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Collection Summary | |
Creator: | Douglas, Frances |
Collection Name: | Frances Douglas Papers, |
Inclusive Dates: | 1892-1963 |
Physical Description: | 13 Linear Feet |
Abstract: | Contains correspondence, diaries, articles, stories, clippings, memorabilia, photographs, and translations of mostly unpublished works by Spanish-language writers. Some of the authors are Concha Espina de Serna, Vicente Blasco Ibáñez, Jose Maria Carretero, Guillermo Diaz-Caneja, Gregorio Martinez Sierra, Rafael Delgado, Pedro Juan Labarthe, Jose Lopez- Portillo y Rojas, Emilia Pardo-Bazan, Jose Echegaray and Eduardo Zamacois. Personal material consists of correspondence and family photographs, from marriage to Charles Fletcher Lummis, and later to Courtenay DeKalb, with whom she operated the Roadside Mine in Arizona. Photographs and correspondence related to the mine are present. Also included are typescripts of Douglas' published and unpublished articles, stories, and translations. Original drawings are by E.A. Burbank and Carl Oscar Borg. Correspondence with friends and publishers includes writers Eugene Rhodes, Henry Knibbs, Concha Espina, Vicente Blasco Ibáñez, José María Carretero, Pedro Labarthe, Guillermo Diaz-Caneja, and the publisher Phoebe Hearst. Diaries and photographs document travels to Mexico and Europe. Stories were recorded by Douglas while she lived among the Isleta Indians. Mexican and U.S. newspapers, 1911-1915, report on the Mexican Revolution. Related material in MS 39 and MS 297. |
Collection Number: | MS 037 |
Repository: |
University of Arizona Libraries, Special Collections University of Arizona PO Box 210055 Tucson, AZ 85721-0055 Phone: 520-621-6423 Fax: 520-621-9733 URL: http://speccoll.library.arizona.edu/ |
Author and translator Frances Douglas was born into a large family on 19 November 1870 in Milford, Connecticut; her parents were Alanson Delos Douglas and Betsy Ellen Miller. Frances attended only a few years of grammar school, and when she was sixteen, she joined her older sister Ida in Isleta, New Mexico. She began studying Spanish soon thereafter, at one point claiming that she knew "so many people who knew a little of several languages and decided [she] wanted to know all [she] could about one". Most of her knowledge of the language was self-taught, acquired from reading and from constant conversation with the Mexicans and Native Americans living in the area.
In 1891, Frances met author and activist Charles Fletcher Lummis in Isleta. Lummis was in Isleta working on behalf of the Pueblo Indians who were resisting government education program; he was also hiding from San Mateo bosses he had angered with his articles, and who had a reward on his head. [The two fell in love and had their first child, Turbesé, out of wedlock, as Lummis' divorce was not yet final.] In 1892-in a rather peculiar arrangement-Frances and Turbesé went to live with Lummis' soon-to-be-ex-wife, Dorothea, in Los Angeles until the divorce went through. The couple had four children: Dorothea (Turbesé, Lummis Fiske (1892- ), Amado Lummis (1894-1900), Jordan (Quimu) Lummis (1899- ), and Keith Lummis (1904- ). The couple had a troubled marriage, and in June 1909, Frances fled with Keith and Turbesé to San Francisco. While in San Francisco, she began a close friendship with mining engineer Courtenay DeKalb, whom she had known at least since 1908. In 1911, Frances moved to Tucson and filed for divorce from Charles Lummis, citing physical and emotional abuse and philandering. She married Courtenay DeKalb in 1913.
Frances Douglas began writing and translating Spanish authors in 1909, and published her first translation, of Vincente Blasco Ibanez's Sangre y Arena (translated title Blood and Sand), with A.C. McClurg in 1911. Her career spanned several decades, over the course of which she translated the works of many Spanish and Latin American authors including Concha Espina de Serna, José Maria Carretero, Guillermo Diaz-Caneja, Gregorio Martinez Sierra, Rafael Delgado, Pedro Juan Labarthe, José López-Portillo y Rojas, Emilia Pardo-Bazan, José Echegaray and Eduardo Zamacois. She is also credited with transcribing and translating the diary of Junipero Serra, which had been considered undecipherable. The diary was felt by many to be a fundamental document in California history. Several of her translations of Blasco Ibanez were made into motion pictures, including Blood and Sand (1922) and The Four Horsemen of the Apocalypse (1921, based on The Dead Command), both of which starred Rudolph Valentino.
