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Overview of the Collection | |
Creator: |
Burroughs ![]() |
Title: | William Seward ![]() ![]() |
Inclusive Dates: | 1938-1997 |
Bulk Dates: | 1959-1978 |
Quantity: | 25 Boxes (12.0 Linear Feet) |
Abstract: | The core of the ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Identification: | MS SC BU |
Language: | Material in English |
Repository: | Arizona State University Library. Rare Books and Manuscripts P.O. Box 871006 Tempe, AZ 85287-1006 Phone: (480) 965-4932 E-Mail: archives@asu.edu Questions? Ask An Archivist! |
William S. Burroughs
(1914-1997), an American writer, is one of the literary figures identified with the Beat movement. A prose-poet,
Burroughs
is known as an experimental innovator of forms (such as the "cut-up" technique), unique narrative techniques and moods in his writings. He is the grandson of William
Burroughs
(1855-1898), the inventor of the first recording adding machine and founder of the
Burroughs
Adding Machine Company. At Harvard,
Burroughs
studied literature, linguistics, and anthropology. Later, in the process of drifting through odd jobs in New York City, he became a drug addict. From the late 1940's to 1973,
Burroughs
lived in Mexico, Tangiers, London, and Paris, returning briefly to New York in 1965. In 1981 he moved to Lawrence, Kansas where he died August 3, 1997 at the age of 83.
The core of the Burroughs
collection is the 12 linear feet of manuscripts, dating from 1938, including several drafts of a number of
Burroughs
' major works including The Soft Machine, Ah Pook Is Here, and The Wild Boys. Also included are drafts of unpublished works such as Numero Uno Nu,
The Revised Boy Scout Manual, and The Unspeakable Mr. Hart, each of which had portions significantly revised by
Burroughs
before their inclusion in his published oeuvre. Additionally, there are clippings and source materials (used by
Burroughs
in his text manipulations) dating from his tenure at the unnamed Beat Hotel at 9 rue Git-le-Coeur in Paris during the late 1950s-early
1960s. It was at the Beat Hotel that Brion Gysin stumbled across the text manipulation technique called cut-up, which
Burroughs
has used extensively. It was also Brion Gysin who wrote the first screenplay adaptation of
Burroughs
' Naked Lunch, present in this collection in Gysin's holograph. There are also over seventy other small manuscripts and fragments in this collection as well as two volumes of dream notes.
Arizona State University continues to expand the collection, primarily by adding to Burroughs
' copies of over 100 magazines containing his work, as well as books by
Burroughs
, not to mention translations of same. Further expansions have been made in the audio and video medias with the collection of
Burroughs
recorded appearances. Notable among these expansions are Call Me
Burroughs
, his first album (released in 1965) Ali's Smile, a companion disc to the 1971 limited edition book, and the Howard Brookner documentary
Burroughs
.
An additional concern addressed by this collection is the immediate circle of writers around Burroughs
such as the aforementioned Gysin, Jack Kerouac, Jeff Nuttall, Paul Bowles, Alan Ansen, William S.
Burroughs
Jr., Carl Weissner, and Mary Beach. Each of the above authors is represented, either in the
Burroughs
ephemeral section or in the Special Collection stacks.
This archive is the largest Burroughs
collection publicly available. It continues to grow as ASU's commitment to
Burroughs
, not to mention
Burroughs
' own proclivity, brings in dozens of items annually.
Series I: Archival Boxes is the centerpoint of the Burroughs
archives and houses a number of Burrough's own working files, down to his handwritten titles and cover collages. Within the files are manuscript pages (published and unpublished), photographs, cut-ups, drawings, correspondence from fans, publishers, family and collaborators, as well as film scripts and other associated materials. A note regarding the identification of manuscript pages: William
Burroughs
has achieved
great renown for his advocacy and use of various text manipulation methods, including cut-ups and fold-ins. Additionally, one aspect of
Burroughs
' style is the repetition of words and phrases, recontextualized and slightly altered. These factors render the identification of unlabeled manuscript pages problematic at best. Identification is further complicated by
Burroughs
' penchant for using his own text as well as others' in these manipulations. Thus, specific identification,
including whether a piece has been published, should not be thought of as definitive.
Manuscript materials in this collection are extremely fragile and subject to damage with use. Therefore, access will be restricted for use by scholars providing need to use them.
Those wishing to use these materials will be asked to observe the following regulations:
1. Obtain a letter of introduction from a faculty member or scholar who will vouch that you are engaged in serious research requiring use of this collection.
OR
Have a letter or signed contract from a publisher verifying that you are writing a work for publication that requires research based upon these manuscript materials.
2. Provide a copy of your documentation for departmental files.
3. You will be asked to meet with the Head of Archives and Special Collections or his Assistant to discuss your research project and to determine what materials you will need.
4. You will be restricted to using only ONE FILE FOLDER at a time. It is imperative that you observe and retain the same order of materials within the file folder as when you received it.
5. File folders will be collated as they are returned to the collection before a new one will be issued.
6. Failure to comply with these rules will result in loss of privileges to use the collection.
To view this collection, make an appointment at least five business days prior to your visit by contacting Ask an Archivist or calling (480) 965-4932. Appointments in the Wurzburger Reading Room at Hayden Library (rm. 138) on the Tempe campus are available Monday through Friday. Check the ASU Library Hours page for current availability.
Arizona State University's original purchase agreement acknowledges that Burroughs
continue to hold the copyright on the material represented by the manuscript pages in the collection, including unpublished selections.
Arrangements and permission to photocopy manuscript pages must come from Burroughs
' office. Ask for assistance of Reference Staff.
Published materials such as books and magazine articles may be photocopied up to a maximum of ten percent of an entire publication.
However, certain works may not be photocopied either because of their large size (The Cat Inside, for instance) or their delicate nature (APO 33: A Metabolic Regulator).
For works that can be photocopied, standard Special Collections costs and procedure are in effect.
Other materials such as videotapes and audio recordings can not be duplicated. These materials must be viewed during regular hours.
Duplication of any photographs made by Clayton Patterson is prohibited without the advance written consent of Mr. Patterson. Contact the Head of Archives & Special Collections to receive instructions for how to contact Mr. Patterson. Approved uses of these photographs shall always be presented and associated with the citation Clayton Patterson Photographs.
Interested researchers may also wish to consult:
[Identification of item], William Seward Burroughs
Papers, MS SC BU, Arizona State University Library.
This collection was purchased from (50%) and donated by (50%) Robert H. Jackson in 1984.
Series I: Archival Boxes | |||||||||||
Box | Item | ||||||||||
1 | 1 | Adam and Eavesdroppers [J:532] | |||||||||
Two files. The first file contains several drafts of ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Second file contains 33 pp. of various carbon redrafts (1973-1974) of Adam and Eavesdroppers, signed by ![]() ![]() | |||||||||||
Both sets of manuscript drafts are enclosed in the original red folders, the first elaborately decorated by ![]() ![]() ![]() ![]() | |||||||||||
1 | 2 | Apollo 14/Mary Celeste [J:528]: Autobiographical Essays, 1969-1972 | |||||||||
This folder contains numerous short pieces, virtually all of which are autobiographical in nature and which constitute small essays about writing and becoming a writer. All these pieces where written in 1969-1972 in London. The file may be broken down into the following individual essays: | |||||||||||
"Une Poeme Moderne". Singled page, typed, signed by ![]() ![]() ![]() ![]() | |||||||||||
"Look Around Audrey". 2pp. typed, signed, with corrections. About 1000 words. Unpublished, but possibly incorporated in the Carsons Family MS. | |||||||||||
"Techniques for Preconditions the Public to Read it". 3pp. typed, signed twice, with corrections throughout. 1500 words. Unpublished. | |||||||||||
"In Any Game on of the Players Must Lose". 6pp. typed, signed. One of ![]() ![]() | |||||||||||
"The Name is Bill ![]() ![]() ![]() ![]() | |||||||||||
"Writers". Single page, typed, signed. Poem, humorously discussing Hemingway and Fitzgerald, and being an author. Unpublished. | |||||||||||
"I Was Born February 5, 1914". 4pp. legal size, typed, signed, single-spaced, nearly 4000 words. A straight autobiographical essay, in which ![]() ![]() | |||||||||||
Miscellaneous. 21pp. of miscellaneous pieces, seven of which are signed by the author. Altogether about 6500 words. Various contents, including several autobiographical pieces, and a few pages which appear to be part of the Carsons Family MS, but which we retain in this file, since that is the way the author arranged the files. Includes carbons of some of the above pages. | |||||||||||
Altogether a highly informative file, containing many unpublished autobiographical essays and fragments. Preserved in the original red folder with a decorative illustration of the Apollo 14 moon landing pasted (by ![]() ![]() | |||||||||||
1 | 3 | Blue Movie Copies [J: ] | |||||||||
One folder, labeled in ![]() ![]() | |||||||||||
"When I Entered With Ali The Scene Was Indescribable". 2pp. railroad routine. About 750 words. Unpublished. | |||||||||||
"When John Reached the Mary Celeste". 3pp. routine. About 500 words. Published [?)] | |||||||||||
1 | 4 | Book of Breething [J:538] | |||||||||
3 folios containing various drafts of both the MS and illustrations for the Book of Breething published by OU, Henri Chopin, Essex, 1974 in an edition of 400 copies. | |||||||||||
First folio. This portfolio contains ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
*Also contained in this portfolio are 8 of the original pen & ink drawings by Bob Gale. The first of these drawings is inscribed by Gale to ![]() ![]() | |||||||||||
*Also included are 6 other drawings executed by ![]() ![]() ![]() ![]() | |||||||||||
Second folio. This portfolio contains 8 original holograph hieroglyphic drawings in numerous colored inks by ![]() ![]() ![]() ![]() | |||||||||||
Third folio. This portfolio contains a 12" x 9 1/2" unpublished photograph of Bob Gale. Preserved in the original green folder with note in ![]() ![]() | |||||||||||
1 | 5 | Correspondence [J:553], 1973 | |||||||||
17pp. correspondence from publishers and editors and others desiring advice or manuscripts. 2pp. typed replies and 1 page holographic by ![]() ![]() | |||||||||||
1 | 6 | Friendly Film Notes and Projects [J: ] | |||||||||
1 page (blank of Friendly Film Ltd. Stationary, and 1 photocopy from Today's Cinema announcing the optioning of Naked Lunch. | |||||||||||
1 | 7 | Greek Clippings and Notes [J:539], 1973 | |||||||||
This file is supposed to, but does not, contain the "dream notes". | |||||||||||
9 pages of notes in ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Entirely unpublished. Also present at the back of the file are ![]() ![]() ![]() ![]() | |||||||||||
1 | 8 | "Smell Brain" [J:547] | |||||||||
"Smell Brain" is a long story written on September 13, 1973 and subsequently retitled "The Health Officer" and published by the Coach House Press, Toronto Canada, 1974, in The Short Story So Far pp. 166-170. | |||||||||||
This file consists of: | |||||||||||
7pp. typed first draft of the manuscript, with numerous corrections and alterations to the text in the author's hand, on nearly every page. Signed by
![]() ![]() 9pp. typed, revised second draft with many holograph changes to the MS in
![]() ![]() ![]() ![]() ![]() ![]() Envelope containing over 30 cut ups from carbons of the first and second drafts, with note in
![]() ![]() 2pp. holograph night dream notes for September 12th and 13th 1973 relating dreams which led up to "Smell Brain Story".
| |||||||||||
Together about 4000 words. First drafts unpublished, second draft published under the title given above, in very slightly different form. Preserved in the original light blue folder with note in ![]() ![]() | |||||||||||
1 | 9 | Liz Strickland Correspondence [J: ] | |||||||||
3 files containing typed and handwritten correspondence from Strickland to ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
1 | 10 | Original Drawings, Pictures by Various Artists [J:534] | |||||||||
This file includes original drawings by John Brady, Bob Gale (who illustrated Book of Breething and Malcolm McNeill). Brady has drawn what appears to be two portraits of William ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Box | Item | ||||||||||
2 | 1 | Terry Southern [J: ] | |||||||||
3 TLS from Southern to "My dear Benway", with additional holographic notations on one, inquiring about a collaboration with ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
2 | 2 | Tim Leary Ph.D. [J: ] | |||||||||
One copy of "Starseed", a prison communique from Dr. Timothy Leary, dated 1973. In the original red folder with ![]() ![]() | |||||||||||
2 | 3 | Biofeedback Materials [J: ], 1970-1973 | |||||||||
45 pages of information about biofeedback, including a number of issues of Biofeedback Newsletter. | |||||||||||
2 | 4 | Correspondence for which Files Exist [J: ] | |||||||||
Approximately 100 pages of correspondence, magazine articles, exhibition notices and book adverts. Some letters, postcards and photographs. In original blue folder with ![]() ![]() | |||||||||||
2 | 5 | Dada [J: ] | |||||||||
Three files, totalling approximately 90 pages of Dada-related or Dada-influenced work, as well as a small number of missives to ![]() ![]() ![]() ![]() | |||||||||||
2 | 6: | Minutes to Go and Exterminator Cut-Ups [J: ] | |||||||||
26 pages of photocopies from Minutes to Go and Exterminator, mostly used for cut-ups. | |||||||||||
2 | 7 | Letters Answered Misc. [J: ] | |||||||||
26 pages of correspondence to ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
2 | 8 | London Miscellaneous Material [J:502], 1960 | |||||||||
This file contains about 40 pp. of typescript and holograph MS of various unpublished drafts of untitled and evidently unfinished pieces, written from 1962 to 1967 in London. Although ![]() ![]() | |||||||||||
2 | 9 | Column Cut Up Duplicates [J:488] | |||||||||
This file contains 79 pp., mostly experiments with writing in the cut-up style, in 2 column, 3 column and 4 column layouts. The materials in this file all date from the early 1960's and most appears to be unpublished, certainly in anything resembling the present texts. Some holograph corrections to the texts, and most columns marked off by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
2 | 10 | To Morrow Now Occurs Again [J:556] | |||||||||
This file contains a typescript to Robert Grover's To Morrow Now Occurs Again, with a cover letter from Grover to ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Box | Item | ||||||||||
3 | 1 | Alan Ansen, Poet [JACKSON 527]: Drafts of Essays Abut Ansen and Copy of Poems | |||||||||
2 pp. first draft essay about the poet Alan Ansen, marked in the author's hand "1st draft" with a couple of minor holograph corrections to the text, about 500 words. | |||||||||||
3 pp. second draft essay, with one page entirely in holograph, and the other pages profusely corrected in ![]() ![]() | |||||||||||
3 pp. of carbon drafts, probably made for cut-ups, as well as an envelope containing a number of cut up pp. of typescript of the essay. This untitled essay seems to have been written at Ansen's request for possible inclusion as the Preface to the 1973 edition (London, Aloes Books) of Ansen's Poems 1969-1973. The MS, however, remains unpublished. | |||||||||||
Also included in the file is ![]() ![]() | |||||||||||
Preserved in the original orange folder with notes in ![]() ![]() | |||||||||||
3 | 2 | Joujouka, Musicians in Morocco [JACKSON 541]: Correspondence and Essays | |||||||||
File containing materials listed below regarding ![]() ![]() | |||||||||||
Source Materials | |||||||||||
Correspondence | |||||||||||
3 lengthy letters from Hamri, director of the Jajouka musicians, and a central figure in
![]() ![]() ![]() ![]() ![]() ![]() 5 telegrams from John Lombardi, editor of Oui, to
![]() ![]() | |||||||||||
Manuscripts | |||||||||||
Also included in this file are 2 photographs of the festival, taken by John Brady, ![]() ![]() | |||||||||||
Enclosed in original red folder, with front cover decorated by ![]() ![]() ![]() ![]() | |||||||||||
3 | 3 | Pages from Chaos [JACKSON 522]: Unpublished Works, 1968-1971 | |||||||||
This file contains early drafts of various unpublished and abandoned works, probably assembled together and titled Pages from Chaos by ![]() ![]() | |||||||||||
Preserved in the original light blue folder with title written in by ![]() ![]() | |||||||||||
3 | 4 | Michael X, Abbie Hoffman, and Tommy [JACKSON 542]: Printed Materials and Correspondence, 1973 Fall | |||||||||
This file contains a number of printed materials regarding the Abbie Hoffman and Friends Defense Committee. Included among these materials is the 5 pp. photostat letter by Allen Ginsberg distributed by the Committee on behalf of Hoffman which is signed at the end, and then inscribed by Ginsberg to ![]() ![]() ![]() ![]() | |||||||||||
The file also contains 2 letters from Ellen Siegel on behalf of the International Committee To Save Michael X, asking ![]() ![]() ![]() ![]() | |||||||||||
Statement of William ![]() ![]() ![]() ![]() | |||||||||||
Finally the file contains about 20 pages of other xerox materials regarding the Michael X case, distributed by the Committee, including various statements similar to ![]() ![]() | |||||||||||
Preserved in the original orange legal-size folder with title in ![]() ![]() | |||||||||||
3 | 5 | The Royal Family [JACKSON 535] and Notes Resembling Text from The Revised Boy Scout Manual | |||||||||
4 pp. of unpublished typed notes about the British Royal Family, with some holograph alterations to the text. Also, laid into the back of this file are numerous clippings, mostly regarding the Royal Family. Some of the material in these notes, altogether about 1000 words, resembles text of The Revised Boy Scout Manual, and was written about 1972. | |||||||||||
Preserved in the original red legal size folder, with note transcribed above in ink on front cover, in ![]() ![]() | |||||||||||
3 | 6 | Completed Cycles of Action: Roberty Shaye [ ]: Correspondence | |||||||||
5 pages of correspondence between Robert Shaye of New Line Presentations and ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
3 | 7 | Flat 22 (Dalmeny Court, London [ ]: Correspondence | |||||||||
8 carbon pages of correspondence from ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
3 | 8 | Christmas Cards to ![]() ![]() | |||||||||
49 post cards and Christmas cards sent for Christmas 1973 to ![]() ![]() | |||||||||||
3 | 9 | John Dechadenedes [J:540]: Story About, Correspondence, and Photographs, 1973-1974 | |||||||||
Two files regarding John DeChadenedes. | |||||||||||
1st File: John D.C. | |||||||||||
27 pp. typescript, apparently unfinished and entirely unpublished, written about 1973-1974, story about ![]() ![]() | |||||||||||
Also included in this file are two carbons of letters from ![]() ![]() ![]() ![]() | |||||||||||
Preserved in the original red folder with note in ![]() ![]() | |||||||||||
Entirely unpublished materials. | |||||||||||
2nd File: John DeChadenedes | |||||||||||
38 pages of correspondence between John D.C. and ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
3 | 10 | David Bowie and James Taylor Cut Ups [JACKSON: 533] | |||||||||
11 pp. typed and holograph manuscript, signed by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Preserved in the original light blue folder with title given above written on front cover in ![]() ![]() | |||||||||||
