janet Larsen McHughes and Kristin B. Valentine (ASU),
1982
1
Lives of Arizona Women: Private Conversations and Public Issues (ASU),
1982 February-May
1
Puella by James Dickey (Interpreters Theatre, ASU),
1982 May
1
Journey to the Planet Celestia (The Bubble Factory West, ASU),
1983 Fall
1
Handy Dandy, a comedy but by William Gibson (Interpreters Theatre, ASU),
1984 October
1
For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf by Ntozake Shange (ASU),
1986
1
Pyle, Ernie: "The Remarkable Legacy of an Unlikely Hero" Script Idea (Readers Theatre, ASU),
1986 October
1
Mrs. F. Scott Fitzgerald directed by Frederick C. Corey (Interpreters Theatre, ASU),
1987
African-American Ritual and Storytelling in Performance,
1992 October 8
1
"Being Black Means...",
1993 April 30-May 1
1
A Black Poetry Day,
1984 October 16 (Original and Photocopied Play Flyer)
1
Black American Writers (Photocopies)
See also Black Mother Praying, But He Was Cool, or He Even Stopped for Green Lights, Nikki-Rosa, Soul Gone Home, Theme For English B, To Gwen With Love. Includes:
Introduction (Pages 72-73)
James Baldwin (Pages 90-91, 93-95)
Langston Hughes (Pages 108-109, 121)
Page 112
Countee Cullen (Pages 117-118)
Page 136
Nikki Giovanni (Pages 143-145)
Don L. Lee (Pages 149-152)
Owen Dodson (Page 155)
Gwendolyn Brooks (Page 157)
Ossie Davis (Page 209)
1
Black Interpreters Theatre Script,
1994 (Typescript Original and Photocopies with Handwritten Notes; Handwritten Scene Breakdown)
1
Black Interpreters Theatre; unknown title, unknown author,
1985 December (Typescript Copy with Handwritten Notes for BIT Assignment)
1
Black Mother Praying by Owen Dodson (Photocopy of Poem)
See also Black American Writers
1
But He Was Cool, or He Even Stopped for Green Lights by Don L. Lee,
1969 (Photocopy of Poem)
See also Black American Writers
1
Dove, Rita
1
The First 200 Years: Black Bicentennial by Dan O. Holden (Typescript Photocopies)
1
The Heart of a Woman by Maya Angelou (Photocopy of Book, Pages 3-13, 30-37, 45-50, 257)
1
I Give You Thanks, My God by Bernard Dadié (Photocopy of Poem)
1
"The Men in My Life" by Catrina Ganey,
1993 February 26-27
1
Nikki-Rosa by Nikki Giovanni (Photocopy of Poem)
See also Black American Writers.
1
Olive Oil by Alice Walker, from Ms.,
1985 August (Original Article and Photocopy)
1
Poem For Half-White College Students by Gabrielle Huff,
1984 (Typescript)
1
"Racism re-emerges as minorities gain ground economically" article by Jacqueline Trescott, Arizona Republic,
Undated
1
The Revolt of the Evil Fairies by Ted Poston (Photocopy of Book with Handwritten Notes)
1
Sisters and Artist by Mary J. Trent (Typescript Copy with Handwritten Note on Cover, Typed Notes at End)
1
Somehow We Survive edited by Sterling Plumpp,
1982 (Photocopy of Book)
1
Soul Gone Home by Langston Hughes (Photocopy of Book)
See also Black American Writers and Theme For English B.
1
Straight Talk From the Block (Revised Script with Revisions, Handwritten Notes, Some Photocopied Pages)
1
Theme For English B by Langston Hughes (Photocopy of Book)
See also Black American Writers and Soul Gone Home.
1
To Gwen With Love,
1986 (Typescript and Photocopies with Handwritten Notes)
See also Black American Writers.
1
Voices of Black History directed by Corwin Townsend,
1992 February 22, 29
1
The Weary Blues (Typescript Photocopy with Handwritten Notes; Processional Script Photocopy with Handwritten Notes)
1
"What Happens When a Black 'First' Fails?" by Renee Poussaint in MS,
1985 February (Photocopy)