With Courtenay DeKalb, Frances visited Spain twice in 1918 and 1926, on behalf of the United States Commerce Department. During these visits, in addition to her work for the government, she visited authors, organizations, and publishers. She also spent time with Concha Espina, with whom she had become close. In 1933, the University of Arizona honored Frances Douglas with an honorary doctor of letters, and in 1935 Frances Douglas became a charter member of the American Association of University Women. Between 1930-1941, she was the Associate Editor of Hispania, and remained on staff as a member of the magazine's advisory council following 1941.
Throughout the 1930s and 1940s, Frances continued to write and publish translations of her favorite authors, as well as short stories of her own. Additionally, she remained active giving speeches to various local and national women's and book clubs. In 1963, Frances Douglas and her daughter moved to San Diego, California. Prior to the move, she donated her library of 1100 books to the University of Arizona's Department of Romance Languages. Frances Douglas died in Berkeley, California in March 1969.
The bulk of the papers relate to Frances Douglas' life after 1911. With the exception of photographs of family and friends prior to that date, there is little information about her early life; many of the photographs of Charles Lummis are unidentified, even when he is in pictures with others who are identified. Correspondence (Series II) with family and Douglas' diaries (in Series I) provide some information regarding her early life, but not very much. The diary from 1892-1893 documents many of her daily activities in California; many of the entries are in Spanish. There is a huge gap in the diaries represented here, with the next diary dated 1910, after Douglas' relocation to San Francisco. The diaries dated 1910, 1911, and 1912 mention little about her crumbling relationship with Lummis-although there are a few brief entries regarding notice of the separation in the papers-and, equally surprising is the lack of mention of Courtenay DeKalb, whose address is listed on one of her first copyright applications, in 1908. Additionally, the early correspondence with family is equally vague on this first part of her life, as if she wished to wipe parts of it from the record (her entry in Who's Who in the West lists only her marriage to DeKalb).
However, Douglas' correspondence files for the years following 1911 is a rich resource for those interested in her work and her relationships with authors and other leading scholars of the time. As Douglas maintained a copy of her outgoing correspondence, both sides of a conversation with an author, editor, or family member are well documented. Researchers will find of particular interest Douglas' correspondence with publishers and authors, most particularly her correspondence with Concha Espina, whom she tried diligently to introduce to the American public in the same way she did with Vincente Blasco Iba?? Espina's works were not as well received in America as they were in Spain, and the letters Douglas wrote to one publisher after another on behalf of the author (and her translations from the Spanish) document her unsuccessful crusade. Additionally interesting is the correspondence regarding the Roadside Mine, near Silverbell, Arizona co-owned by Douglas and DeKalb, as well as her additional mining claims.
In Series III Manuscripts are the drafts of much of her translations as well as copies of articles, short stories, and book reviews she submitted to newspapers and magazines. In some cases, Douglas retained the copy of the work she was translating from Spanish, as well as her notes and vocabulary lists. Of interest is the copy of the American edition of Blasco Ibanez's The Dead Command, which Douglas used to note the recommended changes for the British version of her translation (unpublished). In Series IV Research Files, are Douglas' clippings on authors she translated, photographs of the authors, and clippings of stories she wished to translate. Series V Photographs, in addition to photographs of Douglas, contains a large number of photographs of the children-mostly cyanotypes-taken by Charles Lummis. Photographs of trips, other family members, and Tucson round are also included.
None.
It is the responsibility of the user to obtain permission to publish from the owner of the copyright (the institution, the creator of the record, the author or his/her transferees, heirs, legates, or literary executors). The user agrees to indemnify and hold harmless the Arizona Board of Regents for the University of Arizona, its officers, employees, and agents from and against all claims made by any person asserting that he or she is an owner of copyright.
Frances Douglas papers(MS 037). Special Collections, University of Arizona Libraries.