Box | Item | ||||||||||
4 | 1 | Archive Catalogue [J:529] | |||||||||
61 pp. typescript carbons of materials published in the Archive Catalogue of ![]() ![]() ![]() ![]() | |||||||||||
4 | 2 | "Who is the Third?" and Seven Others [J:489/496] | |||||||||
Folder containing eight individual prose pieces by ![]() ![]() | |||||||||||
"Who is the Third?" 7 pp. typed legal-size early draft MS of this important experimental story, published in a textually different version in Art & Literature, Lausanne, 1964, and written about 1960. Contains a good deal of important unpublished materials as well. Signed on first page. | |||||||||||
"Distant Hand Lifted". 9 pp. early draft typescript, signed. Published in slightly different version in Transatlantic Review 15, London, 1964, and written about 1962. MS contains one holograph correction to the text. Introduction to piece is present in both final published version and earlier (longer) variant version. The textual differences between the earlier and final versions are radical in this section. About 2000 words. | |||||||||||
"Word Authority More Habit Forming then Heroin". 3 pp. early draft typescript, signed by ![]() ![]() | |||||||||||
"The Soft Machine". 11 pp. early draft typescript from the novel "The Soft Machine", corresponding roughly to pp. 104 - 109 of the Calder & Boyars edition of the novel, London, 1968. A number of deletions and corrections in ink on various pages. | |||||||||||
"The Light Skin". 5 pp. typed carbon, with holograph corrections, signed by ![]() ![]() ![]() ![]() | |||||||||||
"Twilights Last Gleamings". 10 pp. typed manuscript of film ideas for this early routine, ![]() ![]() ![]() ![]() | |||||||||||
"Censorship" 2 pp. carbon typescript, signed. Published in identical form in Transatlantic Review 11, London, 1962. Tip sheets evidently sent by ![]() ![]() | |||||||||||
"Are You a Member of the Union??" 23 pp. typescript, unfinished and unpublished drafts, about 3500 words altogether, written about 1963. On one page ![]() ![]() | |||||||||||
Preserved in the original red folder with note in ![]() ![]() | |||||||||||
4 | 3 | Gnauoa File [J:500] | |||||||||
This file contains three separate manuscripts which were published in slightly different textual versions by Ira Cohen in his literary journal Gnauoa in 1962. Also included in the file is a letter from ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
The three manuscripts present in this file include: | |||||||||||
"Pry yourself loose and listen": 2 legal-sized pages typed in red ribbon heavily corrected by ![]() ![]() | |||||||||||
"Ancient face gone out": 4 legal-sized pages, typed, approximately 900 words, misnumbered by the author 2-5 although the text is complete as stands. Also published in Gnauoa and later rewritten for Nova Express. | |||||||||||
"Just so long and long enough": 2 legal-sized pages typed with corrections. This prose poem is actually written by Billy ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
All manuscripts folded for mailing and showing some signs of wear. | |||||||||||
4 | 4 | Greek Notes [J:539], 1973 | |||||||||
This file contains 7 pages of dream noted made by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
4 | 5 | "The Last Words of Dutch Schultz" [J:551] | |||||||||
Photocopy only of the final typescript of this novel, the first page being inscribed by ![]() ![]() ![]() ![]() | |||||||||||
Preserved in original red folder. | |||||||||||
Box | |||||||||||
5-6 | Naked Lunch Filmscript and Correspondence [J:531] (11 Folders and Notebooks) | ||||||||||
This massive group of manuscript drafts of a filmscript for ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
During the period in the early 70s when Antony Balch, Brion Gysin and William ![]() ![]() ![]() ![]() | |||||||||||
The idea for making a film of The Naked Lunch was initiated by ![]() ![]() | |||||||||||
A company called Friendly Films was set up, owned by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
The storyboards consisted of four volumes, each 14" x 12", containing drawings of every scene in the film, with details of panning and zooms and other action. The drawings are in color, done in felt-tip pen, and mostly feature William ![]() ![]() | |||||||||||
Included among the ASU Burrough's Collection materials are a letter from Anthony Balch to Brion Gysin, October 12, 1973, all of ![]() ![]() ![]() ![]() | |||||||||||
Gysin's 75,000-85,000 word second draft manuscript of the screenplay, which entirely revised the sequence of events in the original novel by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Two files containing about 600 pp. of combined typescript and xeroxes of earlier drafts of the typescript, with numerous holograph alterations mostly in Gysin's hand, but with comments and suggestions in ![]() ![]() | |||||||||||
In Box 6: Three large ring binder notebooks, each containing some 125-150 pp. of typescript and xeroxes of earlier versions of the manuscript, one bearing massive corrections in Gysin's and ![]() ![]() | |||||||||||
Various other portfolios with other drafts, notes, correspondence regarding the project, manuscript drafts of prospectuses for the film, advertisement manuscript copy, and so forth. | |||||||||||
Altogether this group of files amounts to well over 175,000-200,000 words, entirely unpublished, and reveals a complete collaborative effort between ![]() ![]() ![]() ![]() | |||||||||||
Box | Item | ||||||||||
5 | 1 | Naked Lunch Scripts (NL#1) [J:531] | |||||||||
Hand marked NL 1 in a circle. Green file folder with yellow label marked "Naked Lunch." Hand-written notes, typed scenes with written corrections, etc. Varied pagination. | |||||||||||
5 | 2 | "I Woke Last Night" (NL#2) [J:531] | |||||||||
Hand-marked NL with 2 in circle. Tan file folder with yellow label marked "Script - "I Woke Last Night"." Typed with hand written notes. Varied pagination, pp.1-47. | |||||||||||
5 | 3 | Naked Lunch Script (NL#3) [J:531] | |||||||||
Hand-marked NL with 3 in circle. Orange folder with hand-written NL and 3 in circle. Contains typed script of Naked Lunch circa 1972, with corrections, 123 pp. Marked on page 1, top: "Return to: Anthony Balch Films." | |||||||||||
5 | 4 | Naked Lunch Script Correspondence (NL#4) [J:531] | |||||||||
Hand-marked with NL & 4 in circle. Maroon colored folder with hand-written NL4 circled. On front cover is hand-written note: "material relative to Naked Lunch film script, to films in general. Correspondence with Brion Gysin reference to N.L. film," 1970-71. Includes corrected typescript, "The Blue Movies," 29 pp. Also: "Bill's notes." | |||||||||||
5 | 5 | Naked Lunch Script Agreements (NL#8) [J:531] | |||||||||
Hand-marked 8 in circle. Orange colored folder with yellow label marked "Naked Lunch" film papers. Hand-written "N.L. Film Papers." Folder contains: rough draft of "Agreement" between William W. ![]() ![]() | |||||||||||
5 | 6 | Naked Lunch Script [J:531] | |||||||||
Envelope addressed to Brion Gysin in Tangier from New York. Contains Naked Lunch Script early version. Scenes 54-367. | |||||||||||
5 | 7 | Naked Lunch Script by Don Sanders [J:531], 1970 | |||||||||
Blue legal-size letter wallet containing "Script by Don Sanders for Naked Lunch state production in Chicago, 1970., and letter to ![]() ![]() | |||||||||||
5 | 8 | Miscellaneous | |||||||||
Found without cover in Box 5. "Scene 367 of a script." and a hand-out in French/English, re: "Extracts from the Electronic Revolution by William ![]() ![]() | |||||||||||
5 | 9 | Naked Lunch Letters: [J:471/474]: Allen Ginsberg | |||||||||
Pp. 1-2, 4-9 of a letter dated October 20, 1955 to Allen Ginsberg written by ![]() ![]() ![]() ![]() | |||||||||||
This famous MS contains passages which Ginsberg edited with ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
"I am trying, like Klee to create something that will have a life of its own, that can put me in real danger, a danger which I willingly take on myself. I find I cannot write without endless parenthesis. A parenthesis indicates the simulateaty [sic] of past, present and emergent future. I exist in the present moment. I can't and won't pretend I am dead. This novel is not posthumous. A 'novel' is something
finished, that is dead." On page 4 of letter ![]() ![]() | |||||||||||
Also contained in this folder are the following: Page 1 numbered "2" with corrections in ![]() ![]() | |||||||||||
Since parts of the text of these letters lapse into quasi-hallucinatory narrative, and because the letters are present in this ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Preserved in the original red legal sized folder with the following note in ![]() ![]() | |||||||||||
A highly important collection. Unpublished in this form. Folio 1. | |||||||||||
Box | Item | ||||||||||
6A | 1 | Naked Lunch Script [J:531] | |||||||||
3-ring binder, legal-size, maroon color, hand-written notes on Naked Lunch Script. Varied pagination: p. 17-111. | |||||||||||
6A | 2 | Naked Lunch Script [J:531] | |||||||||
3-ring binder, legal-size, navy-blue color, typescript with some corrections, of Naked Lunch Script. Brion Gysin and Friendly Films Ltd, circa 1972. Revised. 123 pp. | |||||||||||
6A | 3 | Naked Lunch Script and Balch Letter [J:531] | |||||||||
3-ring binder, legal-size, maroon color, clean, typescript with very few corrections, of Naked Lunch Script. Brion Gysin and Friendly Films Ltd, circa 1972. Revised. 123 pp. Letter from Anthony Balch to Brion Gysin, October 12, 1973. | |||||||||||
Box | Item | ||||||||||
6B | 4 | Soft Machine [NO J:] | |||||||||
Mislabeled folder: | |||||||||||
Manilla folder marked "Naked Lunch Final Film Script MS/30 Sept 73, Some Value." However, folder contains 167 pages of yellowing photocopy of Soft Machine. Note states: "Appears to be a photostat of Soft Machine as submitted to publisher - VALUABLE because complete." | |||||||||||
Box | |||||||||||
7A | "Beat Hotel" (Red Binder) [J:487] | ||||||||||
This binder contains numerous individual manuscripts written while ![]() ![]() ![]() ![]() | |||||||||||
Included in the folder are some 120 pp. of typescripts and holographs manuscripts, most of which are heavily corrected by ![]() ![]() | |||||||||||
7A | 1 | "John" [J:487] | |||||||||
2 pp. routine, initialed by ![]() ![]() | |||||||||||
7A | 2 | "Jerry Wentworth" [J:487] | |||||||||
8 pp. unpublished short story, typed, signed by the author on the first page, approximately 2500 words altogether. This short story, which dates from the early 1960s, begins: "Jerry Wentworth was a strikingly good-looking young man. Not being stupid he took his good looks into account. It was an asset and he knew it." An atypical, predominately heterosexual routine. | |||||||||||
7A | 3 | "My Father" [J:487] | |||||||||
4 pp. story, signed by ![]() ![]() | |||||||||||
7A | 4 | "The Desk Clerk" [J:487] | |||||||||
4 pp. story, signed twice by ![]() ![]() | |||||||||||
7A | 5 | "You Sure is a Good Man Boss" [J:487] | |||||||||
2 pp. story, signed by ![]() ![]() | |||||||||||
7A | 6 | "A Forgotten Volume" [J:487] | |||||||||
2 pp. story, signed by ![]() ![]() | |||||||||||
7A | 7 | "The Sensitive Old Lady English Teacher" [J:487] | |||||||||
9 pp. story, signed by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
7A | 8 | "My Name is Bill ![]() ![]() | |||||||||
2 pp. typescript, signed by ![]() ![]() ![]() ![]() | |||||||||||
7A | 9 | "Abstract" [J:487] | |||||||||
2 pp. routine, signed by ![]() ![]() | |||||||||||
7A | 10 | "Lawrence Durrell Answers a Few Questions" | |||||||||
4 pp. typescript, signed by ![]() ![]() ![]() ![]() | |||||||||||
7A | 11 | "The Big Con Switch" (Exterminator) [J:487] | |||||||||
25 pp. typescript signed in several places by the author. This MS appears to be drafts for various passages in Exterminator! The MS consists of approximately 5000 words and bears many holograph corrections in the author's hand. | |||||||||||
7A | 12 | "The Novia Police"[J:487] | |||||||||
25 pp. typescript, signed by ![]() ![]() | |||||||||||
7A | 13 | "Towers Open Fire" [J:487] | |||||||||
1 pp. routine, signed by the author, apprximately 100 words. Unpublished. | |||||||||||
7A | 14 | Miscellaneous Drug Article Pages [J:487] | |||||||||
15 pp. typescript, every page signed or initialled by ![]() ![]() | |||||||||||
7A | 15 | Clippings About ![]() ![]() | |||||||||
Also contained in this file are a number of clippings made by ![]() ![]() | |||||||||||
Box | |||||||||||
7B | Blue File: "Beat Hotel" | ||||||||||
This file dates from the same period as the red 3-ring binder (file) in this box. Consists of the following individual manuscripts. | |||||||||||
7B | 1 | "Exterminator"! Initial Draft [J:458] | |||||||||
8 pp. Story, signed or initialled by ![]() ![]() ![]() ![]() | |||||||||||
7B | 2 | "They do not Always Remember" [J:459] | |||||||||
2 pp. typescript, initialled by the author on both pages, and then signed and dated 14 February 1966 at the bottom of the second page. An unpublished story, consisting of about 750 words, which begins: "It was a Monterey Mexico a square a fountain a cafe. I had stopped by the fountain to make an entry into my notebook: dry fountain empty square silver paper in the wind frayed sounds of distant city." | |||||||||||
7B | 3 | Untitled (Exterminator?) [J:460] | |||||||||
70 pp. Typescript containing unpublished ms which resembles passages from Exterminator! This ms which dates from the same period as above consists of approximately 60,000 words. A number of pages bear holograph corrections in the author's hand. | |||||||||||
7B | 4 | William Lee (Letter to Ginsberg) [J:461] | |||||||||
10 pp. typed letter to Allen Ginsberg dated 7 February 1954, Approximately 15,000 words unpublished in this form. This ms which was written in Tangier includes the infamous "talking asshole" routine, and begins as follows: "Hear is my latest attempt to write something saleable. All day I have finding pretexts to avoid work, reading magazines, making fudge, cleaning my shotgun, washing the dishes, going to bed with Kiki, tying the garbage up in neat parcels and putting it out for the collector. Did I ever tell you about the man who taught his asshole to speak? His whole abdomen would move up and down you dig farting out the words. It was unlike anything I ever heard." | |||||||||||
Box | Item | ||||||||||
8A | 1 | Miscellaneous Manuscripts [J:501] | |||||||||
This file contains five stories and routines all of which with one exception are unpublished. | |||||||||||
The first story is untitled, consisting of 6 pp. signed by the author, dated, beginning "Karate chops break red bricks ..." | |||||||||||
The next story, entitled "Prose on a Distant Wall" is a 5-page autobiographical fragment, approximately 500 words, unpublished. | |||||||||||
The next, written in 1961 and entitled "Notes for a Metromone piece on Hassan i Sabbah" is a 2-page carbon typescript with title in ![]() ![]() | |||||||||||
"A Brief Statement on The Naked Lunch, The Soft Machine and the Nova Express". 8 pp. early draft carbon, approximately 1800 words. Appeared in a modified version in the Evergreen Review, Jan/Feb 1962. | |||||||||||
Naked Lunch, Fragments, perhaps the most important materials contained in this file are 9 pp. from the original manuscript of ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
8A | 2 | Miscellaneous Materials and Communication [J:511], 1966-1967 | |||||||||
An extraordinary files of 54 pp. of miscellaneous short pieces, routines, stories, poems and drawings by ![]() ![]() ![]() ![]() | |||||||||||
The file dates from 1966-1967 and is entirely unpublished material. Preserved in the original red folder with title written on cover in ink in ![]() ![]() | |||||||||||
8A | 3 | Fan Mail | |||||||||
"Rare and Priceless" written across front of folder in ![]() ![]() | |||||||||||
8A | 4 | The Wild Boys Film Ideas and Correspondence [J:503] | |||||||||
This file contains a 2 page signed introduction and 16 page typed signed prospectus for the film of The Wild Boys and 7 page signed manuscript of various scenes for The Wild Boys film project, also signed by ![]() ![]() | |||||||||||
The Wild Boys film project, as outlined by ![]() ![]() ![]() ![]() | |||||||||||
Also included in this file are carbon copies of ![]() ![]() | |||||||||||
All of the material contained in this file are unpublished and ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
8A | 5 | Cut Up Materials [J: ] | |||||||||
This file contains 3 large brown envelopes with hundreds of pieces of cut ups. Practically impossible to identify. | |||||||||||
1st envelope with #218 in a circle. Front of envelope with large colored magic-marker "MIS" and Nova Express; Evergreen; The Second Coming. Also pencil hand-written notes. | |||||||||||
2nd Envelope with #225 in a circle. Pencil hand-written notes: "187" cut up fragments many large pieces. | |||||||||||
3rd envelope address to the Committee for Puerto Rican Independence with Brussel postmark. 100's of cut up fragments. | |||||||||||
8A | 6 | Letters Answered [J: ] | |||||||||
Preserved in original orange folder with title on front cover in author's hand. 67 pages of letters and responses. | |||||||||||
8A | 7: | Correspondence, Little Mags, and Underground Press [J: ] | |||||||||
Preserved in original maroon colored legal folder with title on front cover in the author's hand. | |||||||||||
8A | 8 | Inspectorate of Canadada | |||||||||
Preserved in original maroon colored folder with title on front cover in the author's hand. Picture postcard of Canadian Mountie on front of folder. Post card to ![]() ![]() | |||||||||||
8A | 9 | Correspondence: Gregory Michael | |||||||||
Preserved in original wine colored folder with title on front in author's hand. Picture of Gregory Michael on front. | |||||||||||
8A | 10 | Correspondence: Fred Halsted [J: ] | |||||||||
Preserved in the original maroon colored folder with title on front in author's hand. | |||||||||||
8A | 11 | Doctor Dent Cut-Up | |||||||||
Envelope with cut up. Copy of letter to Editor of Sunday Times re: Dr. Dent used for cut up. | |||||||||||
Box | Item | ||||||||||
8B | 12 | Charles Gatewood [J:550] | |||||||||
Two early drafts of an article by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
This article remains unpublished. Preserved in the original maroon legal sized folder with note in ink in ![]() ![]() | |||||||||||
Date of composition unknown. | |||||||||||
8B | 13 | Bardo Thodol (Tibetan Book of the Dead) [J: ] | |||||||||
General description of film by Rafal Zielinski and Lawrence Johnson. | |||||||||||
Preserved in the original pink folder with"Book of the Dead" in author's hand on front cover. | |||||||||||
8B | 14 | Apo-33 [J:506] | |||||||||
This file contains a copy of Apo-33 (San Francisco, City Lights, 1964) with 10 original carbons of the make-ready typescript, which have all the text on every page in unsuppressed and unobliterated state. ![]() ![]() ![]() ![]() | |||||||||||
This copy of Apo-33 is laid into a file which contains 6 pp. of early drafts and related manuscripts materials by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Highly important materials. Published, but containing suppressed passages. | |||||||||||
8B | 15 | Miscellaneous Film Material Not Used [J:449] | |||||||||
66 pp. typed drafts for an abandoned film typed on various size pieces of paper, amounting to about 2000 words, most pages bearing holograph alterations and notes in ![]() ![]() ![]() ![]() | |||||||||||
Preserved in the original light blue folder with title on front cover in the author's hand. | |||||||||||
8B | 16 | Miscellaneous Cut Ups [J:497] | |||||||||
Present in this file are various pages from abandoned works, some of which seem to be complete in themselves, and each of which is initialed or signed in full by the author. Included are the following: | |||||||||||
"Apo-morphine has proved useful ..." About 300 words typed initialed regarding morphine written in 1961.
"Qinsana Finish" About 400 words initialed.
"Ain't them dear God pretty orphans." Initialed, about 200 words, cut up routine 1961.
"Vienna" About 400 words signed in full. Cut up routine in German and English.
"Ice Man's tatoo." About 550 words signed in full. Cut up routine set in France.
"An Exhaustive Study." About 400 words. Cut up routine set in California signed in full, about 1961.
"Happy Dog." About 350 words initialed, set in Mexico, cut up routine.
"J. S. He Lives in Canada." About 400 words, initialed, cut up routine, written in English and French, with Bull Lee as a character, set in Canada.
"A Season in Hell."
![]() ![]() Wild Boys. Six miscellaneous typed pages, approximately 2000 words, possibly relating to early rejected drafts of The Wild Boys.
| |||||||||||
This important file of entirely unpublished materials in preserved in the original violet legal-size folder with note in the author's hand on the front cover: "MS cut ups and first drafts materials Valuable". | |||||||||||
Box | Item | ||||||||||
9 | 1: | Hamri [J: ] | |||||||||
Contains a Christmas card from Hamri. In reference to Joujouka musicians in Morocco is a letter from Blanca regarding two stories attached: "Maalim Ashmee's Memoirs" and "Titti's Tabac." | |||||||||||
Enclosed in original maroon folder with"Hamri" written on front in author's hand. | |||||||||||
9 | 2 | Correspondence: ![]() ![]() | |||||||||
In original orange folder with"Family" written in author's hand. Letter and responses between father and son during 1973. | |||||||||||
9 | 3 | Correspondence: Miscellaneous, Letters, Material [J:553] | |||||||||
In original maroon folder with "Letters answered and material from other writers" in author's hand on front cover. | |||||||||||
9 | 4 | Correspondence: Paul Thiel [J:553] | |||||||||
In original maroon folder with "Paul Thiel" written in author's hand, and photo of Thiel pasted on cover. Also slide of "daisies" by Thiel. | |||||||||||
9 | 5: | Meditation Institute [J: ] | |||||||||
In original maroon folder with"Applied Meditation" written in author's hand. | |||||||||||
9 | 6 | Poems by Peachie Le Nic [J: ] | |||||||||
In original blue folder with"Peachie" in author's hand on front cover. | |||||||||||
9 | 7 | Letters Answered for Which Files Exist [J: ] | |||||||||
In original maroon folder with"Letters answered for which files exist" written in author's hand. | |||||||||||
9 | 8 | Night Dream Notes [J:543] (Volume 1) | |||||||||
132 page holograph manuscript on loose 8 1/2 x 11 sheets contained in original salmon colored folder with holograph title in pencil on front cover in ![]() ![]() | |||||||||||
This highly interesting manuscript is comprised of notes made by ![]() ![]() ![]() ![]() | |||||||||||
Manuscript also contains some typescript and drawings by ![]() ![]() | |||||||||||
Fine condition, entirely unpublished. | |||||||||||
This file only supposed to contain 67 pages; the remainder was removed from Night Dream Notes, Vol. 2, and placed in here. | |||||||||||
9 | 9 | Night Dream Notes [J:544] (Volume 2) | |||||||||
Supposed to be 87 pages, but only 22 pages. Remainder were put in Item 9, Night Dream Notes, Vol. 1 by someone. | |||||||||||
Mostly on 8 1/2 x 11 sheets contained in original maroon colored folder with holograph title in pencil on front cover in ![]() ![]() | |||||||||||
Continuation of the 1973 night dream folder, this folder contains all of ![]() ![]() ![]() ![]() | |||||||||||
Very fine, entirely unpublished. Folio 13. | |||||||||||
9 | 10 | Dream Notes and Cut Up with Science Fic. [J:520], 1968 February 26-1969 April 4 | |||||||||
Manuscript notebook, 30 pp, 11 1/2 x 8 1/4, containing holograph dream notes entirely in ![]() ![]() | |||||||||||
Original black wrappers, white label on front cover with title of notebook written out by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Fine condition. Entirely unpublished. | |||||||||||
9 | 11 | Photos, Comic Books, Prospectives | |||||||||
In original maroon folder with "Photos, short comic books, invitations, projections" written in ink by ![]() ![]() | |||||||||||
Contains photos, comic books, E.M.E-UFO magazines, invitations and memorabilia. | |||||||||||
9 | 12 | Clippings from Newspaper, Misc. | |||||||||
Four 6" x 9" envelopes. | |||||||||||
1. Labeled"Misprints" with 236 in a circle. 24 clippings. | |||||||||||
2. Labeled"23" with 239 in a red circle. 4 clippings. The number 23 is ![]() ![]() | |||||||||||
3. Labeled"mis newspaper pics and articles" with 238 in red circle. Written in pencil, 24 newsclippings, 8 cut-up quarter, (i.e., 2 pp), 1 Egyptian hieroglyphic in Ian Sommerville's hand. | |||||||||||
4. Labeled"52" with 240 in red circle. 19 clippings. | |||||||||||
9 | 13 | Dream Notes, John Brady [J: ] | |||||||||
In original maroon folder with"J.B." written in ![]() ![]() | |||||||||||
9 | 14 | Manuscripts and Photos [J:486], 1968-1970 | |||||||||
Important file containing various manuscripts, listed below: | |||||||||||
All in plastic sleeves. Preserved in original maroon folder with "MSS" in ![]() ![]() | |||||||||||
"The End". 6 pp, single spaced typed draft of a story, published under a different title, and with major alterations to text, in Mayfair, 1968. About 3000 words altogether. | |||||||||||
"You Want to Know How Things Got This Way?" 3 pp. unpublished autobiographical sketch, approximately 1700 words, written in 1968, typescript. | |||||||||||
"![]() ![]() ![]() ![]() | |||||||||||
"These Individuals are Marked: Foe". 2 pp., 1961, typed with heavy corrections in ![]() ![]() | |||||||||||
"Now Dig This." 1 p. holograph statement by ![]() ![]() | |||||||||||
At the end of the folder are a number of miscellaneous photographs, including the famous collage photograph of half of ![]() ![]() | |||||||||||
MISSING FROM Box 5 Routines. 5 individual, single and double column routines (not received), each complete, varying from 200 to 600 words apiece, each signed and dated by ![]() ![]() ![]() ![]() | |||||||||||
Box | Item | ||||||||||
10 | 1 | Academy Prospectus [J:537] | |||||||||
Preserved in original salmon (orange) colored legal size folder with note in ![]() ![]() | |||||||||||
1. Loose 23 page prospectus typed MS signed in several places by the author, written in 1973. This unpublished MS is a lengthy outline of a projected academy of advanced studies, which ![]() ![]() | |||||||||||
2. In large original envelope addressed to Richard Aaron, Esq., is a second 21 pp. set of photostats of the Academy Prospectus with a hand-written cover ALS from ![]() ![]() ![]() ![]() | |||||||||||
3. In a large original envelope addressed to Brion Gysin is yet another copy of the Academy Prospectus. This copy has a typed cover letter from Wm. ![]() ![]() | |||||||||||
10 | 2 | Revised Boy Scout Manual [J:504/505], 1963-1970 | |||||||||
Unpublished MS, suppressed by the author, contained in two files. (See Item 3) | |||||||||||
This eccentric "Manual" contains instructions to the underground concerning subversive activities, home-made weapons, de-centralization of all governmental agencies, and essentially essays methods for anarchists activities. | |||||||||||
The materials in these files included in the MS are entirely unpublished in this version, though some of the ideas developed by ![]() ![]() ![]() ![]() | |||||||||||
In original legal-size tan folder with note in Burrough's hand on front cover "William ![]() ![]() | |||||||||||
In front of file are 43 pp. photocopy of a circular entitled "The Revised Boy-Scout Manual/Bulletin 23/Revolutionary Weapons and Tactics" which is signed by ![]() ![]() | |||||||||||
This bulletin, apparently not typed by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
At the end of the portfolio is ![]() ![]() ![]() ![]() | |||||||||||
10 | 3 | Revised Boy Scout Manual [J:504/505], 1963-1970 | |||||||||
Unpublished MS, suppressed by the author, contained in two files. (See Introduction to Item 2.) | |||||||||||
Item 3 is in original letter-size maroon folder with note in Burrough's hand on front cover "Scout Manual & Ah Pook first drafts with unpublished material (valuable)" | |||||||||||
At beginning of folder the MS consists of 57 typed pp., signed and dated by ![]() ![]() ![]() ![]() | |||||||||||
At end of folder contains 11 pp. typed, with author's corrections, has miscellaneous drafts of materials which ![]() ![]() | |||||||||||
10 | 4 | Miscellaneous Cut-Ups and Materials: Lancaster Gate Period [J:498], 1961-1963 | |||||||||
This file preserved in original tan legal-size folder with notes on front cover in ![]() ![]() | |||||||||||
Folder contains a number of published and unpublished drafts of various manuscripts written by ![]() ![]() | |||||||||||
The Photo Collage. 20 pp. typed and holograph MS, unpublished. Except for the first 2 pp. this manuscript is typed and written on legal size sheets, and bears numerous corrections and alterations in ![]() ![]() | |||||||||||
Miscellaneous Cut Ups. 86 pp. typed and carbon MSS, of various cut ups, some with holograph alterations in ![]() ![]() | |||||||||||
Wild Boys 1st Drafts. 9 pp. legal size typed with drawings and holograph corrections by ![]() ![]() ![]() ![]() | |||||||||||
Box | |||||||||||
11 | Port of Saints: Materials Under Preparation | ||||||||||
Each of the original folders in this box has ![]() ![]() | |||||||||||
These folders contain the Port of Saints preparatory materials, First Drafts and 1973 Covent Garden Press Limited/Am Here Books Galleys. | |||||||||||
11 | 1 | Port of Saints: Materials Under Preparation (1 of 3; Pages 1-54) | |||||||||
Original Maroon folder with drawing pasted on of boys ready to fight, and back cover shows printing "I'll stick my knife right down your throat...." Folder has no other marking to indicate its contents. | |||||||||||
Contents: Letterhead of ![]() ![]() ![]() ![]() | |||||||||||
Numero Uno song. | |||||||||||
11 | 2 | Port of Saints: Materials Under Preparation (2 of 3; Pages 55-120) | |||||||||
Original maroon letter-size folder with note: "Material under preparation" in ![]() ![]() | |||||||||||
11 | 3 | Port of Saints: Materials Under Preparation (3 of 3; Pages 121-204) | |||||||||
Original grey letter size folder with picture of nude cowboys on cover. Dated Dec 16, 1971. Folder also has in red ink "Le Gran Luxe (in preparation) The Wild Boys" | |||||||||||
11 | 4 | Port of Saints: First Drafts (1 of 4) | |||||||||
Original maroon legal-size folder with picture pasted on front cover and written in ink "Marie Celeste" and at bottom "First Drafts for Port of Saints" | |||||||||||
All typed pages, red and black ink. First page is "Friday Bellevue 8, 1970." Hand-written top right corner "DR 150 @". Pages are not numbered. | |||||||||||
11 | 5 | Port of Saints: First Drafts (2 of 4) | |||||||||
Original blue letter-size folder with "Port of Saints first drafts" written on cover in ink. | |||||||||||
Pages are numbered in pencil right-hand corner in pencil. Not sequentially numbered. | |||||||||||
Inside cover of file has written in pencil: "41 pcs, 1 MSS, 1 cut-up." | |||||||||||
11 | 6 | Port of Saints: First Drafts (3 of 4) | |||||||||
Original maroon letter-size folder with picture pasted on front cover (i.e., crystal skull, etc.) and "Port of Saints" written in ink at bottom of cover. | |||||||||||
Typed in red and black ink. Some pages numbered. Some holographic corrections, etc. | |||||||||||
11 | 7 | Port of Saints: First Drafts (4 of 4) | |||||||||
Original maroon letter-size folder with Sunday Times, August 6, 1972 picture of boys with guns pasted on front cover. | |||||||||||
Typed pages. First page title in blue ink,"Where is my Cobra?" Pages unnumbered. | |||||||||||
11 | 8 | Port of Saints - Galleys | |||||||||
Did not have an original folder. | |||||||||||
Galleys of Port of Saints. First published in 1973 by Covent Garden Press Limited in conjunction with Am Here Books. | |||||||||||
133 pages with Title page, etc. | |||||||||||
Box | |||||||||||
12 | Correspondence | ||||||||||
Various letters and cards in separate folders. | |||||||||||
Item 1 Correspondence: TLS letter from B. Gysin (October 5, 1973) | |||||||||||
Item 2 Correspondence: TLS letter to B. Gysin (October 30, 1973) regarding filming of Naked Lunch. | |||||||||||
Item 3 Correspondence: TLS letter to A. Ginsberg (January 14, 1974) | |||||||||||
Item 4 Correspondence: Christmas cards signed by ![]() ![]() | |||||||||||
Item 5 Correspondence: TLS from Freddy de Vree, (March 7, 1973) | |||||||||||
Item 6 Correspondence: ALS to Allen De Loach (December 1971) | |||||||||||
Item 7 Exhibition announcements, invitations, 1996- | |||||||||||
Box | Folder | ||||||||||
13 | 1-6 | Scientology [J:514/519] | |||||||||
First six folders. These extremely personal and important folders contain the only surviving manuscript materials which relate to ![]() ![]() | |||||||||||
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
13 | 1 | Virus B-23. Dr. Lee's Notes and Audrey's Diary Charting Audrey's Case. Scientology File Connection [J:514] | |||||||||
This original green letter-size file folder has the above title written in ink in author's hand. | |||||||||||
Contains a complete holograph notebook, titled "Scientology Notes" signed by ![]() ![]() | |||||||||||
Of course, Dr. Lee and Audrey are both ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Also at the back of the file are 4 legal size Auditor's Report Forms, entirely filled out in ![]() ![]() | |||||||||||
13 | 2 | Scientology [J:515] | |||||||||
Original light blue folder, with title transcribed as above, in ![]() ![]() | |||||||||||
Contains 4 letters written to ![]() ![]() ![]() ![]() | |||||||||||
Printed materials relating to scientology. | |||||||||||
13 | 3 | Scientology [J:516] | |||||||||
Original maroon folder with title transcribed as above, in ![]() ![]() | |||||||||||
Contains 3 letters and corrected xerox typescript of ![]() ![]() | |||||||||||
13 | 4 | Scientology [J:517] | |||||||||
Original green folder with title transcribed as above, in ![]() ![]() | |||||||||||
Contains 2 carbons of letters from ![]() ![]() ![]() ![]() | |||||||||||
13 | 5 | Auditing [J:518] | |||||||||
Original maroon folder with title transcribed as above, in ![]() ![]() | |||||||||||
52 pp of highly personal audit of ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Also 6 pages of typed and holograph printed materials also present in the file. | |||||||||||
13 | 6 | W.B. RE - F. H. [J:519] | |||||||||
Original maroon folder with title transcribed as above, in ![]() ![]() | |||||||||||
63 pp. holograph audit of ![]() ![]() ![]() ![]() | |||||||||||
This audit delves into ![]() ![]() ![]() ![]() | |||||||||||
13 | 7 | Open Letter to Mister Gordon Mustain, 1970 | |||||||||
Original 9 pp. carbon typed sheets with holograph notations and corrections by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Letter is dated April 22, 1970. Was published in East Village Other 5, no. 31, 3, 25. New York, July 7, 1970. [C286] | |||||||||||
13 | 8 | Ah Pook is Here [J:512] | |||||||||
Consists of 2 original files in this folder. Fine condition, entirely unpublished novel. | |||||||||||
First one is tan colored with the following written on cover "Hart Episodes. Some unpublished material, Ah Puch is Here". | |||||||||||
Contains 5 separate sets. ![]() ![]() | |||||||||||
First set starts with red ink title: Ah Puch was here. Unpublished novel consisting of some 68 pp. typed, with heavy corrections and additions in ![]() ![]() | |||||||||||
2nd set starts with black ink title: The Unspeakable Mr. Hart, with ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
3rd set starts with pencil written "Ah Puch." And under it "Hiroshima...1945...August 6...23 Seconds Before 8 a.m." Consists of 47 pages of photocopied MS. | |||||||||||
4th set is 5 pp. of typed cut-ups."Sons of Your In" words of Rimbaud, by Corso and ![]() ![]() | |||||||||||
5th set contains numerous newspaper clippings and xeroxes used as source material by the author for this novel. | |||||||||||
Second file is original blue folder and is marked in the author's hand on the font cover "Ah Pook duplicates". Contains 12 pp. of various rejected passages from the novel is present. | |||||||||||
13 | 9 | G.O.D. [J:513] | |||||||||
Preserved in the original light blue legal size folder with notes and title written in pencil by ![]() ![]() | |||||||||||
The text of G.O.D. constitutes various possible endings for the Ah Pook is Here novel, although it is evident from ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
13 | 10 | Unspeakable Mr. Hart [J:536] | |||||||||
MS consists of 100 pp. typed, minor textual corrections here and there, signed by ![]() ![]() ![]() ![]() | |||||||||||
Altogether about 22,000 words. Although the text is marred by many false stops and starts, it certainly could be edited for publication. | |||||||||||
This large, unpublished MS novel represents ![]() ![]() ![]() ![]() | |||||||||||
Box | |||||||||||
14 | Photographs [J:554] | ||||||||||
Preserved in the original tan folder with flap, marked in ![]() ![]() | |||||||||||
Included in the collection are 28 separate envelope folders each individually marked by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Also in this file is a published photograph of ![]() ![]() ![]() ![]() | |||||||||||
The following folders (1-28) correspond the original photo-processing envelopes mentioned above and contain 441 photographs in total. | |||||||||||
Photographs in other boxes of the ![]() ![]() | |||||||||||
Box 1, Item 4: Unidentified male. In "Bob Yale drawings."
Box 3, Item 2: "Saturday Night," 1973 January 20. Photo by John Brady. Berdoz the Drummer. Photo by John Brady.
Box 3, Item 9: DeChadenedes, John.
Box 9, Folder 7: "To Uncle Bill." E and his sister Cosey, Apollo St., Marra Kech.
Box 9, Folder 11: The A.J. Restaurant. PSA ticket counter, 1972 December; circa 1973 Trinity Press. Woman and a young boy; circa 1973 Trinity Press.