Series 1: Personal and Family Material, 1893 - 1960 | |||||||||||
box | folder | ||||||||||
1 | 1 | Obituary, 1969 | |||||||||
1 | 1 | Who's Who Entries, 1932 - 1963 | |||||||||
1 | 2 | Bibliography of Published Works, c. 1930 - 1933 | |||||||||
1 | 3 | Passports, Lists, Calling Cards, 1898 - 1961 | |||||||||
1 | 4 | Accounts, Lists, Membership, 1908-1948 | |||||||||
1 | 5 | Mauretania Menus, 1926 | |||||||||
1 | 6 | Las Granadas Guest Book, 1937 | |||||||||
1 | 7 | Turbesé Lummis (Fiske), 1899 - 1952 | |||||||||
1 | 8 | Keith & Jordan DeKalb, 1907 - 1935 | |||||||||
box | folder | ||||||||||
2 | 1 | Diaries (6), 1893 - 1926 | |||||||||
2 | 2 | Diaries (9), 1921 -1935 | |||||||||
box | folder | ||||||||||
3 | 1 | Travel Notes, 1914, 1919, 1926, 1928 | |||||||||
3 | 2 | Travel Notes, [nd] | |||||||||
3 | 3 | Travel Notes, 1919, [nd] | |||||||||
box | folder | ||||||||||
4 | 1 | Legal Papers Divorce, Copyright, Property, 1908 - 1941 | |||||||||
4 | 2 | List of Books in Collection, 1925 | |||||||||
4 | 3 | Clippings, 1896 -1950, 1963 |
Series 2: Correspondence, 1893 - 1960 | |||||||||||
Subseries 1: Family Correspondence, 1899 - 1959 | |||||||||||
box | folder | ||||||||||
5 | 1 | Family, 1899 - 1915 | |||||||||
5 | 2 | Family, 1916 - 1919 | |||||||||
5 | 3 | Family, 1920 - 1921 | |||||||||
5 | 4 | Family, 1922 - 1923 | |||||||||
5 | 5 | Family, 1924 - 1925 | |||||||||
5 | 6 | Family, 1926 - 1930 | |||||||||
5 | 7 | Family, 1931 - 1937 | |||||||||
5 | 8 | Family, 1938 - 1939 | |||||||||
box | folder | ||||||||||
6 | 1 | Family, 1941 - 1946 | |||||||||
6 | 2 | Family, 1947 - 1951 | |||||||||
6 | 3 | Family, 1952 - 1955 | |||||||||
6 | 4 | Family, 1956 -1959 | |||||||||
6 | 5 | Family, [nd] | |||||||||
6 | 6 | Family (Fragments), [nd] | |||||||||
6 | 7 | DeKalb, Courtenay (Includes Related Material), 1911 - 1924 | |||||||||
Subseries 2: General Correspondence, 1893 - 1960 | |||||||||||
box | folder | ||||||||||
7 | 1 | General, 1893 - 1909 | |||||||||
7 | 2 | General, 1910 - 1911 | |||||||||
7 | 3 | General, 1912 | |||||||||
7 | 4 | General, 1913 | |||||||||
7 | 5 | General, 1914 - 1918 | |||||||||
7 | 6 | General, 1919 - 1920 | |||||||||
7 | 7 | General, 1921 | |||||||||
7 | 8 | General, 1922 - 1925 | |||||||||
box | folder | ||||||||||
8 | 1 | General, 1926 - 1928 | |||||||||
8 | 2 | General, 1929 - 1932 | |||||||||
8 | 3 | General, 1933 - 1934 | |||||||||
8 | 4 | General, 1935 | |||||||||
8 | 5 | General, 1936 -1937 | |||||||||
8 | 6 | General, 1938 - 1939 | |||||||||
8 | 7 | General, 1940 - 1945 | |||||||||
8 | 8 | General, 1946 - 1949 | |||||||||
8 | 9 | General, 1950 - 1953 | |||||||||
8 | 10 | General, 1954 - 1960 | |||||||||
8 | 11 | General, [nd] | |||||||||
Subseries 3: Individuals, 1900 - 1956 | |||||||||||
box | folder | ||||||||||
9 | 1 | Acosta, Jose, 1927 - 1931 | |||||||||