Box 9, Folder 14: 6 photographs:
Painting by B.G projected on face of WSB by Ian Summerville. Beat Hotel, Paris 1961. 3.75" x 2.75" Negative
B.G. with Dreamachine cylinder in Rm. 25, Beat Hotel, Paris 1962. 3" x 3" Negative
Painting by B.G., fade in by WSB, Beat Hotel, 1960. 3.75" x 2.75" Negative
Painting by B.G., projected by Ian Sommerville onto face of B.G."Foto 1.5." 3.75" x 2.75" Negative
Cut photos - half BG, half WSB."Foto 1.5." Negative
Carl Weimar, 1972 July, Frankfort. 5" x 7" Negative
| |||||||||||
14 | 1 | Frakes, Moka Bar, British Museum. Exterior building shots, interior museum (3.5" x 3.5"; 12 Items) | |||||||||
14 | 2 | Street Shots, John and Richard Goron. On 1 building, Fortnum and Mason, also people in shots (3.5" x 3.5"; 19 Items) | |||||||||
14 | 3 | Montages, British museum, Masons' (?) yard. Bulk, exterior shots (3.5" x 3.5"; 11 Items) | |||||||||
14 | 4 | British museum. Scientology, London building (3.5" x 3.5"; 9 Items) | |||||||||
14 | 5 | Greece, zoo with color scenes (3.5" x 3.5"; 9 Items) | |||||||||
14 | 6 | Greece. Some people, WSB (?) and younger man in several photos (blurred) (3.5" x 3.5"; 4 Items) | |||||||||
14 | 7 | Greece. Scenery shots, unidentified young man in some (3.5" x 3.5"; 13 Items) | |||||||||
14 | 8 | Street scenes, many taken from window. Rosin on Peter St. Blue Mountain Cafe. 92: Edwin R. Cooper Ltd, Chemist (3.5" x 3.5"; 17 Items) | |||||||||
14 | 9 | Zoo animals, 1983 July 1 (Color; 3.5" x 3.5"; 6 Items) | |||||||||
14 | 10 | Building exteriors (1972 December 12). Resham Travels. 113:Rowey's. 92: Edwin R. Cooper Ltd, Chemist/Savoy Baths (young man in doorway). City of Westminister, Princess Palace on Duke Street, 1972 December 12 (3.5" x 3.5"; 20 Items) | |||||||||
14 | 11 | Street scenes/ Building exteriors. Unidentified male. Hartnell. Bury St. (3.5" x 3.5"; 8 Items) | |||||||||
14 | 12 | Street scenes/Building exteriors and negatives. Post Office. Baron on Eagle Place. Golden Nugget. Swiss Tavern. L'epicure, next to Moka Bar. Lexington Street (3.5" x 3.5"; 12 Items) | |||||||||
14 | 13 | Unidentified people (3.5" x 3.5"; 6 Items | |||||||||
14 | 14 | Unidentified buildings [Gibralter]. Buildings and street scenes. Ragged Staff Gaurd. Beach. Gache and Co. (3.5" x 3.5"; 34 Items) | |||||||||
14 | 15 | No envelope received | |||||||||
14 | 16 | Some building and street scenes (Assorted Sizes; 36 Items) | |||||||||
14 | 17 | London street scene and John Brody, 1972 July (Color; 3.5" x 3.5"; 11 Items) | |||||||||
14 | 18 | "Flood pictures ref. Scrapbook 3" (3.5" x 3.5"; 0 Items | |||||||||
14 | 19 | Miscellaneous street scenes and buildings. WSB (?) in arid area. WM Page and Co. Maxims Revue. Cavendish. Laporte de Paris. (Brody?). Burlington Arcade. Simpson (3.5" x 3.5"; 14 Items) | |||||||||
14 | 20 | Beach and water scenes (4.5" x 3.25"; 11 Items) | |||||||||
14 | 21 | Street and building scenes, New York. Shanghai Lounge (April 1960s). Chatham Clothes (December 1964). Interior of kitchen. Ungers Hosiery Shop. U.S. Post Office, Howard Station, N.Y. Sun Sing Theatre. Sun Hop Soon. Globe Machinery. Dave's Bar. Garcia y Vega, 1960s (5" x 3.5"; 67 Items) | |||||||||
14 | 22 | Building and street scenes, New York. NY City, Jimmy's Produce. Globe Machinery (May 1965). Dave's Bar (April 1960s). Rubble in alley (May 1965). Garcia y Vega on 7th Ave. (May 1965), 1960s (5" x 3.5"; 18 Items) | |||||||||
14 | 23 | Zoo/Street scenes (May 1965). Lions. Swig Lounge. Parade with troops, etc. Unidentified male, 1965 May (3.5" x 3.5"; 35 Items) | |||||||||
14 | 24 | Street scenes (July 1965). Peddler with cart, 1965 July (5" x 3.5"; 16 Items) | |||||||||
14 | 25 | Pictures from H.A. Soferco Jr. International Boys Circus and misc., colored in Madison Square Garden and misc. (5" x 3.5"; 8 Items) | |||||||||
14 | 26 | Miscellaneous pictures and newsclips (3.5" x 3.5"; 26 Items) | |||||||||
14 | 27 | Miscellaneous colored photos. Unidentified male (5.25" x 3.5"; 4 Items) | |||||||||
14 | 28 | Miscellaneous. Desert and rock scenes. One collage. (4.75" x 7" and 7" x 9"; 15 Items) | |||||||||
14 | 29 | Bicycle Gang, West 107st, New York, T. Lesley. Inmates: The Tombs (Spring 1972), T. Lesley (Mounted on Board; 8" x 8"; 2 Items) | |||||||||
14 | 30 | Wm S. ![]() ![]() | |||||||||
See also framed portrait for exhibit purposes, Special Collections stacks, Range 8, Framed Section 1, Shelf 8. | |||||||||||
14 | 31 | "Spare Ass Annie" Photograph. Rono Tse, WSB, Michael Franti (8" x 10") | |||||||||
Box | Item | ||||||||||
PXL-153 | Plate 26 | Robert Mapplethorpe, 1970-1983 | |||||||||
Shelf | |||||||||||
8 | Framed photo | ||||||||||
See Box 14 (listed in Series I). | |||||||||||
Box | |||||||||||
C-2379 | Mapplethorpe. Certain People. | ||||||||||
Box | |||||||||||
15-18 | Clippings [J:555] | ||||||||||
Source Material Files and Cut Ups | |||||||||||
61 individual folders, filled with ![]() ![]() ![]() ![]() | |||||||||||
All of these materials were used by ![]() ![]() ![]() ![]() | |||||||||||
These files contain literally thousands upon thousands of materials, some of which are marked by the author, and all of which have some bearing on the major portion of his work. The reputation that ![]() ![]() ![]() ![]() | |||||||||||
Undoubtedly, the materials contained in these files, which have never been examined by any scholars and which the author kept for some 16 years with him wherever he was living and writing, will reveal a good deal of scholarly information regarding sources for the better part of ![]() ![]() | |||||||||||
61 separate files, in 4 boxes, a few large enclosed envelopes containing cut ups from various MSS. | |||||||||||
Box | Folder | ||||||||||
15 | 1 | Pictures of People | |||||||||
15 | 2 | Virus | |||||||||
15 | 3 | VS (contains reviews of Soft Machine, articles about drug use, pornography, brutality and crimes. | |||||||||
15 | 4 | Clippings: art catalogs, and literary materials | |||||||||
15 | 5 | Riots | |||||||||
15 | 6 | People | |||||||||
15 | 7 | New Speak | |||||||||
15 | 8 | Writers | |||||||||
15 | 9 | Howard Brookner | |||||||||
Box | Folder | ||||||||||
16 | 1 | Two files: Tan file: "23 & 52" and blue file: "Clippings" | |||||||||
16 | 2 | In menu for American Export Isbrandtsen Lines the S. S. Independence. Has Clippings about travel, etc. | |||||||||
16 | 3 | "Looking Back" | |||||||||
16 | 4 | Intersections | |||||||||
Contains tearsheets from Playboy regarding article "Youth - the Oppressed Majority" where ![]() ![]() | |||||||||||
16 | 5 | Rub out the White word | |||||||||
16 | 6 | Floods, tornados, earthquakes and air crashes | |||||||||
16 | 7 | The Flesh | |||||||||
16 | 8 | The Dutchman (about Dutch Schultz's Last Words) | |||||||||
Discusses Dutch Schultz's last words. | |||||||||||
16 | 9 | Disaster | |||||||||
16 | 10 | Clark Street | |||||||||
16 | 11 | Art and science | |||||||||
16 | 12 | Allen Ginsberg | |||||||||
Box | Folder | ||||||||||
17 | 1 | 70 News Clippings | |||||||||
17 | 2 | Belli (folder #223) | |||||||||
17 | 3 | In envelope #221, 22 Clippings, called "The Eel and Coordinates" | |||||||||
17 | 4 | In envelope #220, called "Intersections Specials" | |||||||||
17 | 5 | In blue folder #220, called "Newspeak" | |||||||||
17 | 6 | In salmon/pink folder #224, called "Clippings" | |||||||||
17 | 7 | Folder #215, called "New York Times" and Folder #213, called "Lundi 8 Juin 1964" | |||||||||
17 | 8 | In mailing envelope to ![]() ![]() | |||||||||
17 | 9 | Brown accordian folder #23, with skull and crossbones drawn on in black marker. | |||||||||
17 | 10 | Mailing envelope, #237 labeled "Mis. Souvenirs" | |||||||||
17 | 11 | St. Louis brochures | |||||||||
17 | 12 | Reviews of ![]() ![]() | |||||||||
Box | Folder | ||||||||||
18 | 1 | Tan folder #32, "Letters to the Editor" Clippings | |||||||||
18 | 2 | Maroon folder #4, "Reviews Unfavorable" | |||||||||
18 | 3 | Tan folder #209, labeled "Clippings used in tapes" | |||||||||
18 | 4 | Tan folder #44, labeled "Crime" | |||||||||
18 | 5 | Copy of Kontexts No. 8, 1976 Spring | |||||||||
Moved to BU-MOS #75. | |||||||||||
18 | 6 | Copy of International Times #18, 1967 August 31-September 13 | |||||||||
Moved to BU-MOS #76. | |||||||||||
18 | 7 | Copy of Times Literary Supplement containing review of "The Yage Letters", 1964 | |||||||||
Moved to BU-MOS #33. | |||||||||||
18 | 8 | Blue folder #41, labeled, "Drugs", and Tan folder #42, labeled "Drugs" | |||||||||
18 | 9 | Blue folder #35, labeled "Scout Manuel [sp] and weapons (Valuable)", but only has a few clippings of Jerusalem, and plants. | |||||||||
18 | 10 | St. Louis Post Dispatch, with number 208 on cover. | |||||||||
18 | 11 | Envelope #Folio 202, labeled, "St. Louis" | |||||||||
18 | 12 | Blue folder #210, labeled, "40 Clippings" | |||||||||
18 | 13 | Tan folder #224, labeled, "58 picture ________" | |||||||||
18 | 14 | Miscellaneous in maroon folder #31 | |||||||||
18 | 15 | Clippings about ![]() ![]() | |||||||||
18 | 16 | Clippings about ![]() ![]() | |||||||||
18 | 17 | Clippings about ![]() ![]() | |||||||||
18 | 18 | Clippings and exhibition information, 1994-1997 | |||||||||
18 | 19 | Obituaries, 1997 August | |||||||||
See also BU-MOS.077. | |||||||||||
18 | 20 | Clippings and exhibition information, 1998- |
Series II: Blue Slipcased Materials | |||||||||||
Box | |||||||||||
19 | Early Routines by William S. ![]() ![]() | ||||||||||
Includes ![]() ![]() | |||||||||||
[450] "Twilight's Last Gleamings": 6 page typescript with a number of holograph corrections by ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
[467] "Chumu Skit": 2 pp. routine typescript, written primarily in The Naked Lunch style, with title written at top of both pages in holograph. Signed by ![]() ![]() | |||||||||||
[468]: Also a 2 pp. carbon of "Chumu Skit" with different holograph corrections. Additional pieces of material. | |||||||||||
Box | |||||||||||
20 | Drafts and Unpublished Film Manuscript of The Wild Boys by William S. ![]() ![]() | ||||||||||
Item Descriptions: 55, 75, 78. | |||||||||||
[523/525]: The Wild Boys (4 Files) | |||||||||||
The first file contains the most important materials. This file contains the complete extant first drafts (1968-1972) of various passages from The Wild Boys. The MS consists of 92 pp. typed drafts, many of which bear extensive additions and alterations in the author's hand in various colored inks, as well as several holograph pages. Because this entire MS is typed with an elite machine and is almost completely
single-spaced, we estimate that it contains well over 175,000 words. ![]() ![]() | |||||||||||
This massive MS contains lengthy sections that were discarded by ![]() ![]() ![]() ![]() | |||||||||||
Enclosed together with Wild Boy Film Ideas portfolio in cloth slipcase with Morocco label. | |||||||||||
Second file. "Unpublished materials from Wild Boys also layouts and first drafts ... old duplicates." 14 pp of miscellaneous drafts of passages from The Wild Boys, mostly carbons. Notes in the author's hand on orange file cover. Folio 22A. | |||||||||||
Third file. "Wild Boys Hard Core Porn Movie and Chinese Bongsae Film Idea ... Distinct file." 26 pp. various sizes with a few holograph corrections, mostly carbon cut ups. Entirely unpublished material preserved in the original red folder with notes on front cover in the author's hand. Folio 22. | |||||||||||
Fourth file. "Wild Boys Film Notes Valuable." This file contains numerous clippings and several pages of typed notes regarding The Wild Boys and used as source material for the film. Preserved in red folder with note in ![]() ![]() | |||||||||||
Box | |||||||||||
21 | Original Manuscript of Operation Soft Machine/'Rub Out the Word' by William S. ![]() ![]() | ||||||||||
Item Description: 51 | |||||||||||
72 pages MS by William ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
![]() ![]() ![]() ![]() | |||||||||||
MS is in fine condition with all leaves individually preserved in slip-out plastic folders, and the whole enclosed in cloth slipcase with morocco leather. | |||||||||||
Box | |||||||||||
22 | Drafts and Final Manuscript of Exterminator by William S. ![]() ![]() | ||||||||||
Item Descriptions: 59, 61, 62. | |||||||||||
[507] Exterminator First Draft and Source Materials | |||||||||||
Remarkable file contains 40 pp. typed with massive holograph corrections virtually on every page, of the earliest drafts of various sections from Exterminator. The file breaks down into roughly seven sections, and ![]() ![]() | |||||||||||
Nearly 10,000 words of early drafts, and related routines that ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Published, but in revised form. Preserved together with other Exterminator files in cloth slipcase with morocco label. | |||||||||||
[509] Drafts Exterminator and Port of Saints | |||||||||||
File contains 45 pp. of various early drafts of Exterminator and Port of Saints, as well as some miscellaneous drafts from The Wild Boys. 3 pp. in holograph, the remainder in typescript and carbon. Quite a number of photocopied pages are also in the folder, some bearing editorial marks in ![]() ![]() | |||||||||||
Preserved in original red folder with ![]() ![]() | |||||||||||
[510] The Exterminator | |||||||||||
The complete MS of this entire book, published by the Viking Press in 1973 (Maynard and Miles A23a). This was the actual copy sent by ![]() ![]() ![]() ![]() | |||||||||||
Composition of the MS ranges from 1966 to 1972. MS consists of 75 pp. made up by ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
A second file containing copies of various parts of the MS is present. This file is marked on the front cover in the author's hand and initialled "Exterminator copies 2 copies of each W.S.B." | |||||||||||
Very fine, published. Note: ![]() ![]() ![]() ![]() | |||||||||||
Preserved in slipcase with morocco label, together with drafts of Exterminator and Port of Saints and Exterminator first drafts and source material files. | |||||||||||
Box | |||||||||||
23 | First Draft Manuscript of Numero Uno Nu by William S. ![]() ![]() | ||||||||||
[545] | |||||||||||
The original first draft manuscript, 190 pages, of Numero Uno Nu, an unpublished novel, which was entirely rewritten by ![]() ![]() ![]() ![]() | |||||||||||
Pages 35, 91 and 99 in the numbering of the manuscript are missing, but in a note in ![]() ![]() | |||||||||||
![]() ![]() | |||||||||||
Contained in the original legal-size red folder with title written in magic marker on front cover in the author's hand, and signed by him. Folder shows some wear, else fine. This is the only extant version of the novel, and differs so completely from reworked and retitled version as to constitute an unpublished novel. Unpublished in this version. Enclosed with Folio 15b in slipcase with morocco label. | |||||||||||
Also a second file containing 28 pp. of miscellaneous carbon drafts form Port of Saints, approximately 3500 words. Partially unpublished. | |||||||||||
Preserved in the original red legal-sized folder with title in author's hand on front cover in ink. | |||||||||||
Folio 15 & 16. | |||||||||||
Box | |||||||||||
24A-B | Setting Manuscript and Proofs for The Third Mind by William S. ![]() ![]() | ||||||||||
Item Description: 60 | |||||||||||
[508] | |||||||||||
A fascinating file of unique materials and manuscript drafts of the original version of The Third Mind. This novel by ![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
Included in the file are three separate color proofs of dust-jacket designs for the book, with notes in the designer's hand making alterations. The complete set of original typeset veloxes, each sheet measuring 15" x 12", is present: amounting to over 750 pages, each with numerous annotations and suggestions about typographical alterations in the printer's and various editor's hands. Approximately 50 transparencies with type to be cut into the text are present, as well as several dozen proof pulls on proofing paper from various sections of the book. | |||||||||||
In a separate light red folder, with note in Brion Gysin's hand on front cover, the complete set of original photostats of the entire mock-up MS is present, amounting to over 200 pp. with about 10 pp. in original typescript. There are a number of holograph proposals and alterations in various (probably editorial) hands on a number of these mock-up pages. | |||||||||||
A unique and enormous file. The Third Mind was finally published by Viking Press in 1978, with the text changed from this abandoned original publication. Of considerable scholarly interest, this is the only instance in ![]() ![]() ![]() ![]() | |||||||||||
Series III: Magazines | |||||||||||
BU-MAG.001 | "The Future Of Sex And Drugs" in Mayfair (Volume or Publication 2/10; Page 11) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.002 | "Where's Our Killer Whistle" in Mayfair (Volume or Publication 2/12; Page 54) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.003 | "By Far The Most Efficient & Precise Language We Possess Is The Common Cold" in Mayfair (Volume or Publication 3/03; Page 54) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.004 | "The Fire Breaks Out" in Mayfair (Volume or Publication 3/04; Page 32) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.005 | "In That Year Of 1969 Astonished Motorists Were Hustled At Random into The Death Cells For Parking Offenses" in Mayfair (Volume or Publication 3/05; Page 54) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.006 | "Switch On And Be Your Own Hero" in Mayfair (Volume or Publication 3/06; Page 53) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.007 | "The Acadamy's Ultimate Offer-Immunity To Death" in Mayfair (Volume or Publication 3/07; Page 52) by ![]() ![]() | ||||||||||
The ![]() ![]() ![]() ![]() | |||||||||||
BU-MAG.008 | "Do You Remember Tomorrow?" in Mayfair (Volume or Publication 3/08; Page 28) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.009 | "Oh God, Get Me Out Of This!" in Mayfair (Volume or Publication 3/09; Page 32) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.010 | "Wind Die You Die We Die" in Mayfair (Volume or Publication 3/10; Page 52) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.011 | "Rally Round the Secrets, Boys" in Mayfair (Volume or Publication 4/01; Page 52) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.012 | "Infiltration" in Mayfair (Volume or Publication 4/02; Page 52) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.013 | "The Brain Grinders" in Mayfair (Volume or Publication 4/04; Page 32) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.014 | "I'm Scared, I'm Scared, I'm Not" in Mayfair (Volume or Publication 4/05; Page 52) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.015 | "The Final Crusade Of The Veteran Warriors" in Mayfair (Volume or Publication 4/06; Page 52) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.016 | "The Voracious Aliens" in Mayfair (Volume or Publication 4/08; Page 32) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.017 | "Days Of Great Luxury Are Coming Back" in Mayfair (Volume or Publication 4/09; Page 54) by ![]() ![]() | ||||||||||
The ![]() ![]() | |||||||||||
BU-MAG.018 | "The Transplant Apocalyse" in Mayfair (Volume or Publication 5/02; Page 32) by ![]() ![]() | ||||||||||
Spare-part surgery. [c267] | |||||||||||
BU-MAG.019 | "Mr. ![]() ![]() | ||||||||||
Defending Scientology. | |||||||||||
BU-MAG.020 | "D.E. My Super-Efficiency System" in Mayfair (Volume or Publication 5/07; Page 52) by ![]() ![]() | ||||||||||
New success system. [c279] | |||||||||||
BU-MAG.021 | "Twilight's Last Gleamings" in Mayfair (Volume or Publication 5/12; Page 61) by ![]() ![]() | ||||||||||
(This is not the ![]() ![]() | |||||||||||
BU-MAG.022 | "Heroin Maintenance" in New Times (Volume or Publication 9/10; Page 58) by ![]() ![]() | ||||||||||
Methadone maintenance a bigger addiction. [*] | |||||||||||
BU-MAG.023 | "Brief Encounters" in Vanderbilt Review (Page 277) by White, Michael, 1986 Spring | ||||||||||
Includes ![]() ![]() | |||||||||||
BU-MAG.024 | "Martine Torheit" in Mama (Volume or Publication 0/16; Page 04), 1966 March | ||||||||||
German magazine. | |||||||||||
BU-MAG.025 | "Diggers" in Realist, The (Volume or Publication 0/81), 1968 August | ||||||||||
![]() ![]() | |||||||||||
BU-MAG.026 | "Out Show Window And We're Proud Of It" in Floating Bear, The (Volume or Publication 0/5; Page 6) by ![]() ![]() | ||||||||||
One Page short story on a newsletter, has 3 cent stamp. [c31] | |||||||||||
BU-MAG.027 | "Roosevelt After Inauguration" in Floating Bear, The (Volume or Publication 0/9; Page 8) by ![]() ![]() | ||||||||||
Newsletter signed by ![]() ![]() | |||||||||||
BU-MAG.028 | "The Revised Boy Scout Manual" (Exerpt) in Re/Search (Volume or Publication 0/4-5; Page 5) by ![]() ![]() | ||||||||||
"Early Routines" (2 Exerpts; p. 12); "The Place Of Dead Roads" (2 Exerpts; p. 16); "Interview" (p. 20); "Cities Of The Red Night" (A Chapter Not Included; p. 28); and "The Cut Up Method of Brion Gysin" (2 Copies; p. 35). [*]. | |||||||||||
BU-MAG.029 | "![]() ![]() | ||||||||||
Maintains ![]() ![]() | |||||||||||
BU-MAG.030 | "A Wm. S. ![]() ![]() | ||||||||||
Biographical article with TLS from Skerl tipped in. Chronological listing of works. | |||||||||||
BU-MAG.031 | Inkblot (Volume or Publication 1/1), 1983 Spring | ||||||||||
![]() ![]() | |||||||||||
BU-MAG.032 | Ink-flash issue of Inkblot (Volume or Publication 0/3), 1984 May | ||||||||||
![]() ![]() | |||||||||||
BU-MAG.033 | Dripping ink issue of Inkblot (Volume or Publication 0/4), 1985 January | ||||||||||
![]() ![]() | |||||||||||
BU-MAG.034 | "Information about the Operation: A Portrait of William ![]() ![]() | ||||||||||
Tape recorded interview of ![]() ![]() | |||||||||||
BU-MAG.035 | "Portugal: Stopover in Madeira" in Traveler's Digest (Volume or Publication 1/1; Page 2) by ![]() ![]() | ||||||||||
Photographs by Wm. ![]() ![]() | |||||||||||
BU-MAG.036 | "Everywhere March Your Head" in Locus Solus II (Volume or Publication #2(?); Page 148) by ![]() ![]() | ||||||||||
G. Corso & A. Rimbaud and p.150 "Sons of Your In" are cut-ups of Rimbaud's "To a Reason". | |||||||||||
BU-MAG.037 | "Burning Heavens, Idiot" in Insect Trust Gazette (Volume or Publication 1/1; Page 21) by ![]() ![]() | ||||||||||
Story. | |||||||||||
BU-MAG.037 | "Grids" in Insect Trust Gazette (Volume or Publication 1/1; Page 27), 1964 Summer (2 Copies) | ||||||||||
Experiment of passing prose through grid and a letter explaining process. | |||||||||||
BU-MAG.038 | "William ![]() ![]() | ||||||||||
German Text. | |||||||||||
BU-MAG.039 | "![]() ![]() | ||||||||||
French text, cut-up style. | |||||||||||
BU-MAG.040 | "Animadversion On The Naked Lunch" in Glasgow Review (Volume or Publication 1/4; Page 10) by Gray, John, 1964 Winter-1965 | ||||||||||
Review of Naked Lunch. | |||||||||||
BU-MAG.041 | The Last Words of Hassan-i-Sabbah; On cover "In Am Here Books Catalogue" (Volume or Publication 0/5) by ![]() ![]() | ||||||||||
(Post modern) in tickertape format across the tops of pages 1-146. A 45 RPM phonograph record of ![]() ![]() | |||||||||||
BU-MAG.041 | Last Words of Hassan-i-Sabbah (Volume or Publication 0/5) by ![]() ![]() | ||||||||||
In Am Here Catalogue #5. | |||||||||||
BU-MAG.042 | Photo of ![]() ![]() | ||||||||||
And an accompanying poem by David Ignatow. | |||||||||||
BU-MAG.043 | "Lost Chapter of Naked Lunch" in Avec (Volume or Publication 1/1; Page 63) by ![]() ![]() | ||||||||||
Naked Lunch | |||||||||||
BU-MAG.044 | "Energey & How to Get it" in CoEvolution Quarterly (Volume or Publication 0/29; Page 46) by Frank, Robert, 1981 Spring | ||||||||||
Pictures of ![]() ![]() | |||||||||||
BU-MAG.045 | "Fun and Games, What" in East Side Review (Volume or Publication 1/1; Page 74) by ![]() ![]() | ||||||||||
Short Story. | |||||||||||
BU-MAG.046 | "Life With Father" in Esquire (Volume or Publication 76/3; Page 113) by ![]() ![]() | ||||||||||
Smiling Picture of ![]() ![]() | |||||||||||
BU-MAG.047 | "They just fade away" in Evergreen Review (Volume or Publication 0/32; Page 64) by ![]() ![]() | ||||||||||
Exerpt of new novel (?) Also p. 57, "Cut up" by Brion Gysin, explains techniques.[c73] | |||||||||||
BU-MAG.048 | "The Dead Child" in Evergreen Review (Volume or Publication 15/94; Page 33) by ![]() ![]() | ||||||||||
[c321] Selection from The Wild Boys; ![]() ![]() | |||||||||||
BU-MAG.049 | "Dream Voices of Technical Tilly" in Bouillabaisse (Volume or Publication 0/0; Page ?) by ![]() ![]() | ||||||||||
Short story. Debut Issue. Beat authors. | |||||||||||
BU-MAG.050 | "Mother And I Would Like To Know" in Evergreen Review (Volume or Publication 0/67; Page 35) by ![]() ![]() | ||||||||||
And "Journey Through Time-Space (![]() ![]() | |||||||||||
BU-MAG.051 | "Points Of Distinction Between Sedative and Consciousness-Expanding Drugs" in Evergreen Review (Volume or Publication 0/34; Page 72) by ![]() ![]() | ||||||||||
[c89] | |||||||||||
BU-MAG.052 | "Day The Records Went Up" in Evergreen Review (Volume or Publication 0/60; Page 47) by ![]() ![]() | ||||||||||
[c215] | |||||||||||
BU-MAG.053 | "Parenthetically 7 Hertz," in Klacto/23 Special (Volume or Publication 0/0; Page 43) by ![]() ![]() | ||||||||||
Re: L. Ron Hubbard's Engrams: words recorded in the state of unconsciousness. Also Alan Ginsberg, Charles Bukowski, Timothy Leary articles.[c174] | |||||||||||
BU-MAG.054 | "Soldier's Pay" in Fervent Valley (Volume or Publication 0/0; Page 2) by ![]() ![]() | ||||||||||
Short story. | |||||||||||
BU-MAG.055 | "Civilian Defense" in Heavy Metal (Volume or Publication 4/11; Page 4) by ![]() ![]() | ||||||||||
Essay. | |||||||||||
BU-MAG.056 | "Rock Magic" in Crawdaddy (Volume or Publication 0/0; Page 34) by ![]() ![]() | ||||||||||
![]() ![]() | |||||||||||
BU-MAG.057 | "Time of The Assassins" in Crawdaddy (Volume or Publication 0/0; Page 12) by ![]() ![]() | ||||||||||
Debut column about writing a best-seller [*] | |||||||||||
BU-MAG.058 | "Time of the Assassins" in Crawdaddy (Volume or Publication 0/0; Page 12) by ![]() ![]() | ||||||||||
Column: "The word as a virus." [*] | |||||||||||
BU-MAG.059 | "Time of the Assassins" in Crawdaddy (Volume or Publication 0/0; Page 12) by ![]() ![]() | ||||||||||
Column: "On CIA, black magic and the heart attack machine." [*] | |||||||||||
BU-MAG.060 | "Time of the Assassins" in Crawdaddy (Volume or Publication 0/0; Page 12) by ![]() ![]() | ||||||||||
Column: "on Cia, LSD and biological warfare." [*] | |||||||||||
BU-MAG.061 | "Time of the Assassins" in Crawdaddy (Page 12) by ![]() ![]() | ||||||||||
Column: "How 18th centrury pirate communities would have saved the world." [*] | |||||||||||
BU-MAG.062 | "Time of the Assassins" in Crawdaddy (Page 12) by ![]() ![]() | ||||||||||
Column: "Purpose of writing and art". [*] | |||||||||||
BU-MAG.063 | "Time of the Assassins" in Crawdaddy (Page 12) by ![]() ![]() | ||||||||||
Column: "Lifeboat politics, Mayan Caper and Limits of control". [*] | |||||||||||
BU-MAG.064 | "Time of the Assassins" in Crawdaddy (Page 12) by ![]() ![]() | ||||||||||
Column: "Assassination, CIA & the conservative buffoon, Wm. F. Buckley." [*] | |||||||||||
BU-MAG.065 | "It Belongs To The Cucumbers" in Crawdaddy (Page 30) by ![]() ![]() | ||||||||||
Column: Konstantin Raudive discovery of unexplained voices on tapes. [*] | |||||||||||
BU-MAG.066 | "Time of the Assassins" in Crawdaddy (Page 16) by ![]() ![]() | ||||||||||
Column: Where writers get ideas. Naked Lunch. [*] | |||||||||||
BU-MAG.067 | "Time of the Assassins" in Crawdaddy (Page 12) by ![]() ![]() | ||||||||||
Column: Purity of motive of anti-heros. [*] | |||||||||||
BU-MAG.068 | "Time of the Assassins" in Crawdaddy (Page 12) by ![]() ![]() | ||||||||||
Column: "Life as young paranoid out-and-out queer junkie con." [*] | |||||||||||
BU-MAG.069 | "Time of the Assassins" in Crawdaddy (Page 12) by ![]() ![]() | ||||||||||
Column: a short story. No title. | |||||||||||
BU-MAG.070 | "Time of the Assassins" in Crawdaddy (Page 12) by ![]() ![]() | ||||||||||
Column: Exerpt from novel, Cities of the Red Night. [*] | |||||||||||
BU-MAG.071 | "Time of the Assassins" in Crawdaddy (Page 12) by ![]() ![]() | ||||||||||
Column: Where he got his ideas for stories. [*] | |||||||||||
BU-MAG.072 | "Immortality" in Heavy Metal (Volume or Publication 5/2; Page ?) by ![]() ![]() | ||||||||||
Essay. | |||||||||||
BU-MAG.073 | "Kicking Drugs: A Very Personal Story" in Harper's (Volume or Publication 235/1406; Page 39) by ![]() ![]() | ||||||||||
Recalls experience of drug addiction and escape. [c170] | |||||||||||
BU-MAG.074 | "William ![]() ![]() ![]() ![]() | ||||||||||
[c35] | |||||||||||
BU-MAG.075 | "William ![]() ![]() ![]() ![]() | ||||||||||
[*] | |||||||||||
BU-MAG.076 | "Man You Voted for a Goddamn Ape" in Mayfair (Volume or Publication 3/12; Page 52) by ![]() ![]() | ||||||||||
![]() ![]() | |||||||||||
BU-MAG.077 | "William ![]() ![]() ![]() ![]() | ||||||||||
"The Border City," p.(3), "The Danish Operation," p.(19), "The Cut," p.(21) [c84, c85, c86] Laid in Rose colored glasses. | |||||||||||
BU-MAG.078 | "Martin's Folly" in Cleft (Volume or Publication 1/1; Page 18) by ![]() ![]() | ||||||||||
[c60] | |||||||||||
BU-MAG.079 | "The Mayan Caper" in Gambit (Page 26) by ![]() ![]() | ||||||||||
New University Review, Scotland. Review of "The Ticket that Exploded", [c58] | |||||||||||
BU-MAG.080 | "Abstract" in Milkrocosmos (Volume or Publication 0/14; Page 01), 1969 | ||||||||||
Wichita State University. [c238] | |||||||||||
BU-MAG.081 | "Letter Out of Nowhere" in Doris (Volume or Publication l/?; Page 26) by ![]() ![]() | ||||||||||
Cut-up by ![]() ![]() | |||||||||||
BU-MAG.082 | "Naked Lunch" in Pulse (Volume or Publication 0/101; Page 70), 1992 February | ||||||||||
David Cronenberg film Naked Lunch. | |||||||||||
BU-MAG.083 | "Without Your Name, Who Are You?" in Mayfair (Volume or Publication 5/03; Page 52) by ![]() ![]() | ||||||||||
Power of words. Also, p. 55, "![]() ![]() | |||||||||||
BU-MAG.084 | "Wilt Caught in Time" in Outsider (Volume or Publication 1/2; Page 3) by ![]() ![]() | ||||||||||
Poem. | |||||||||||
BU-MAG.085 | "After the Inauguration" in Notes From Underground (Volume or Publication 0/3; Page 30), 1970 | ||||||||||
"Roosevelt After Inauguration" text with the names changed to those of contemporary politicians by the editors, John Bryan and Jan Herman. [c293] | |||||||||||
BU-MAG.086 | "The Last Words of Dutch Schultz" in Atlantic Monthly (Volume or Publication 223/6; Page 72) by ![]() ![]() | ||||||||||
[c228] | |||||||||||
BU-MAG.087 | "Comic book" in Arcade (Comic Book) (Volume or Publication 1/1), 1975 Spring | ||||||||||
![]() ![]() ![]() ![]() | |||||||||||
BU-MAG.088 | "Anti-Junk" in Books and Bookman (Volume or Publication 12/2; Page 19) by ?, 1966 November | ||||||||||
Article about his drug addiction. [c156] | |||||||||||
BU-MAG.089 | "Exterminator!" in King (Volume or Publication 0/0; Page 58) by ![]() ![]() | ||||||||||
Short story. [c148] | |||||||||||
BU-MAG.090 | "Qui est le - Marche a vos cotes - Ecrit 3" in Poudier De Dent (Volume or Publication 0/1) | ||||||||||
BU-MAG.091 | "Electronic Revolution" in Apeiros (Volume or Publication No. 2) by ![]() ![]() | ||||||||||
With Brion Gysin, "Lime stone skulls rain in the young maize." | |||||||||||
BU-MAG.092 | "The Baron Flies Again" in Vanity Fair (Volume or Publication 46/91; Page 04) by ![]() ![]() | ||||||||||
A section of In the Place of Dead Roads. | |||||||||||
BU-MAG.093 | "Fare To Face With The Goat God" in Oui (Volume or Publication 2/8; Page 68) by ![]() ![]() | ||||||||||
Also includes a biographic article by Craig Karpel. [c348] | |||||||||||
BU-MAG.094 | "A Lecture" in Loka 2 (Page 115) by ![]() ![]() | ||||||||||
Journal from Naropa Institute. Relationship of ESP & creative process. | |||||||||||
BU-MAG.095 | "Playback From Eden To Watergate" in Harper's (Volume or Publication 247/1482; Page 84) by ![]() ![]() | ||||||||||
Proposal to let word virus loose into the national bloodstream. [c353] | |||||||||||
BU-MAG.096 | "The Drug Revolution" in Playboy (Volume or Publication 17/2; Page 53) by Panel, 1970 February | ||||||||||
![]() ![]() | |||||||||||
BU-MAG.097 | "Nova Express" in Second Coming (Volume or Publication 1/3; Page 44) by ![]() ![]() | ||||||||||
Chapter from "Nova Express". [c42] | |||||||||||
BU-MAG.098 | "Comic book" in Arcade (Comic Book) (Volume or Publication 1/2), 1975 Summer | ||||||||||
Comic book. ![]() ![]() | |||||||||||
BU-MAG.099 | "Composite Text" in Underground Telegram (Volume or Publication /1; Page 11) by ![]() ![]() | ||||||||||
Short story. [*] | |||||||||||
BU-MAG.100 | Pot (Volume or Publication 7/1), 1972 July | ||||||||||
German publication. [c331] | |||||||||||
BU-MAG.101 | Parvis a L'echo des Cils by ![]() ![]() | ||||||||||
Pages from Burrough's St. Louis journal. | |||||||||||
BU-MAG.102 | "Ali's Smile" in Sixpack (Volume or Publication No. 2; Page 3) by ![]() ![]() | ||||||||||
Short story. [c337] | |||||||||||
BU-MAG.103 | "A Distant Hand Lifted" in Cleft (Volume or Publication 1/2; Page 4) by ![]() ![]() | ||||||||||
University quarterly, Edinburgh. [c74] | |||||||||||