9 | 2 | Allen, Jay, 1940 | |||||||||
9 | 3 | Anchondo, Antonio, 1932 -1937 | |||||||||
9 | 4 | Blasco-Ibanez, Vincente, 1909 - 1919 | |||||||||
9 | 5 | Blasco-Ibanez, Vincente, 1920 - 1922 | |||||||||
9 | 6 | Browne, Grace H., 1938 - 1940, 1946 -1949, 1955 | |||||||||
9 | 7 | Carretero, Jose Maria (2 photos), 1920 - 1926 | |||||||||
9 | 8 | Coester, Albert, 1939, 1951 | |||||||||
9 | 9 | Cuyas, Arturo, 1919 - 1924 | |||||||||
9 | 10 | Delgado, Rafael, 1911 | |||||||||
9 | 11 | Diaz-Caneja, Abelardo (4 photos, notes by Douglas), 1919 - 1933 | |||||||||
9 | 12 | Diaz-Caneja, Guillermo, 1933 | |||||||||
9 | 13 | Dorado,Carolina Marcial, 1927 - 1935 | |||||||||
9 | 14 | Espina, Concha, 1919 - 1923 | |||||||||
9 | 15 | Espina, Concha, 1924 | |||||||||
9 | 16 | Espina, Concha, 1925 | |||||||||
9 | 17 | Espina, Concha, 1926 - 1927 | |||||||||
9 | 18 | Espina, Concha, 1928 - 1929 | |||||||||
9 | 19 | Espina, Concha, 1930 - 1954, [nd] | |||||||||
9 | 20 | De Figueroa, Augustin, 1934 | |||||||||
9 | 21 | Fitz-Gerald, John D., 1929 - 1946 | |||||||||
9 | 22 | Galdos, Benito Perez (authorization to translate), 1919 | |||||||||
box | folder | ||||||||||
10 | 1 | Hearst, Phoebe, 1900 - 1910 | |||||||||
10 | 2 | Hearst, Phoebe, 1911 - 1912 | |||||||||
10 | 3 | Hearst, Phoebe (photos, clipping), 1913 - 1918 | |||||||||
10 | 4 | Huntington, Archer, 1945 - 1955 | |||||||||
10 | 5 | Insua, Don Alberto, 1926 - 1927 | |||||||||
10 | 6 | Jáuregui, Miguel Hernandez, 1945 | |||||||||
10 | 7 | Kidd, Charlotte, 1926 -1955 | |||||||||
10 | 8 | Kosulich, Berenice, 1954 | |||||||||
10 | 9 | Labarthe, Pedro Juan, 1920 - 1947 | |||||||||
10 | 10 | Labarthe, Pedro Juan (clippings, books, photos), 1948 - 1954 | |||||||||
10 | 11 | López Portillo y Rojas, José , 1911 | |||||||||
10 | 12 | Machado, Antonio, 1927 - 1929, [nd] | |||||||||
10 | 13 | Más, José , 1926 - 1934 | |||||||||
10 | 14 | Mollenhauer, Bernhard, 1947 - 1956 | |||||||||
10 | 15 | Mata, Pedro, 1927 | |||||||||
10 | 16 | De Oteyza, Luis, 1928-1929 | |||||||||
10 | 17 | Paleria, Isabel Ode, 1923 - 1940 | |||||||||
10 | 18 | Pereda, Clemente, 1925 - 1932, [nd] | |||||||||
10 | 19 | Pond, Florence, 1936 - 1946, [nd] | |||||||||
10 | 20 | Posada, Alfonso (authorization to translate), 1919 | |||||||||
10 | 21 | Power, Victor, 1927 - 1928 | |||||||||
10 | 22 | Rendueles, Roberto, 1928 - 1946 | |||||||||
10 | 23 | Sandioz, Alba, 1945 - 1958 | |||||||||
10 | 24 | Valles, Fred, 1941, 1944 | |||||||||
10 | 25 | Van Hulse, Camil, 1940 - 1955 | |||||||||
10 | 26 | Woolfolk, Wythe, 1935 - 1939 | |||||||||
Subseries 4: Societies, Organizations, Magazines and Publishers, 1909 - 1958 | |||||||||||
box | folder | ||||||||||
11 | 1 | Hispanic Society of America, | |||||||||
11 | 2 | Spanish American Atheneum, | |||||||||
11 | 3 | Pan-American Union (Leo S. Rowe & Gil Borges), | |||||||||
11 | 4 | Magazines and Newspapers, 1911 - 1922 | |||||||||
11 | 5 | Common Weal , | |||||||||
11 | 6 | Hispania (Alfred Coester), 1929 - 1932 | |||||||||
11 | 7 | Hispania (Alfred Coester), 1933 - 1934 | |||||||||
11 | 8 | Hispania (Alfred Coester), 1935 - 1942 | |||||||||
11 | 9 | New York Times Book Review, 1926 - 1947 | |||||||||
11 | 10 | Publisher's General, 1911 - 1939 | |||||||||
11 | 11 | Appleton & Co., 1912 - 1924 | |||||||||
11 | 12 | Appleton & Co., 1925 - 1934 | |||||||||
11 | 13 | Appleton & Co. (Royalty Statements, Receipt Notices), 1923 - 1930 | |||||||||
11 | 14 | Brentano's, 1909 - 1912 | |||||||||
11 | 15 | Cine-Mondial, 1917 | |||||||||
11 | 16 | Doubleday-Page & Co., 1909 - 1912 | |||||||||
11 | 17 | Duffield & CO., concerning Los Muertos Mandan "The Dead Command", 1917 - 1919 | |||||||||
11 | 18 | Duffield & Co., concerning Los Muertos Mandan Great Britain Version, 1920 | |||||||||
11 | 19 | Duffield & Co., 1921 - 1929 | |||||||||
box | folder | ||||||||||
12 | 1 | E.P. Dunlap, 1917 | |||||||||
12 | 2 | E.P. Dutton, 1910 - 1939 | |||||||||
12 | 3 | Harcourt, Brace & Co., 1921 | |||||||||
12 | 4 | Houghton Mifflin & Co., 1913, 1918, 1921 | |||||||||
12 | 5 | Alfred A. Knopf, Inc., 1918, 1927 - 1929 | |||||||||
12 | 6 | Macmillan Company, Espina, La Esfinge Maragata (Mariflor), 1912 - June 1924 | |||||||||
12 | 7 | Macmillan Company, July 1924 - 1926 | |||||||||
12 | 8 | Macmillan Company, Concha Espina, 1927 - 1937 | |||||||||
12 | 9 | A.C. McClurg & Co., 1910 - 1927 | |||||||||
12 | 10 | L.C. Page & Co., 1934 | |||||||||
12 | 11 | G.P. Putnams & Sons, 1912 - 1913, 1921 | |||||||||
12 | 12 | Review of Reviews, 1912 - 1915 | |||||||||
12 | 13 | Small, Maynard, Rich & Co., 1921 - 1922 | |||||||||
12 | 14 | Frederick A. Stokes, Co., 1916, 1921 | |||||||||
Subseries 5: Roadside Mine, 1912 - 1958 | |||||||||||
box | folder | ||||||||||
12 | 15 | Roadside Mine, 1912 - 1921 | |||||||||
12 | 16 | Roadside Mine, 1923 - 1929 | |||||||||
12 | 17 | Roadside Mine, 1930 - 1935 | |||||||||
12 | 18 | Roadside Mine, 1937 - 1938 | |||||||||
12 | 19 | Roadside Mine, 1941 - 1945 | |||||||||
12 | 20 | Roadside Mine, 1946 - 1958 | |||||||||
12 | 21 | Roadside Mine, [nd] |
Series 3: Manuscripts, 1909 - 1950's | |||||||||||
Subseries 1: Articles and Speeches (General), 1914 - 1950's | |||||||||||
box | folder | ||||||||||
13 | 1 | Articles, General , [nd] | |||||||||
13 | 2 | Articles and Speeches: Vincente Blasco Ibanez & Concha Espina, [nd] | |||||||||
13 | 3 | Articles and Speeches, Concha Espina, 1927 - 1933, [nd] | |||||||||
13 | 4 | Articles and Speeches, Mexico, 1914 - 1916, [nd] | |||||||||
13 | 5 | Articles and Speeches, Southwest, 1916 - 1917, [nd] | |||||||||
13 | 6 | Articles and Speeches, Spain, [nd] | |||||||||
13 | 7 | Articles and Speeches, Spanish Literature & Culture, [nd] 1 of 2 | |||||||||