BU-MAG.104 | "Pry Yourself Loose and Listen" in Gnaoua (Volume or Publication No. 1; Page 7) by ![]() ![]() | ||||||||||
Also see: "Notes On Page One," p.8, "Ancient Face Gone Out," p.10, "Just So Long And Long Enough," p.14 [c68] [c69] [c70] [c71] | |||||||||||
BU-MAG.105 | "Two cut ups" in AQ 14 (Volume or Publication No. 14; Page 16) by ![]() ![]() | ||||||||||
Cut up of Ezra Pound work in 1959. Cut up of 1973 using words of ![]() ![]() | |||||||||||
BU-MAG.106 | UFO-2 (Volume or Publication German), 1971 October | ||||||||||
![]() ![]() | |||||||||||
BU-MAG.107 | "William ![]() ![]() ![]() ![]() | ||||||||||
[c103] | |||||||||||
BU-MAG.108 | "William ![]() ![]() ![]() ![]() | ||||||||||
Re: Bishop article titled: "Marijuana Newsletter a shocking revelation." [c110] | |||||||||||
BU-MAG.109 | "Lie Lie Lie" in Hard/1 (Volume or Publication No. 1; Page 5) by ![]() ![]() | ||||||||||
Re: CIA & Guerrilla resistance. [c333] | |||||||||||
BU-MAG.110 | "Do Not Disturb the Mongrels" in Bastard Angel (Volume or Publication No. 1; Page 2) by ![]() ![]() | ||||||||||
Story story. [c329] | |||||||||||
BU-MAG.111 | "Academy Twenty Three" in Orpheus (Volume or Publication 1/3; Page 4) by ![]() ![]() | ||||||||||
From the S. F. Oracle, "A Deconditioning". | |||||||||||
BU-MAG.112 | "Interview with William ![]() ![]() | ||||||||||
Also see p. 51, "St. Louis Return." [c127] | |||||||||||
BU-MAG.113 | "Abstract" in Fruit Cup (Volume or Publication 0/0; Page 8) by ![]() ![]() | ||||||||||
Abstract and post-script to "The Invisible Generation". | |||||||||||
BU-MAG.114 | "Ah Pook Is Here" in Rush (Volume or Publication 1/3; Page 39) by ![]() ![]() | ||||||||||
Includes 12 pages of Malcolm McNeil illustrations. [*] | |||||||||||
BU-MAG.115 | "Exerpt from The Third Mind" in Kontexts (Volume or Publication 8/0; Page 9) by ![]() ![]() | ||||||||||
[*] | |||||||||||
BU-MAG.116 | "Comic book" in Arcade (Comic Book) (Volume or Publication 1/3), 1975 Fall | ||||||||||
Comic book. Preview of Burrough's appearance in next issue, #4. | |||||||||||
BU-MAG.117 | "Pages From Chaos" in Antaeus (Volume or Publication No. 2; Page 83) by ![]() ![]() | ||||||||||
Short story. [c304] | |||||||||||
BU-MAG.118 | ![]() ![]() ![]() ![]() | ||||||||||
Reviews Herbert Brean's How To Stop Smoking. [*] | |||||||||||
BU-MAG.119 | "Word Authority More Habit Forming Than Heroin" in San Francisco Earthquake (Volume or Publication 1/1; Page 25) by ![]() ![]() | ||||||||||
"What are heroin words?" [c175] | |||||||||||
BU-MAG.120 | "The Coldspring News" in San Francisco Earthquake (Volume or Publication 1/4; Page 54) by ![]() ![]() | ||||||||||
"All the News that Fits We Print." [c209] | |||||||||||
BU-MAG.121 | "Who is The Third That Walks Beside You?" in Art And Literature (Volume or Publication No. 2; Page 9) by ![]() ![]() | ||||||||||
Short story cut-up with arrows under columns. Re: third column of time. [c82] | |||||||||||
BU-MAG.122 | "Electricals" in Antaeus (Volume or Publication No. 6; Page 55) by ![]() ![]() | ||||||||||
"Wild Boys." [c334] | |||||||||||
BU-MAG.123 | "Your Name My Face" in Antaeus (Volume or Publication No. 8; Page 33) by ![]() ![]() | ||||||||||
Taking over a young body .[c343] | |||||||||||
BU-MAG.124 | Birth (Volume or Publication N.3 Bk 1; Page 66), 1960 Autumn | ||||||||||
BU-MAG.125 | Quote from British Journal of Addiction in Birth (Volume or Publication N.3 Bk 2; Page 46) by ![]() ![]() | ||||||||||
And quotes from The Naked Lunch, p.48 and 80 [c21, c22, c23] | |||||||||||
BU-MAG.126 | "Academy 23" in Wormwood Review (Volume or Publication 9/4; Page 19) by ![]() ![]() | ||||||||||
History of the Academies. [c247] | |||||||||||
BU-MAG.127 | "Unfinished Cigarette" in Birmingham Bulletin (Volume or Publication No. 2; Page 27) by ![]() ![]() | ||||||||||
"White Subways gathered Silent...."[c63] | |||||||||||
BU-MAG.128 | "Have You Seen Pantapon Rose?" in Yugen (Volume or Publication No. 3; Page 4) by ![]() ![]() | ||||||||||
2 Page short story. [c3] | |||||||||||
BU-MAG.129 | "Have You Seen Slotless City?" in Sidewalk (Volume or Publication No. 2; Page 48) by ![]() ![]() | ||||||||||
Cut-up story with history of cut-ups. [c20] | |||||||||||
BU-MAG.130 | "Be Cheerful, Sir Our Revel Touching Circumstance" in Rhinozerous (Volume or Publication No. 7; Page 22) by ![]() ![]() | ||||||||||
Story. [c45] | |||||||||||
BU-MAG.131 | "The Cut Up Method of Brion Gysin" in Yugen (Volume or Publication No. 8; Page 31) by ![]() ![]() | ||||||||||
History of Cut-ups and examples. [c50] | |||||||||||
BU-MAG.132 | "The Perfect Servant" in London Magazine (Volume or Publication 7/9; Page 8) by ![]() ![]() | ||||||||||
Short story. "Basic J. Hudson". [c186] | |||||||||||
BU-MAG.133 | "Creative Reading" in Review of Contemporary Fiction (Volume or Publication 4/1; Page 4) by ![]() ![]() | ||||||||||
"Revenge Of The Ice Box," p.9; "Ruski", p.10, (this issue is called "William S. ![]() ![]() ![]() ![]() | |||||||||||
BU-MAG.134 | "Introduction to Naked Lunch" in Evergreen Review (Volume or Publication 6/22; Page 99) by ![]() ![]() | ||||||||||
The Soft Machine, Novia Express p.99, Episodes From Novia Express. (Towers Open Fire, Twilights' Last Gleamings, Photo Falling-Word Falling, Pure Song Of New Before The Traveller) p.103 [c39] | |||||||||||
BU-MAG.135 | "From Naked Lunch" in Evergreen Review (Volume or Publication 5/16; Page 18) by ![]() ![]() | ||||||||||
Exerpts from Naked Lunch. [c24] | |||||||||||
BU-MAG.136 | "Comments On The Night Before Thinking" in Evergreen Review (Volume or Publication 5/20; Page 31) by ![]() ![]() | ||||||||||
Short story based on an article in the same magazine written by Ahmed Yacoubi. [c30] | |||||||||||
BU-MAG.137 | "Interview with William ![]() ![]() | ||||||||||
[*] | |||||||||||
BU-MAG.138 | "Un Poeme Moderne" in Asylum (Volume or Publication No. 3; Page 21) by ![]() ![]() | ||||||||||
Cut-up Story. [c188] | |||||||||||
BU-MAG.139 | "Adios Of Saturn" in Great Society (Volume or Publication No. 1; Page 51) by ![]() ![]() | ||||||||||
1 Page short story. Signed [c168] | |||||||||||
BU-MAG.140 | "Interview with ![]() ![]() | ||||||||||
In German with photos. | |||||||||||
BU-MAG.141 | "Martin's Folly" in Residu (Volume or Publication 0/2; Page 17) by ![]() ![]() | ||||||||||
From Sigman's Moving Times #1. | |||||||||||
BU-MAG.142 | "The Hombre Invisible" issue of Atticus Books Catalogue 8 (Page 3), 1981 | ||||||||||
"The Future of the Novel," p.3. Also includes an extensive offering of ![]() ![]() ![]() ![]() | |||||||||||
BU-MAG.143 | "Tickertape" in Shanith: International (Volume or Publication 2/2; Page 77) by ![]() ![]() | ||||||||||
Poem. | |||||||||||
BU-MAG.144 | Sixpack (Volume or Publication No. 6; St. Louis, ; Page 6) by ![]() ![]() | ||||||||||
Untitled short story. | |||||||||||
BU-MAG.145 | "William S. ![]() ![]() | ||||||||||
[*] German | |||||||||||
BU-MAG.146 | "Interview: William ![]() ![]() | ||||||||||
Burrough's interview. [*] | |||||||||||
BU-MAG.147 | "Kerouac" in High Times (Volume or Publication No. 43; Page 53) by ![]() ![]() | ||||||||||
Article about Kerouac. [*] | |||||||||||
BU-MAG.148 | Special ![]() ![]() ![]() ![]() | ||||||||||
Special issue on ![]() ![]() | |||||||||||
BU-MAG.149 | "Sections from The Place of Dead Roads" in New Departures (Volume or Publication No. 15; Page 24) by ![]() ![]() | ||||||||||
Place of Dead Roads. [*] | |||||||||||
BU-MAG.150 | "The Boston Trial of Naked Lunch." in Evergreen Review (Volume or Publication 9/36), 1965 June | ||||||||||
Court transcript. | |||||||||||
BU-MAG.151 | "Interview" in Southern CA. Anthology (Volume or Publication Santa Barbara; Page 16) by McLaughlin, Michael, 1984 | ||||||||||
Interview with William ![]() ![]() | |||||||||||
BU-MAG.152 | "Health Officer" in Story So Far (Volume or Publication 0/3; Page 165) by Young, David, 1974 | ||||||||||
Editor. Short story written on boat, 1973. | |||||||||||
BU-MAG.153 | "Cut up Method of Brion Gysin" in Swakal (Page 1) by ![]() ![]() | ||||||||||
Printed in India in English. | |||||||||||
BU-MAG.154 | "Writing Cure" in Entertainment Weekly (Page 41) by Appelo, Tim, 1990 April 13 | ||||||||||
Seth Moorgan, Wm. ![]() ![]() | |||||||||||
BU-MAG.155 | "Notes on ![]() ![]() | ||||||||||
Book Review on ![]() ![]() | |||||||||||
BU-MAG.156 | "Western Lands" in Beat Scene (Volume or Publication 0/5; Page 28) by Goss, M. R., 1989 March | ||||||||||
Article on ![]() ![]() | |||||||||||
BU-MAG.157 | "Word Falling. Photo Falling. Towers Open Fire" in Poesie Ouverte by ![]() ![]() | ||||||||||
(In French) Autographed. Pg. 17 signed by ![]() ![]() | |||||||||||
BU-MAG.158 | "Interview: William ![]() ![]() | ||||||||||
Includes record (33 1/3 rpm) of Abandoned Artifacts/On the Nova Lark. [*] | |||||||||||
BU-MAG.159 | "The Evening News" in New Departures (Volume or Publication No.7/8; Page 120) by ![]() ![]() | ||||||||||
Short story. [*] | |||||||||||
BU-MAG.160 | "The Moving Times" in San Francisco Earthquake (Volume or Publication 1/5; Page 1) by ![]() ![]() | ||||||||||
"We Will Travel Not only in Space but in Time as Well"; "English Made Easy for Beginners"; "Las Gun Post Erased in a Small Town..." | |||||||||||
BU-MAG.161 | "Salt Chunk Mary" in San Francisco Earthquake (Volume or Publication 1/2; Page 35) by ![]() ![]() | ||||||||||
"Last Awning Flaps on the Pier," p. 38-40. [c217, c218] | |||||||||||
BU-MAG.162 | "Ten Episodes From Naked Lunch" in Big Table 1 (Page 79) by ![]() ![]() | ||||||||||
Naked Lunch. [c6] | |||||||||||
BU-MAG.163 | "Abstract" in Ginger Snaps (Volume or Publication 1/0; Page 3) by ![]() ![]() | ||||||||||
Short story. [c324] | |||||||||||
BU-MAG.164 | "Deposition: Testimony Concerning a Sickness" in Evergreen Review (Volume or Publication 4/11; Page 15) by ![]() ![]() | ||||||||||
Concerning Drug Addition. [c12] | |||||||||||
BU-MAG.165 | "Introduction (Kerouac)" in Bradford Morrow Bookseler (Volume or Publication Cat 5) by ![]() ![]() | ||||||||||
Catalogue details two archives of Kerouac materials. [*]. | |||||||||||
BU-MAG.166 | German Language Interview With ![]() ![]() | ||||||||||
Also, "Der Erste Watergate-Skandal Passierte im Garten Eden", p.15; "Infraschall", p.16, "Stadte de Roten Nacht", p.22 [*] | |||||||||||
BU-MAG.167 | "Fun City in Ba'Dan" in Arcade (Comic Book) (Volume or Publication 1/4; Page 11) by ![]() ![]() | ||||||||||
Excerpt from Cities of the Red Night, Illustrated by S. Clay Wilson. [NOTE: Other issues of Arcade: The Comics Revue are available [*] | |||||||||||
BU-MAG.168 | "Twilight's Last Gleaming" in Stiletto: Number One by ![]() ![]() | ||||||||||
From the Interzone: The Junkie's Christmas; In the Cafe Central; Dream of the Penal Colony; Twilight's Last Gleamings; Painting by Wm. S. ![]() ![]() | |||||||||||
BU-MAG.169 | "In Quest of Yage" in Big Table 2 (Page 44) by ![]() ![]() | ||||||||||
Story & photos re: ![]() ![]() | |||||||||||
BU-MAG.170 | "Exterminator" in Evergreen Review (Volume or Publication No. 46; Page 54) by ![]() ![]() | ||||||||||
And Alan Ginsberg, "Chances R", p. 57. (2 copies) | |||||||||||
BU-MAG.171 | "William ![]() ![]() | ||||||||||
Journal of Contemporary Literature, San Francisco, CA. | |||||||||||
BU-MAG.172 | "Interview with John Giorno" in Option (Volume or Publication G2 Issue; Page 9) by Montgomery, Maria, 1986 | ||||||||||
Re: Giorno Video-Paks on ![]() ![]() | |||||||||||
BU-MAG.173 | "William S. ![]() ![]() | ||||||||||
Biographical sketch & review of Burrough's performance on stage reading his materials. | |||||||||||
BU-MAG.174 | "![]() ![]() | ||||||||||
BU-MAG.175 | "Various articles." in Big Table 1-4 (Volume or Publication No. 1-4), 1959 Spring-1960 Spring | ||||||||||
4 volumes bound in one. Spring/1959, Summer/1959, Winter/1959, Spring/1960. Numerous articles & photos re: ![]() ![]() | |||||||||||
BU-MAG.176 | Pianeta Fresco I | ||||||||||
BU-MAG.177 | "LSD Interviews: Ginsberg, Kesey" in High Times (Page 47) by Gorman, Peter, 1993 May | ||||||||||
Interview. | |||||||||||
BU-MAG.178 | "LSD Interviews: Ginsberg, Kesey" in Nerve (Page 12) by Gorman, Peter, 1993 March | ||||||||||
Interview. | |||||||||||
BU-MAG.179 | "The Valley" in Paris Review (Volume or Publication No. 69; Page 43) by ![]() ![]() | ||||||||||
Chapter from original manuscript of Junk. | |||||||||||
BU-MAG.180 | "Interview with William ![]() ![]() | ||||||||||
Interview. | |||||||||||
BU-MAG.181 | "Who him? Don't Let Him Out Here!" in Harvard Advocate (Volume or Publication 97/3; Page 72) by ![]() ![]() | ||||||||||
Story. | |||||||||||
BU-MAG.183 | "Conspiracy" in Kulchur (Page 5) by ![]() ![]() | ||||||||||
Section from original manuscript of Naked Lunch. | |||||||||||
BU-MAG.184 | "Notes More or Less Relevant to ![]() ![]() | ||||||||||
Random notes by Dorn. | |||||||||||
BU-MAG.185 | "Pieces" in Mother (Volume or Publication 5; Page 63) by ![]() ![]() | ||||||||||
Uses cut up technique. | |||||||||||
BU-MAG.186 | "Lou Reed Meets William ![]() ![]() | ||||||||||
Meeting between ![]() ![]() | |||||||||||
BU-MAG.187 | "Where Cummith Bozo The Clown?" in Now Now by Lee, William, 1965 | ||||||||||
[Now, 1963 also filed here.] | |||||||||||
BU-MAG.188 | "W.S. ![]() ![]() | ||||||||||
Talk at M.L.A. Convention, Chicago, 1977. | |||||||||||
BU-MAG.189 | "From William S. ![]() ![]() ![]() ![]() | ||||||||||
Writing of Norse's exhibition, in Harold Norse special edition of OLE. | |||||||||||
BU-MAG.190 | "Ten episodes from Soft Machine" in Olympia (Volume or Publication #1; Page 3) by ![]() ![]() | ||||||||||
Cut up technique. | |||||||||||
BU-MAG.190 | "Paris Scene" in Olympia (Volume or Publication #1; Page 1) by deGramont, Sanche, 1961 | ||||||||||
Article by Ted Morgan. | |||||||||||
BU-MAG.191 | "Ticket that exploded" in Olympia (Volume or Publication #4; Page 8) by ![]() ![]() | ||||||||||
Excerpt from novel. | |||||||||||
BU-MAG.192 | "Various" in Big Table 9 (Volume or Publication No. 9), Undated | ||||||||||
BU-MAG.193 | "Palm Sunday Tape" in Bulletin From Nothing (Volume or Publication No. 2; Page 1) by ![]() ![]() | ||||||||||
Tornado dead, April 12, 1965. | |||||||||||
BU-MAG.194 | Klactoveedsedsteen 4 (Volume or Publication 0/4), 1966 Fall-Winter 1966 | ||||||||||
BU-MAG.195 | "Two Abstracts" in Lip (Volume or Publication 0/1) by ![]() ![]() | ||||||||||
BU-MAG.196 | "Sects and Death" in Semiotext [E] USA (Volume or Publication 13; Page 62) by ![]() ![]() | ||||||||||
BU-MAG.197 | Storming Heaven (Volume or Publication Stride 35 35) by Loydell, Rupert, 1993 | ||||||||||
Wm. ![]() ![]() | |||||||||||
BU-MAG.197 | "Storming Heaven" in Stride 35 by Loydell, Rupert, 1993 | ||||||||||
Wm. ![]() ![]() | |||||||||||
BU-MAG.198 | "Transitional Period" in Two Cities (Volume or Publication 6; Page 43) by ![]() ![]() | ||||||||||
BU-MAG.199 | "Censorship" in Transatlantic Review (Volume or Publication 11; Page 5) by ![]() ![]() | ||||||||||
BU-MAG.200 | "From A Distant Land Listed" in Transatlantic Review (Volume or Publication 15; Page 56) by ![]() ![]() | ||||||||||
BU-MAG.201 | "The Speaking Clock" in Transatlantic Review (Volume or Publication 21; Page 99) by ![]() ![]() | ||||||||||
BU-MAG.202 | "23 Skiddoo" in Transatlantic Review (Volume or Publication 25; Page 93) by ![]() ![]() | ||||||||||
BU-MAG.203 | "Interview: Wm. ![]() ![]() | ||||||||||
Also interview Jack Kerouac, p.54. | |||||||||||
BU-MAG.204 | "Beardsley, ![]() ![]() | ||||||||||
BU-MAG.205 | "Where He Was Going" in Editor's Choice III (Page 255) by ![]() ![]() | ||||||||||
Short Story. | |||||||||||
BU-MAG.206 | "Kerouac Selected Letters" in Water Row Review (Volume or Publication 4), 1995 | ||||||||||
Review by Rod Rod Anstee. | |||||||||||
BU-MAG.207 | Soft Need (Volume or Publication 0/8; Page 17) by ![]() ![]() | ||||||||||
"Kerouac." | |||||||||||
BU-MAG.208 | "Ports of Entry" in Grand Street 59 (Volume or Publication Vol. 15 No. 3; Page 70) by ![]() ![]() | ||||||||||
BU-MAG.209 | "Last words" in New Yorker (Page 36) by ![]() ![]() | ||||||||||
On Ginsberg, Gingrich, caviar and death. WSB died Aug. 2, 1997. | |||||||||||
BU-MAG.210 | "Standing on a Street Corner" in Evergreen Review (Volume or Publication 6/23; Page 63) by Corso, Gregory, 1962 March-April | ||||||||||
A play. | |||||||||||
BU-MAG.211 | "Cobblestone Gardens" in New Writers & Writing (NWW-16) (Volume or Publication 16; Page 11) by ![]() ![]() | ||||||||||
Combines photographs and words. | |||||||||||
BU-MAG.212 | Proceedings of the American Academy and (Volume or Publication No. 34), 1983 | ||||||||||
Induction of WSB, p.13 (Lit.) | |||||||||||
BU-MAG.213 | "Wm. S. ![]() ![]() | ||||||||||
Also conversation with John Giorno; 5 postcards. | |||||||||||