13 | 8 | Articles and Speeches, Spanish Literature & Culture, [nd] 2 of 2 | |||||||||
13 | 9 | Speeches, 1914 | |||||||||
13 | 10 | Speeches, 1930's | |||||||||
13 | 11 | Speeches, 1940's - 1950's | |||||||||
13 | 12 | Speeches, [nd] | |||||||||
Subseries 2: Reviews and articles for newspapers and magazines , | |||||||||||
box | folder | ||||||||||
14 | 1 | Short Stories, c. 1909 - 1916, [nd] (1 of 2) | |||||||||
14 | 2 | Short Stories, c. 1909 - 1916, [nd] (2 of 2) | |||||||||
14 | 3 | Short Stories, (Isleta Indian Stories), c. 1900 - 1909 | |||||||||
14 | 4 | Poetry, [nd] | |||||||||
14 | 5 | Projected Cantata (with Camil Van Hulse), [nd] | |||||||||
14 | 6 | Magazines & Newspapers, General, 1914 - 1920 | |||||||||
14 | 7 | Hispania, May - Dec. 1930 | |||||||||
14 | 8 | Hispania, March - Oct. 1931 | |||||||||
14 | 9 | Hispania, Feb. - Dec. 1933 | |||||||||
14 | 10 | Hispania, May - Dec. 1934 | |||||||||
14 | 11 | Hispania, Dec. 1935 - Oct. 1936 | |||||||||
14 | 12 | Hispania, Dec. 1937 - Dec. 1938, [nd] | |||||||||
14 | 13 | New York Times Book Review, (Concha Espina's Red Beacon), 1924 | |||||||||
14 | 14 | New York Times Book Review, "Spanish Literary News", 1926 - 1927 | |||||||||
box | folder | ||||||||||
15 | 1 | New York Times Book Review, "Spanish Literary News", 1928 | |||||||||
15 | 2 | New York Times Book Review, "Spanish Literary News", 1930 - 1933 | |||||||||
15 | 3 | New York Times Book Review, "Spanish Literary News", 1934 - 1946 | |||||||||
Subseries 3: Translations , | |||||||||||
box | folder | ||||||||||
15 | 4 | Blasco Ibanes, Vicente, Sangre Y Arena ( The Blood of the Arena) (1 of 2), 1910 | |||||||||
15 | 5 | Blasco Ibanes, Vicente, Sangre Y Arena ( The Blood of the Arena) (2 of 2), 1910 | |||||||||
15 | 6 | Blasco Ibanes, Vicente, Los Muertos Mandan ( Dead Command or Four Horsemen of the Apocalypse), Notebooks, 1916 | |||||||||
15 | 7 | Blasco Ibanes, Vicente, Dead Command, Edited copy for British Edition, 1920 | |||||||||
15 | 8 | Blasco Ibanes, Vicente, Canas Y Barro ( Reeds and Clay), 1918 | |||||||||
15 | 9 | Blasco Ibanes, Vicente, La Maja Desuda, c. 1919 | |||||||||
box | folder | ||||||||||
16 | 1 | Blasco Ibanes, Vicente, In El Pais Del Arte ( In the Land of Art) (1 of 2), [nd] | |||||||||
16 | 2 | Blasco Ibanes, Vicente, In El Pais Del Arte ( In the Land of Art) (2 of 2), [nd] | |||||||||
16 | 3 | Blasco Ibanes, Vicente, Misc. Notes, [nd] | |||||||||
16 | 4 | Carretero, Jose Maria La Bien Pagada ( The Broken Statue), Synopsis, 1921 | |||||||||
16 | 5 | Carretero, Jose Maria La Bien Pagada ( The Broken Statue), 1921 | |||||||||
16 | 6 | Del Gado, Rafael, Calandria ( The Lark of Orizaba) (1 of 2), 1912 | |||||||||
16 | 7 | Del Gado, Rafael, Calandria ( The Lark of Orizaba) (2 of 2), 1912 | |||||||||
16 | 8 | Del Gado, Rafael, Calandria ( The Lark of Orizaba), Copy used for translation, 1912 | |||||||||
box | folder | ||||||||||
17 | 1 | Diaz-Caneja, Guillermo, Sobre en Blanco ( The Unaddressed Envelope), 1924 | |||||||||
17 | 2 | Echegaray Y Eizaguirre, Jose, Mancha Que Limpia (The Cleansing Stain), 1910 | |||||||||
17 | 3 | Espina, Concha, El Jayon (The Foundling), 1927 | |||||||||
17 | 4 | Lopez-Portillo Y Rojas, Jose, Maria Delas Nieves ( The Mezcal Maker), [nd] | |||||||||
17 | 5 | Lopez-Portillo Y Rojas, Jose, Maria Delas Nieves ( The Mezcal Maker), Notebooks, [nd] | |||||||||
17 | 6 | Lopez-Portillo Y Rojas, Jose, The Lottery Ticket, [nd] | |||||||||
17 | 7 | Lopez-Portillo Y Rojas, Jose, La Horma de su Zapeto and Un Drama de Tres Horas, [nd] | |||||||||
17 | 8 | Lopez-Portillo Y Rojas, Jose, A Mexican Badman, [nd] | |||||||||
17 | 9 | Martinez-Sierra, Gregorio, El Agua Dormida ( Sleeping Waters), [nd] | |||||||||
17 | 10 | Martinez-Sierra, Gregorio, Tu Es La Paz ( Thou Art Peace), c. 1920 | |||||||||
17 | 11 | Pardo Bazan, Emilia, The Capital Prize, [nd] | |||||||||
box | folder | ||||||||||
18 | 1 | Zamacois, Eduardo, Lo Pasado ( The Eternal Triangle), 1912 | |||||||||
18 | 2 | Pan American Patriots, [nd] | |||||||||
18 | 3 | Poetry, [nd] | |||||||||
18 | 4 | Miscellaneous Short Stories, [nd] | |||||||||
18 | 5 | Unidentified, [nd] |
Series 4: Research Files , | |||||||||||
box | folder | ||||||||||
19 | 1 | Blasco Ibanez, Vincente, Clippings, letters, etc., 1909 - 1928 | |||||||||
19 | 2 | Blasco Ibanez, Vincente, 1915 - 1923, [nd] | |||||||||
19 | 3 | Borg, Carl Oscar, 1904 - 1949, [nd] | |||||||||
19 | 4 | Espina, Concha, Biographical note, c. 1924, 1933, [nd] | |||||||||
19 | 5 | Espina, Concha, Clippings, 1921 - 1927, [nd] | |||||||||
box | folder | ||||||||||
20 | 1 | Espina, Concha, Research material, miscellaneous, 1923 - 1945, [nd] | |||||||||
20 | 2 | Espina, Concha, Photographs, 1922 - 1929, [nd] | |||||||||
20 | 3 | Knibbs, Henry Herbert & Eugene Manfield Rhodes, 1922 - 1955, [nd] | |||||||||
20 | 4 | Valles, Frederico, 1934 - 1947, [nd] | |||||||||
20 | 5 | Miscellaneous biographical material, [nd] | |||||||||
20 | 6 | Spanish stories for translation, [nd] | |||||||||
20 | 7 | La Maja Vestida , 1919 |
Series 5: Photographs, 1884 - 1960 | |||||||||||
Subseries 1: Frances Douglas, c. 1890 - 1960 | |||||||||||
box | folder | ||||||||||
21 | 1 | Douglas, Frances, c. 1890's - 1910 | |||||||||
21 | 2 | Douglas, Frances - Tucson, with family, 1911 - 1916 | |||||||||
21 | 3 | Douglas, Frances, 1911 - 1938 | |||||||||
21 | 4 | Douglas, Frances - Tucson, c. 1920's | |||||||||
21 | 5 | Douglas, Frances, Stanford , c. 1930's | |||||||||
21 | 6 | Douglas, Frances, 1930's | |||||||||
21 | 7 | Douglas, Frances - Tucson, c. 1890's - 1910 | |||||||||
21 | 8 | Douglas, Frances - Childhood Home , [nd] | |||||||||
21 | 9 | Douglas, Frances - Photograph plate , [nd] | |||||||||