BU-MAG.214 | "Review" in Hudson Review (Volume or Publication XII/4; Page 601), 1959 Winter-1960 | ||||||||||
Review of Kerouac's "Mexico City Blues". | |||||||||||
BU-MAG.215 | Radio Poetry Newsletter (Volume 1), 1998 July 24 | ||||||||||
Top 20 spoken words. | |||||||||||
BU-MAG.216 | "Wild Bill" in Details (Page 190) by Streitfeld, David, 1993 September | ||||||||||
D-298 | Outsider (Volume or Publication 1/1), 1961 Fall | ||||||||||
Many "Beat Authors." We have all 5 issues. | |||||||||||
Series IV: Pamphlets | |||||||||||
BUP-00 | "American Avant Garde: Firstwave", 2001 | ||||||||||
Exhibit at Ohio State University | |||||||||||
BUP-00 | "Death of Joan Vollmer ![]() ![]() | ||||||||||
For 5th Congress of the Americas, 2001 October 18, Puebla | |||||||||||
BUP-000 | "Apo-33 Bulletin: A Metabolic Regulator" (n.p.: Beach Books Texts and Documents), circa 1966 | ||||||||||
BUP-000 | "Am Here Books" in Arriving at Customs | ||||||||||
Folded piece of paper - sealed with a stamp. | |||||||||||
BUP-000 | "Drawing Dialogue" (NY: Pat Hearn Gallery) by ![]() ![]() | ||||||||||
Excerpts during drawing collaboration 1987 February 1. | |||||||||||
BUP-000 | Jack Tilton Gallery in Literary Vision by Grauerholz, J., 1988 | ||||||||||
On ![]() ![]() | |||||||||||
BUP-000 | "Luna Park" (0/1), 1974 Winter | ||||||||||
Photographs of William ![]() ![]() | |||||||||||
BUP-000 | "Mr. Watkins Got Drunk And Had To Be Carried" (London: Writers Forum Poets No. 24) by Nuttel, Jeff, 1968 | ||||||||||
"A Party piece cut-up by Jeff Nuttal from an idea by William ![]() ![]() | |||||||||||
BUP-000 | "Phoenix Gazette & Scottsdale Progress", 1987 January-February | ||||||||||
Articles about Lawrence Ferlinghetti. | |||||||||||
BUP-000 | "So Who Owns Death TV?" (Athens: Eleutheros) by ![]() ![]() | ||||||||||
(Greek) Wm. S. ![]() ![]() | |||||||||||
BUP-000 | "So Who Owns Death TV?" (India: Kishore Press) by ![]() ![]() | ||||||||||
Wm. S. ![]() ![]() | |||||||||||
BUP-000 | "Souvenier Programme for the Official Lynching of Michael Abdul Malik, with poems, stories and saying by the condemned" (Cambridge: Cokaygne Press) by William Levy & John Mitchell, 1973 | ||||||||||
(Editors) Privately published as a fund raiser for Michael. Includes a statement by ![]() ![]() | |||||||||||
BUP-000 | "Abstract" in Structures Implicit & Explicit (2/0; Page 76) by ![]() ![]() | ||||||||||
Abstract, University of Pennsylvania. [c356] {Also a copy in Arch. stacks} | |||||||||||
BUP-000 | "From the Place of Dead Roads" in "This is Important" (0/12) by ![]() ![]() | ||||||||||
L.A., Illuminati. | |||||||||||
BUP-000 | "This is Important" (Santa Cruz: Important Poetry Press) by ![]() ![]() | ||||||||||
Untitled piece which begins, "Now to say a word about Falwell and his Moron Majority ..." | |||||||||||
BUP-000 | "Wild Halvzi Presents Big Table" | ||||||||||
(German) "Cut-up special". | |||||||||||
BUP-001 | "Cobble Stone Gardens" (Cherry Valley, NY: Cherry Valley Editions), 1976 | ||||||||||
[*] | |||||||||||
BUP-003 | "Exterminator, The" (1st Edition; San Francisco: Auerhahn Press) by ![]() ![]() | ||||||||||
William S. ![]() ![]() | |||||||||||
BUP-004 | "Ali's Smile" (English/German; Gottingen: Expanded Media) by ![]() ![]() | ||||||||||
[D28] | |||||||||||
BUP-005 | "Retreat Diaries [Zwischen Mitterhacht und Morgen]" (Basel: Sphinz Verlag), 1980 | ||||||||||
(German) [*] | |||||||||||
BUP-005 | "Zwischen Mitterhacht und Morgen" (Basel: Sphinz Verlag) by ![]() ![]() | ||||||||||
(German trans. The Retreat Diaries) [*] | |||||||||||
BUP-006 | "Ruski" (Brooklyn, N.Y.: Hand-Job Press) by ![]() ![]() | ||||||||||
BUP-008? | "Last Post: Danger Ahead" in Lines (No. 6; Page 31) by ![]() ![]() | ||||||||||
BUP-009 | Sezon Museum of Art Catalog in Apocalypse (Japanese/English; Page 72) by Haring/![]() ![]() | ||||||||||
Appears in "Shogun Paintings: exhibit of ![]() ![]() | |||||||||||
BUP-009 | Sezon Museum of Art Catalog in Shogun Paintings (Japanese/English) by Grauerholz, James, 1990 | ||||||||||
![]() ![]() ![]() ![]() | |||||||||||
BUP-010 | "Sinki's Sauna" (1st Edition. NY: Pequod Press) by ![]() ![]() | ||||||||||
[*] | |||||||||||
BUP-011 | "Darazt: An Anthology" (London: Lovebooks, Ltd.) by Miles, 1965 (20 Pages) | ||||||||||
BUP-012 | "Roosevelt After Inauguration and Other Atrocities" (San Francisco: City Light Books) by ![]() ![]() | ||||||||||
BUP-013 | "Retreat Diaries" (City Moon Publication) by ![]() ![]() | ||||||||||
With the "Dream of Tibet" by Allen Ginsberg. | |||||||||||
BUP-014 | "Minutes To Go" (SF: Beach Books) by ![]() ![]() | ||||||||||
Gregory Corso, Brion Gysin, and Sinclair Beiles. | |||||||||||
BUP-015 | "William ![]() ![]() | ||||||||||
80th birthday celebration, Brighton, England. | |||||||||||
BUP-016 | "Roosevelt After Inauguration" (1st Ed) NY: Fuck You Press) by ![]() ![]() | ||||||||||
Covers by Allen Ginsberg. | |||||||||||
BUP-017 | Picture of "Fuck" door by Galerie Specht in Clignett/![]() ![]() | ||||||||||
BUP-018 | "Electric Banana" (Cherry Valley, NY: Cherry Valley Eds) by Mary Beach, 1975 | ||||||||||
Introduction by William ![]() ![]() | |||||||||||
BUP-019 | "Dead Star" (San Francisco: Nova Broadcast Press) by ![]() ![]() | ||||||||||
Signed. | |||||||||||
BUP-020 | "Letter From A Master Addict To Dangerous Drugs" (Shrewsbury: Privately Printed. 1st ed), 1957 | ||||||||||
An offset reprint from The British Journal Of Addiction issue dated 1957 January. ![]() ![]() | |||||||||||
BUP-021 | "Gette's Crystals" (Paris Exhibition Catalogue), 1970 | ||||||||||
Untitled piece in ![]() ![]() | |||||||||||
BUP-022 c.1 | "So Who Owns Death TV?" (1st Edition. San Francisco: Beach Books, Texts) by ![]() ![]() | ||||||||||
Wm. S. ![]() ![]() ![]() ![]() | |||||||||||
BUP-022 c.2 | "So Who Owns Death TV?" (Ex. 2nd Ed. San Francisco: Beach Books, Texts) by ![]() ![]() | ||||||||||
Wm. S. ![]() ![]() ![]() ![]() | |||||||||||
BUP-023 | "Takis Magnetic Sculpture" (NY: The Howard Wise Gallery, 7 April 1967), 1967 | ||||||||||
![]() ![]() | |||||||||||
BUP-024 | "Takis Magnetic Sculpture and the White Signals" (London: Indica Gallery), 1966 | ||||||||||
![]() ![]() | |||||||||||
BUP-025 | "S. Clay Wilson Collected Works" (NY: Museum of the Surreal and Fantastique), 1982 | ||||||||||
Includes "The Popcorn Kid" and "An Appreciation" by ![]() ![]() | |||||||||||
BUP-026 | "Chambas", 1975 November 19-December 23 | ||||||||||
French: Catalog with Burrough's photos, etc. | |||||||||||
BUP-028 | "Valentine's Day Reading" (NY: American Theatre for Poets), 1965 | ||||||||||
Theatre program which reprints Dutch Schultz' last words and The Coldspring News. | |||||||||||
BUP-029 | "Nova Convention" (N.Y. Official Program), 1978 | ||||||||||
Signed by ![]() ![]() | |||||||||||
BUP-030 | "Ansichten (Opinion)" (Limes, in German) by ![]() ![]() | ||||||||||
The Naked Lunch. | |||||||||||
BUP-031 | "Snack" (London: Aloes), 1975 | ||||||||||
Transcript from a BBC interview with ![]() ![]() | |||||||||||
BUP-032 | "So Who Owns Death TV?" (Frankfurt: Nova Press) by Weissner, Carl, 1969 | ||||||||||
(German:Fernsch-Tuberkulose) Translator. Wm. S. ![]() ![]() | |||||||||||
BUP-036 | "Alors a Qui Appartient...Televisee" (France: La Main Courante) by ![]() ![]() | ||||||||||
Pelieu, ![]() ![]() | |||||||||||
BUP-037 | "Collecting William S. ![]() ![]() | ||||||||||
A checklist. | |||||||||||
BUP-038 | "William S. ![]() ![]() | ||||||||||
Exhibit catalog, 2000 October-December. | |||||||||||
BUP-039 | "Flower Arranging" (Coca Cola) by ![]() ![]() | ||||||||||
Author was mother of WSB. | |||||||||||
BUP-136 c. 2 | "William ![]() ![]() | ||||||||||
Biography and criticism of work, photography by Allen Ginsberg. Papercover, 104/500 | |||||||||||
BUP-33 | "William ![]() ![]() | ||||||||||
Painting, exhibition, 1997 December 6-1998 January 17. | |||||||||||
BUPX-000 | "Invisible Generation" (London: Project sigma), 1966 December | ||||||||||
An offset reprint from International Times issue dated 1966 November 14. Folded for mailing, with mailing envelope. Signed with inscription. | |||||||||||
BUPX-001 | "Final Academy" (Academy), 1982 | ||||||||||
Miles: A checklist of the books of Wm. S. ![]() ![]() | |||||||||||
BUPX-002 | "William S. ![]() ![]() | ||||||||||
Painting exhibition, 1990 March 23-April | |||||||||||
Series V: Ephemera | |||||||||||
BU-E.001 | "Unlocking Inspector Lee's Word Horde: A Biblio-graphy Of The Writings Of William S. ![]() ![]() | ||||||||||
BU-E.002 | "Rednight/Trax 0682" (Bertiolo, Italy: Near the Edge Editions) by ![]() ![]() | ||||||||||
A collection of international submissions in honor of and influenced by ![]() ![]() | |||||||||||
BU-E.003 | "Crawl or Die", 1997 | ||||||||||
"Loaded sentences and art...," WSB Quote. | |||||||||||
BU-E.004 | Postcard of Wm. S. ![]() ![]() ![]() ![]() | ||||||||||
Photograph by Allen Ginsberg. 8/50. | |||||||||||
BU-E.005 | "Literary High: Language & Intertextuality in the Works of William S. ![]() ![]() | ||||||||||
M.A. Thesis, ASU. | |||||||||||
BU-E.006 | "Nova Report: William ![]() ![]() | ||||||||||
N.P.: Carbon of article that appeared in The Guardian, 1965 November 27 (pg. 7). | |||||||||||
BU-E.007 | "Cities of the Red Night" by Ayers, David | ||||||||||
See "Politics Here is Death" paper by David Ayers. | |||||||||||
BU-E.007 | "'Politics Here is Death': William ![]() ![]() | ||||||||||
English and American Literature lecture at the University of Kent at Canterbury, England. | |||||||||||
BU-E.008 | "International Festival of Short Films" (Valley Art Theatre), 1993 September 17-30 | ||||||||||
BU-E.009 | "Wouldn't you polish floors ..." (#68 of 125) by ![]() ![]() | ||||||||||
Broadside. [See Map. Uncat #61] | |||||||||||
BU-E.010 | "Where naked troubadors shoot ..." by ![]() ![]() | ||||||||||
Broadside. [Map. Uncat #61] 2 copies | |||||||||||
BU-E.011 | "William S. ![]() ![]() | ||||||||||
3 posters of his reading at ASU and art layout, 2 signed by WSB. See Uncat Map.61. | |||||||||||
BU-E.012 | "LSD the Consciousness Expanding Drug" by Solomon, David, ed., 1964 (Chapter 10; Photocopy | ||||||||||
"Points of Distinction ..." by WSB. | |||||||||||
Series VI: Audio and Video | |||||||||||
BU-CD.000 | Elvis of Letters (TK Records. 91CD001) by ![]() ![]() | ||||||||||
BU-CD.000 | William S. ![]() ![]() | ||||||||||
"![]() ![]() | |||||||||||
BU-CD.001 | Spare Ass Annie and Other Tales (Island Red Label. NY: Island Records Inc), 1993 | ||||||||||
BU-CD.002 | Spare Ass Annie and Other Tales (NY: Island Records Inc.), 1993 (Interview Disk) | ||||||||||
See Box 14, F-31 for photograph. | |||||||||||
BU-CD.003 | They Called Him "The Priest" (Portland: Tim Kerr Records) by ![]() ![]() | ||||||||||
Kurt Cobain. | |||||||||||
BU-CD.004 | You, Me and Jack Kerouac (Santa Maria, CA: Scotti Bros.), 1994 | ||||||||||
Jack Kerouac. (Naked Soul band) | |||||||||||
BU-CD.006 | Gargoyle Wings (NY: Bomb Sniffing Dog Records) by Xark, Bob, 1997 | ||||||||||
Dedicated to ![]() ![]() | |||||||||||
BU-CD.007 | Digital Culture Stream, 1997 (CD-ROM Magazine; Volume 5) | ||||||||||
Has section on WSB. | |||||||||||
BU-CD.008 | New Yorker Out Loud (New Yorker Magazine/ Mercury Records) by Kerouac, Jack, 1998 | ||||||||||
"On the Road Journals" | |||||||||||
BU-CD.009 | Dinner is Ruined (Sonic Unyon), Undated | ||||||||||
Song, "I Ain't No Neal Cassidy". Elevator music for non-claustrophobic people. | |||||||||||
BU-CD.010 | Towers Open Fire and Other Films By Antony (Montauk, NY: Mystik Fire Video), 1989 | ||||||||||
BU-MAG.041 | "Last Words of Hassan-i-Sabbah" (0/5) by ![]() ![]() | ||||||||||
In Am Here Catalogue #5. | |||||||||||
BU-MAG.158 | Abandoned Artifacts/On the Nova Lark | ||||||||||
Sound recording located with "Talk Talk". | |||||||||||
BU-REC.001 | Call Me ![]() ![]() ![]() ![]() | ||||||||||
Exerpts from The Naked Lunch and Nova Express. Signed. (G1) | |||||||||||
BU-REC.002 | Sugar, Alcohol and Meat (NY: Giorno Poetry Systems.) by ![]() ![]() | ||||||||||
![]() ![]() | |||||||||||
BU-REC.003 | Life Is A Killer (NY: Giorno Poetry Systems) by various artists, 1982 | ||||||||||
![]() ![]() | |||||||||||
BU-REC.004 | You're A Hook (NY: Giorno Poetry Systems) by ![]() ![]() | ||||||||||
Various artists. ![]() ![]() | |||||||||||
BU-REC.005 | Mortal Micronotz (Lawrence, KS: Fresh Sounds) by ![]() ![]() | ||||||||||
Lyrics to "Old Lady Sloan" written by Wm. S. ![]() ![]() | |||||||||||
BU-REC.006 | Diamond Hidden In The Mouth Of A Corpse (NY: Giorno Poetry Systems) by various artists, 1985 | ||||||||||
![]() ![]() | |||||||||||
BU-REC.006 | Nova Convention (NY: Giorno Poetry Systems) by various artists, 1979 (2 Disks) | ||||||||||
![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
BU-REC.007 | One World Poetry (NY: Giorno Poetry Systems) by various artists, 1981 (2 Disks) | ||||||||||
![]() ![]() | |||||||||||
BU-REC.008 | Nothing Here Now But The Recordings (N.P.: Industrial Records), 1981 | ||||||||||
Cut-up and tape experiments, including the earliest surviving cut-up tape. (*) | |||||||||||
BU-REC.009 | Ah Pook is Here (NY: Giorno Poetry Systems) by Anderson, Laurie and Wm. S. ![]() ![]() | ||||||||||
![]() ![]() | |||||||||||
BU-REC.009 | Cities of the Red Night (NY: Giorno Poetry Systems) by Anderson, Laurie and Wm. S. ![]() ![]() | ||||||||||
![]() ![]() | |||||||||||
BU-REC.009 | Nova Express (NY: Giorno Poetry Systems) by Anderson, Laurie, 1981 (2 Disks) | ||||||||||
William S. ![]() ![]() ![]() ![]() | |||||||||||
BU-REC.009 | You're The Guy I Want To Share My Money With (NY: Giorno Poetry Systems.) by Anderson, Laurie and Wm. S. ![]() ![]() | ||||||||||
John Giorno. ![]() ![]() | |||||||||||
BU-REC.010 | Better An Old Demon Than A New God (NY: Giorno Poetry Systems) by various artists, 1984 | ||||||||||
![]() ![]() | |||||||||||
BU-REC.011 | Ali's Smile (Brighton: Unicorn Press) by ![]() ![]() | ||||||||||
Companion disc to the book #BUP-004. ![]() ![]() | |||||||||||
BU-REC.012 | Myths 1-Instructions (Brussels: Sub Rosa) by various artists, 1984 | ||||||||||
![]() ![]() | |||||||||||
BU-REC.012 | Myths 1-Instructions (Brussels: Sub Rosa) by various artists, 1984 | ||||||||||
![]() ![]() | |||||||||||
BU-REC.013 | Break Through In Grey Room (Brussels: Sub Rosa.), 1986 | ||||||||||
Collection of readings, recordings and cut-up tape experiments.(*) | |||||||||||
BU-REC.015 | Doctor Is On The Market (England: Les Temps Modernes.), 1986 | ||||||||||
![]() ![]() | |||||||||||
BU-REC.016 | Valentine Day Reading, William ![]() ![]() | ||||||||||
OU Revue Disque 40-41. Ingatestone, England | |||||||||||
BU-REC.017 | ![]() ![]() | ||||||||||
Sound poetry and readings of Wm S. ![]() ![]() | |||||||||||
BU-REC.018 | Mister Heartbreak (Warner Bros. Records) by Anderson, Laurie, 1984 | ||||||||||
Includes Sharkey's Night, vocals, Wm S. ![]() ![]() | |||||||||||
BU-REC.019 | Dead City Radio (NY: Island Records) by ![]() ![]() | ||||||||||
BU-REC.020 | ![]() ![]() | ||||||||||
Poetry and readings of WSB, Gysin and others. | |||||||||||
BU-REC.021 | Words of Advice for Young People (Island Records) by ![]() ![]() | ||||||||||
BU-REC.022 | Millions of Images (SOL) by ![]() ![]() | ||||||||||
Side B: "The Hipster BeBop Junkie". | |||||||||||
BU-SC.001 | You're A Hook (NY: Giorno Poetry Systems.) by ![]() ![]() | ||||||||||
Various artists. ![]() ![]() | |||||||||||
BU-SC.001A | Nothing Here Now But The Recordings (M.P.: Industrial Records), 1981 | ||||||||||
Cut-up and tape experiments, including the earliest surviving cut-up tape. | |||||||||||
BU-SC.002 | You're The Guy I Want To Share My Money With (NY: Giorno Poetry Systems.) by Anderson, Laurie, 1981 | ||||||||||
Wm. S. ![]() ![]() ![]() ![]() | |||||||||||
BU-SC.003 | William S. ![]() ![]() | ||||||||||
[Missing: not in box as of 1994 April 12.] (![]() ![]() | |||||||||||
BU-SC.004 | William S. ![]() ![]() | ||||||||||
(Giorno's Disc) | |||||||||||
BU-SC.005 | Nova Convention, Volume 1 (NY: Giorno Poetry Systems.) by Various artists, 1979 | ||||||||||
![]() ![]() ![]() ![]() ![]() ![]() | |||||||||||
BU-SC.006 | Nova Convention, Volume 2 (NY: Giorno Poetry Systems) by various artists, 1979 | ||||||||||
![]() ![]() | |||||||||||
BU-SC.007 | Moveable Feast | ||||||||||
![]() ![]() ![]() ![]() | |||||||||||
BU-SC.008 | Better An Old Demon Than A New God (NY: Giorno Poetry Systems) by various artists, 1984 | ||||||||||
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BU-SC.008B | Mister Heartbreak (NY: Warner Bros.) by Anderson, Laurie, 1984 | ||||||||||
![]() ![]() | |||||||||||
BU-SC.008B | Mr. Heartbreak (See Mister Heartbreak) | ||||||||||