Subseries 2: Family, Friends, and Associates, 1884 - 1954 | |||||||||||
box | folder | ||||||||||
21 | 10 | Bacon, Louisa, [nd] | |||||||||
21 | 11 | Browne, Francis Fisher, [nd] | |||||||||
21 | 12 | Burgess, Lily (nurse to Jordan and Keith Lummis), 1904 | |||||||||
21 | 13 | Chavez, Amado and daughter, [nd] | |||||||||
21 | 14 | DeKalb, Courtenay, 1911 - 1931 | |||||||||
21 | 15 | Dixon, Constance Maynard III, [nd] | |||||||||
21 | 16 | Douglas, Ambrose (brother), [nd] | |||||||||
21 | 17 | BDouglass, Frederick O. (brother) and family, c. 1900 - 1954 | |||||||||
21 | 18 | Douglas, Morrison D. (brother) and family, [nd] - 1930 | |||||||||
21 | 19 | Dow, Annie Douglas Whitman and family, [nd] - 1938 | |||||||||
21 | 20 | Family and friends at Isleta and El Alisal, 1892 - 1907 | |||||||||
21 | 21 | Friends, misc., 1897 - 1934 | |||||||||
box | folder | ||||||||||
22 | 1 | Hazard, John and Gibson (nephews of C. DeKalb), 1912 - 1931 | |||||||||
22 | 2 | Hazeltine, Mr. and Mrs., 1927 and 1931 | |||||||||
22 | 3 | Hearst, Phoebe, Hacienda, 1909 - 1910 | |||||||||
22 | 4 | Hessey, Flossie Douglas (sister) and family, 1889 - 1949 | |||||||||
22 | 5 | Jordan, Jessie Knight, Jordan, David Starr, and family, 1898 - 1938] | |||||||||
22 | 6 | Keeler, Charles, [nd - 1908] | |||||||||
22 | 7 | Lummis, Amado (son), [nd] | |||||||||
22 | 8 | Lummis, Amado and Turbes?son and daughter), 1894 - 1900 | |||||||||
22 | 9 | Lummis, Jordan "Quimu" (son), 1900 - 1920 | |||||||||
22 | 10 | Lummis, Jordan "Quimu" (son) and family, 1924 - 1947 | |||||||||
22 | 11 | Lummis, Keith (son), 1904 - 1955 | |||||||||
box | folder | ||||||||||
23 | 1 | Lummis, Keith (son) and family, 1932 - 1951 | |||||||||
23 | 2 | Lummis, Turbesé (daughter), 1892 - c. 1916 | |||||||||
23 | 3 | Lummis, Turbesé, Jordan and Keith (daughter and sons), 1901 - 1920 | |||||||||
23 | 4 | Mitchell, Captain, 1899 | |||||||||
23 | 5 | Moody, Charles A., [nd] | |||||||||
23 | 6 | Phillips, Dr. Albert W. and family, 1888 - 1927 | |||||||||
23 | 7 | Rea, Alice Douglas (sister) and family, c. 1884 - 1957 | |||||||||
23 | 8 | Spanish authors, [nd] | |||||||||
Subseries 3: Trips, Mines and Residential Locations, 1889 - 1932 | |||||||||||
box | folder | ||||||||||
23 | 9 | Isleta, New Mexico, 1889 - 1918 | |||||||||
23 | 10 | "Las Casitas", c. 1900 | |||||||||
23 | 11 | Mexico, photographs and postcards, 1911 | |||||||||
box | folder | ||||||||||
24 | 1 | New Orleans, c. 1915 - 1930's | |||||||||
24 | 2 | Roadside Mine, 1923 - 1932, [nd] | |||||||||
24 | 3 | Spain, Burgos Cathedral, [nd] | |||||||||
24 | 4 | Spain and Morocco, trip for Department of Commerce, 1919 | |||||||||
24 | 5 | Spain (1 of 2), photographs and postcards, 1919 | |||||||||
24 | 6 | Spain (2 of 2), 1919 | |||||||||
24 | 7 | Spain, 1928 | |||||||||
24 | 8 | Tucson Home, c. 1912 |