BU-SC.009 | Life Is A Killer (NY: Giorno Poetry Systems) by various artists, 1982 | ||||||||||
![]() ![]() | |||||||||||
BU-SC.009B | Loaded (NY: Cotillion Records), 1970 | ||||||||||
The Velvet Underground. The song "Lonesome Cowboy Bill" is purported to be about ![]() ![]() | |||||||||||
BU-SC.010 | One World Poetry Live In Amsterdam (NY: Giorno Poetry Systems) by various artists, 1981 | ||||||||||
![]() ![]() | |||||||||||
BU-SC.011 | Diamond Hidden In The Mouth Of A Corpse (NY: Giorno Poetry Systems) by various artists | ||||||||||
![]() ![]() | |||||||||||
BU-SC.011B | Who You Staring At? (NY: Giorno Poetry Systems) by Giorno, John, 1982 | ||||||||||
Glenn Branca/John Giorno. | |||||||||||
BU-SC.012 | Ali's Smile (Brighton: Unicorn Press) by ![]() ![]() | ||||||||||
Companion Sound Cassette to book #BUP-004. ![]() ![]() | |||||||||||
BU-SC.013 | Timothy Leary Reads His Autobiography (S1: Dove Books), 1989 (Cassettes) | ||||||||||
BU-SC.014 | Uncommon Quotes (Caravan of Dreams Productions) by ![]() ![]() | ||||||||||
[Gift of Steve Kran] | |||||||||||
BU-SC.017 | Myths 1-Instructions | ||||||||||
BU-SC.018 | William S. ![]() ![]() | ||||||||||
BU-SC.019 | Mortal Micronotz (Recorded Cassettes) | ||||||||||
BU-SC.020 | Unidentified (Cassette) | ||||||||||
BU-SC.021 | Junky (Penguin Audio Books) by ![]() ![]() | ||||||||||
Read by the author. | |||||||||||
BU-SC.022 | Naked Lunch (Warner Audio) by ![]() ![]() | ||||||||||
Read by WSB. | |||||||||||
BU-VC.001 | ![]() ![]() | ||||||||||
Directed by Howard Brookner of Giorno Poetry Systems Institute Inc. | |||||||||||
BU-VC.001 | Giorno Video Pak 2 "![]() ![]() | ||||||||||
Directed by Howard Brookner, Giorno Poetry Systems Institute, Inc. | |||||||||||
BU-VC.001 | William ![]() ![]() | ||||||||||
Director. Giorno video Pak 2. | |||||||||||
BU-VC.002 | ![]() ![]() | ||||||||||
BU-VC.003 | Ghosts At No. 9 plus Towers Open Fire (Fresh Video), 1962 (2 Copies) | ||||||||||
Archive film footage by Anthony Balch featuring Wm. S. ![]() ![]() ![]() ![]() | |||||||||||
BU-VC.004 | Kerouac (Active Home Video) by John Antonelli, 1985 (Running Time: 73 minutes; Color) | ||||||||||
Biography of the King of the Beat Generation. Interviews with Allen Ginsberg, Lawrence Ferlinghetti, Michael McClure, William ![]() ![]() | |||||||||||
BU-VC.005 | Poetry in Motion (Voyager Press VHS#1003), 1985 (Running Time: 90 minutes; Color) | ||||||||||
Featuring performances by: Jim Carroll, Charles Bukowski, Amiri Baraka, Anne Waldman, Ted Berrigan, William ![]() ![]() | |||||||||||
BU-VC.006 | Giorno Video Pak (VHS GPS 031, Giorno Poetry Systems) | ||||||||||
LENNY KAYE Connection: "I've Got A Right". WILLIAM S. ![]() ![]() | |||||||||||
BU-VC.007 | Comissioner of Sewers | ||||||||||
See Wm. S. ![]() ![]() | |||||||||||
BU-VC.007 | William S. ![]() ![]() | ||||||||||
BU-VC.008 | Destroy All Rational Thought: Celebrating Wm. S. ![]() ![]() ![]() ![]() | ||||||||||
BU-VC.009 | Giorno Video Pak 3, 1987 (VHS) | ||||||||||
It's Clean, It Only Looks Dirty | |||||||||||
BU-VC.009 | It's Clean, It Only Looks Dirty (Giorno Video Pak), 1987 | ||||||||||
BU-VC.010 | Towers Open Fire and Other Films By Antony (Montauk, NY: Mystik Fire Video), 1989 | ||||||||||
BU-VC.011 | Gang of Souls (NY: Giorno Poetry Systems Inst.), 1990 (Running Time: 60 minutes) | ||||||||||
Giorno Video Pak 4. A film by Maria Beatty. | |||||||||||
BU-VC.011 | Giorno Video Pak 4 (NY: Giorno Poetry Systems), 1990 (Running Time: 60 minutes) | ||||||||||
Gang of Souls. | |||||||||||
BU-VC.012 | Nike Commercial (7/21 8:00 pm) by ![]() ![]() | ||||||||||
60 second commercial for Nike. WNYW. Copied by Bill Hummel. | |||||||||||
BU-VC.013 | Source: The Story of the Beats and the Beat (PBS/Beat Productions) by Workman, Chuck, 2000 May 31 | ||||||||||
Taped by M. Wurzburger. | |||||||||||
BU-VC-006 | William S. ![]() ![]() | ||||||||||
LENNY KAYE Connection: "I've Got A Right," JOHN GIORNO: "Life is a Killer." | |||||||||||
Series VII: Oversized Magazine Articles | |||||||||||
BU-MOS.001 | "Black Smokers and Shotgun Art" in Borderline (Volume or Publication 0/2; Page 20) by Hitchcock, Doug, 1989 February 3 | ||||||||||
History of Burrough's art, especially Shotgun Art. | |||||||||||
BU-MOS.002 | Cover photo in Borderline (Volume or Publication 1/1; Page 01), 1988 | ||||||||||
Timothy Leary and ![]() ![]() | |||||||||||
BU-MOS.003 | "Norman Mailer vs Nine Writers" in Esquire (Volume or Publication 60/1; Page 63) by Mailer, Norman, 1963 July | ||||||||||
Beat Writers. | |||||||||||
BU-MOS.004 | "Tangier" in Esquire (Volume or Publication 62/5; Page 114) by ![]() ![]() | ||||||||||
Picture essay photographs of ![]() ![]() | |||||||||||
BU-MOS.005 | "They Do Not Always Remember" in Esquire (Volume or Publication 4/6; Page 95) by ![]() ![]() | ||||||||||
BU-MOS.006 | "The Coming of the Purple Better One" in Esquire (Volume or Publication 70/5; Page 89) by ![]() ![]() | ||||||||||
About Chicago, 1968 and articles by Beat writers: T. Southern, Jean Genet, and John Sack. | |||||||||||
BU-MOS.007 | Table of contents collage in Interview (Volume or Publication 18/1; Page 03) by ![]() ![]() | ||||||||||
Collage of target shooting paintings. | |||||||||||
BU-MOS.008 | "Les Garcons Savages" in Quinzaine, La (Volume or Publication 0/180; Page 14) by Delarue, Claude and ![]() ![]() | ||||||||||
BU-MOS.009 | "The 'Priest' They Called Him" in Weekend Telegraph (Volume or Publication 0/132; Page 46) by ![]() ![]() | ||||||||||
Short story. | |||||||||||
BU-MOS.010 | "The Naked Lunch Report" in Village Voice, The (Volume or Publication 36/53; Indiana, Gary.; Page 26), 1991 December 31 | ||||||||||
On the set of Naked Lunch movie with ![]() ![]() | |||||||||||
BU-MOS.011 | "Cool Cats, furry cats, & aliens,..." in Interview (Volume or Publication 0/120; Page 120) by Bockris, V., 1991 April | ||||||||||
Interview with ![]() ![]() | |||||||||||
BU-MOS.012 | Interview in Rolling Stone (Volume or Publication 0/623; Page 66) by Breskin, David, 1992 February 6 | ||||||||||
Interview with David Cronenberg, director of Naked Lunch movie. | |||||||||||
BU-MOS.013 | "Call Him ![]() ![]() | ||||||||||
Tackles myth of ![]() ![]() | |||||||||||
BU-MOS.014 | "When Patti Rocked" in Spin (Volume or Publication 4/1; Page 70) by ![]() ![]() | ||||||||||
Article about Pattie Smith. | |||||||||||
BU-MOS.015 | "Antihero" in Spin (Volume or Publication 5/11; Page 64) by ![]() ![]() | ||||||||||
Writes about his drug addiction. | |||||||||||
BU-MOS.016 | "William Tells" in Spin (Volume or Publication 7/7; Page 68) by McNeil, Legs, 1991 October | ||||||||||
Biographical, Beat writers & Naked Lunch movie. | |||||||||||
BU-MOS.017 | "Return of the Invisible Man: ..." in Rolling Stone (Volume or Publication 0/485; Page 68) by Fox, James, 1986 October 23 | ||||||||||
Biographical question of what is ![]() ![]() | |||||||||||
BU-MOS.018 | "Fat's Outside Pitch A Hit" in Pulse (Volume or Publication 0/81; Page 72) by Ashby, Paul, 1990 April | ||||||||||
Article about ![]() ![]() | |||||||||||
BU-MOS.019 | "The Wild Boys" in Exit (Volume or Publication 0/1; Page 40) by Wilson, S. Clay, 1975 | ||||||||||
Illustrations of German ed. of William S. ![]() ![]() | |||||||||||
BU-MOS.020 | "From Here to Eternity" in Lightworks (Volume or Publication 0/6; Page 14) by ![]() ![]() | ||||||||||
Excerpted from The Wild Boys by Wm S. ![]() ![]() ![]() ![]() | |||||||||||
BU-MOS.021 | "W. S. ![]() ![]() ![]() ![]() | ||||||||||
BU-MOS.022 | "Storm the Reality Studios" in Friends (Volume or Publication 2/6; Page 7) by ![]() ![]() | ||||||||||
BU-MOS.023 | "Beat Godfather Meets Glitter Mainman" in Rolling Stone (Volume or Publication 0/155; Page 24) by ![]() ![]() | ||||||||||
![]() ![]() | |||||||||||
BU-MOS.024 | Interview in Rolling Stone (Volume or Publication 0/108; Page 34) by Palmer, Robert, 1972 May 11 | ||||||||||
Interview with William S. ![]() ![]() | |||||||||||
BU-MOS.025 | "C is electricity through the brain" in Rolling Stone (Volume or Publication 115/0; Page 17) by ![]() ![]() | ||||||||||
Quote on coke. [c336] | |||||||||||
BU-MOS.026 | "![]() ![]() ![]() ![]() | ||||||||||
Opinions on Scientology. [c272] | |||||||||||
BU-MOS.027 | "The Unspeakable Mr. Hart" in Cyclops (Volume or Publication 0/0; Page 17) by ![]() ![]() | ||||||||||
Malcolm McNeill. Short story/art. [c281] | |||||||||||
BU-MOS.028 | "Letter to Kerouac (circa 1951)" in Traveler's Digest (Volume or Publication 1/2; Page 08) by ![]() ![]() | ||||||||||
Letter to Kerouac regarding Mexico. (2 copies) [*] | |||||||||||
BU-MOS.029 | Review in Village Voice, The (Volume or Publication 14/43; Page 07) by ![]() ![]() | ||||||||||
Reviews Brion Gysin's The Process. [c235] | |||||||||||
BU-MOS.030 | Book Review in Rat (Volume or Publication 2/14; Page 23) by ![]() ![]() | ||||||||||
Reviews Clarence Cooper's The Farm. [c233] | |||||||||||
BU-MOS.031 | "Academy 23: A Deconditioning" in Village Voice, The (Volume or Publication 12/38; Page 05) by ![]() ![]() | ||||||||||
Article on drug use and hallucinogenics. [c169] | |||||||||||
BU-MOS.032 | "The Invisible Generation" in International Times (Volume or Publication 0/3; Page 06) by ![]() ![]() | ||||||||||
Experiments with tape recorders. [c157] | |||||||||||
BU-MOS.033 | "The Literary Techniques Of Lady ..." and "Yage" in Times Literary Supplement (Volume or Publication 0/3258; Page 682) by ![]() ![]() | ||||||||||
Short story and a review of The Yage Letters is on the same page. [c81] | |||||||||||
BU-MOS.034a | "Most Dangerous Man in the World" in New Times (Volume or Publication 15/50; Page 08) by Mills, Steve, 1984 December (2 Copies) | ||||||||||
Article about ASU acquiring ![]() ![]() | |||||||||||
BU-MOS.034b | "Most Dangerous Man in the World" in New Times (Volume or Publication 15/50; Page 08) by Mills, Steve, 1984 December (2 Copies) | ||||||||||
Article about ASU acquiring ![]() ![]() | |||||||||||
BU-MOS.035 | Review of Port of Saints in Rivertown Times (Volume or Publication 1/14; Page 4) by Lucas, Timothy R., 1976 March 10 | ||||||||||
BU-MOS.036 | "Johnny 23" in Ambit (Volume or Publication 0/37; Page 11) by ![]() ![]() | ||||||||||
Short story [c199] | |||||||||||
BU-MOS.037 | "Beat Goes On" Style Section in Chicago Tribune (Volume or Publication 0/0; Page 23), 1988 October 19 | ||||||||||
Donato, Marla "37 years since he shot his wife but still has power to shock." | |||||||||||
BU-MOS.038 | "Unspeakable Mr. Hart" in Cyclops (Volume or Publication 0/3; Page 10) by ![]() ![]() | ||||||||||
![]() ![]() | |||||||||||
BU-MOS.039 | "Unspeakable Mr. Hart" in Cyclops (Volume or Publication 0/4; Page 10) by ![]() ![]() | ||||||||||
Continuation of article in September 1970 issue. Pictures of fear and death. | |||||||||||
BU-MOS.040 | "Academy 23: A Deconditioning" in City of San Francisco Oracle (Volume or Publication 1/10; Page 3) by ![]() ![]() | ||||||||||
BU-MOS.041 | Culture Hero (Volume or Publication 1/2) | ||||||||||
BU-MOS.042 | Daily Telegraph (Volume or Publication 0/34825), 1967 April 14 | ||||||||||
BU-MOS.043 | Ad with Burrough's Picture in International Times (Volume or Publication 0/2; Page 5) | ||||||||||
In German | |||||||||||
BU-MOS.045 | "The Invisible Generation Continuted" in International Times (Volume or Publication 0/6; Page 6) by ![]() ![]() | ||||||||||
BU-MOS.046 | "A Nice Run Thing" in New Society (Volume or Publication 17/454; Page 1010) by ![]() ![]() | ||||||||||
Book review of Psychedelics. | |||||||||||
BU-MOS.047 | "Drugs & Literature: The Death of Opium Jones" in New Statesman (Volume or Publication 71/1825; Page 304) by ![]() ![]() | ||||||||||
Description of drugs. | |||||||||||
BU-MOS.048 | "Literature and Drugs" in New Statesman (Volume or Publication 71/1826; Page 338) by ![]() ![]() | ||||||||||
Letter to the Ed. [C135] | |||||||||||
BU-MOS.049 | "Uncle Bill ![]() ![]() ![]() ![]() | ||||||||||
On Scientology. | |||||||||||
BU-MOS.050 | "The Discipline of D__E" in Rolling Stone (Volume or Publication 0/69; Page 34) by ![]() ![]() | ||||||||||
Chp excerpted from Revised Boy Scout Manual, also issue devoted to Janis Joplin's death. | |||||||||||
BU-MOS.051 | "William ![]() ![]() ![]() ![]() | ||||||||||
In German, with photographs. | |||||||||||
BU-MOS.052 | Time (Volume or Publication 0/0; Rip Off Press; Page all), 1965 | ||||||||||
Issue of Time Magazine. Examples of cut up. | |||||||||||
BU-MOS.053 | "My Own Mag" (Volume or Publication 0/3; Page all), 1964 | ||||||||||
Contribution by William ![]() ![]() | |||||||||||
BU-MOS.054 | Newsletter written by ![]() ![]() ![]() ![]() | ||||||||||
Newsletter, cutups. [C95] | |||||||||||
BU-MOS.055 | Contribution by William S. ![]() ![]() | ||||||||||
[c97] | |||||||||||
BU-MOS.056 | Letter from William ![]() ![]() | ||||||||||
Edited by Jeff Nutall. Barnet, England. The Special Tangier Edition with a full-cover drawing of ![]() ![]() ![]() ![]() | |||||||||||
BU-MOS.057 | William ![]() ![]() ![]() ![]() | ||||||||||
Edited by Jeff Nutall. Barnet, England. Special "post-election" issue with a fall-out shelter cover and a brown-green stain running down the cover. Contains ![]() ![]() | |||||||||||
BU-MOS.058 | Letters from ![]() ![]() ![]() ![]() | ||||||||||
BU-MOS.059 | Newsletter Written by ![]() ![]() ![]() ![]() | ||||||||||
Edited by Jeff Nutall. Barnet, England. Contains ![]() ![]() | |||||||||||
BU-MOS.060 | Dutch Schultz Special edition of "My Own Mag" (Volume or Publication 0/13; Page all) by ![]() ![]() | ||||||||||
Edited by Jeff Nutall. Barnet, England. Containing the complete "The Dead Star" manuscript in facsimile. One of 500 numbered copies, Signed. [c122] | |||||||||||
BU-MOS.061 | Newsletter in "My Own Mag" (Volume or Publication 0/14; Page all) by ![]() ![]() | ||||||||||
Edited by Jeff Nuttall. Contains quotes by ![]() ![]() ![]() ![]() | |||||||||||
BU-MOS.062 | "The Moving Times" in "My Own Mag" (Volume or Publication 0/15; Page all) by ![]() ![]() | ||||||||||
Including "Nut Note on the Column Cutup Thing", "William ![]() ![]() | |||||||||||
BU-MOS.063 | Newsletter written by ![]() ![]() ![]() ![]() | ||||||||||
Newsletter. [C154] | |||||||||||
BU-MOS.064 | "Wm. ![]() ![]() | ||||||||||
BU-MOS.065 | "Cut me up by Brion Gysin" in International Times (Volume or Publication 0/11-12; Page 6) by ![]() ![]() | ||||||||||
Text from Minutes to Go by ![]() ![]() | |||||||||||
BU-MOS.066 | "Invisible Generation" in Los Angles Free Press (Volume or Publication 3/49) by ![]() ![]() | ||||||||||
1st U.S. Version [C158] | |||||||||||
BU-MOS.067 | "Invisible Man" in N.Y. Review of Books (Volume or Publication 31/8; Page 12), 1984 March 10 | ||||||||||
Book reviews on: Place of Dead Roads, Naked Lunch, Letters of Ginsberg, ![]() ![]() | |||||||||||
BU-MOS.068 | "Kerouac Revisited" in State Press (Volume or Publication 5/9; Page 3) by Fuss, Troy, 1992 November 22 | ||||||||||
Story about Beat Generation: Kerouac and ![]() ![]() | |||||||||||
BU-MOS.069 | "Picture of ![]() ![]() | ||||||||||
![]() ![]() | |||||||||||
BU-MOS.070 | "Unspeakable Mr. Hart" in Crawdaddy (Volume or Publication 5/1; Page 33) by ![]() ![]() | ||||||||||
Short Story. | |||||||||||
BU-MOS.071 | "Takis" in Signals (Volume or Publication 1/3-4; Page 9) by ![]() ![]() | ||||||||||
Short story [c87] | |||||||||||
BU-MOS.072 | "Who is the Third That Walks Beside You?" in Organ (Volume or Publication 0/0; Page 35) by ![]() ![]() | ||||||||||
Short story. Cut-up 3-column style. [315] | |||||||||||
BU-MOS.073 | "Book of Shadows" in Northwest Extra (Volume or Publication 1/12) by ![]() ![]() | ||||||||||
Newspaper format. 1 pg story with illustration by S. Clay Wilson, also front cover photo. | |||||||||||
BU-MOS.074 | "Authoring Anarchy" in State Press (Volume or Publication 76/59; Page 3) by Fuss, Troy, 1992 November 19 | ||||||||||
Story about ![]() ![]() | |||||||||||
BU-MOS.075 | "New Reformers" in Kontexts (Volume or Publication 8/0; Page 8), 1976 Spring | ||||||||||
Interview: ![]() ![]() | |||||||||||
BU-MOS.076 | "23 Skidoo" in International Times (Volume or Publication ?; Page 4) by ![]() ![]() | ||||||||||
Story. | |||||||||||
BU-MOS.077 | "Wm. ![]() ![]() | ||||||||||
French newspaper. | |||||||||||
BU-MOS.078 | "William ![]() ![]() | ||||||||||
Interview with ![]() ![]() | |||||||||||
BU-MOS.74 | Poem in article in Thanksgivings Day Poem (ASU: State Press) | ||||||||||
Also in Tornado Alley. | |||||||||||
BU-MOS.79 | "Thanksgivings Day" and "Flag" painting in Planet Magazine (Page 22/23) by ![]() | ||||||||||
BU-MOS.80 | "Forwarding Address Unknown" in ROAM (Volume or Publication No. 1; Page 28) by Harris, Oliva, 1998 February-March | ||||||||||
Article on WSB. | |||||||||||