MS 538
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Collection Summary | |
| Creator: | Black Sparrow Press |
| Collection Name: | Black Sparrow Press Collection, |
| Inclusive Dates: | 1966-1994 |
| Bulk Dates: | (bulk 1973-1993) |
| Physical Description: | 133 linear ft. |
| Abstract: | Black Sparrow Press was a small independent publishing house focused on avant-garde literature. Produced by John and Barbara Martin, with the help of typographer and printer Graham Mackintosh, the Press was responsible for drawing attention to Charles Bukowski and his literary work. Each published title includes correspondence from authors, layout matter and artwork, ephemera, photographs, manuscripts, proofs, and first editions. Black Sparrow Press published a number of American and English authors including Diane Wakoski, Joyce Carol Oates, Robert Creeley, Charles Olson, John Fante, Gerard Malanga, Wanda Coleman, and acquired publication rights for Wyndham Lewis and D. H. Lawrence. |
| Collection Number: | MS 538 |
| Language: | Materials are in English. |
| Repository: |
University of Arizona Libraries, Special Collections University of Arizona PO Box 210055 Tucson, AZ 85721-0055 Phone: 520-621-6423 Fax: 520-621-9733 URL: http://speccoll.library.arizona.edu/ |
John Martin founded Black Sparrow Press in 1966, using proceeds from the sale of his personal book collection and with the goal of publishing the work of Charles Bukowski, whom Martin believed in and considered “the new Walt Whitman.” The Press, based out of California, started out as a side job for then office supply manager Martin. By 1972, Martin purchased a print shop in Santa Barbara and devoted himself full-time to the endeavor; in 1986, the Press moved north to Santa Rosa. The rest of the Black Sparrow Press staff included Barbara Martin, who designed over 700 of the book jackets, and typographer Graham Mackintosh, who remained in charge of printing for most of the 36 years that the independent publisher was in business.
Following the publication of its first broadsides by Bukowski, Black Sparrow Press focused on the publication of contemporary, avant-garde literature. Starting with Black Mountain Poets Robert Creeley, Edward Dorn, and Larry Eigner, it followed with young authors from the New York City area, including Diane Wakoski and Clayton Eshleman. There were also West Coast poets Michael McClure, David Bromige, and David Meltzer, and others like Gerard Malanga, James Tate, and Wanda Coleman. Among the prose authors published are Fielding Dawson, James Purdy, and Paul Goodman.
Martin’s business strategy was to issue expensive limited-edition letterpress hardbacks that would produce a profit, followed by economical and more popular paperbacks that faithful readers could purchase. Black Sparrow Press published on average 10 to12 books a year: first limited editions sported title pages in color and all printings afterwards were done in black and white. Refusing to fund himself through grants, Martin relied on sales to stay afloat and sold carefully maintained archives to university special collections when in need of funds. In the beginning, Black Sparrow Press sold its books to independent bookstores, and editions in those years reached around 3,000; over time, however, 80% of printings went to Barnes and #38; Noble, Borders, and Ingram, leading to editions of 15,000 per book. In 2002, Martin retired from publishing, selling the rights of 49 titles to HarperCollins’ imprint, Ecco Press. The remaining inventory went to Boston-based publisher, David R. Godine, who continues to sell reprints of the works under the name Black Sparrow Books.
The collection is arranged in chronological order, following the order of publication in Bradford Morrow and Seamus Cooney’s 1981 work, A Bibliography of the Black Sparrow Press, 1966-1978. John Martin sold his archive to several university libraries: the University of Alberta (Edmonton) has works one to fifty, Pennsylvania State University (Pittsburg) holds works fifty one to one hundred fifty, the University of New Mexico (Albuquerque) acquired works one fifty one to one sixty two, one sixty four to one ninety eight, two hundred to two hundred seven, two hundred nine to two hundred twelve, two hundred twenty seven, two hundred thirty eight, and two hundred fifty. The University of Arizona owns works missing from New Mexico’s one hundred sixty three to two hundred forty nine sequence, as well as works two hundred fifty to five hundred nine. Martin sold the reminder files to the University of California Berkeley, who holds works published during 1992 to 2002, Black Sparrow Press’ last decade.
Files for each work in the collection include correspondence from authors and others involved in their production (very few instances of responses from John Martin or anyone else at Black Sparrow Press are included), layout materials and artwork, original manuscripts, revisions and proofs, and all hardcovers and softcover issues for each title.
Aside from correspondence directly related with each of the works, the collection includes general correspondence received by John Martin (again, with very few responses by the publisher) that deal with simple business transactions and that sometimes have attached manuscripts from authors hoping to catch Martin’s attention.
The Press produced two works, Paul Outerbridge’s Singular Aesthetic and Harvey Mudd’s The Plain of Smokes, as part of the Arabesque Books imprint, the trade name used by Black Sparrow Press to publish art books and catalogue resumes. Oversized materials include Robert Crumb’s Comics, Bukowski’s artwork for Septuagenarian Stew and Hollywood, original serigraph prints by Ken Price from Harvey Mudd’s The Plain of Smokes, and others.
There are no restrictions on this collection.
It is the responsibility of the user to obtain permission to publish from the owner of the copyright (the institution, the creator of the record, the author or his/her transferees, heirs, legates, or literary executors). The user agrees to indemnify and hold harmless the Arizona Board of Regents for the University of Arizona, its officers, employees, and agents from and against all claims made by any person asserting that he or she is an owner of copyright.
Black Sparrow Press Archive, 1966-1970. University of Alberta.
Black Sparrow Press Collection, 1966-2002. Emory University.
Black Sparrow Press Collection, 1967-1974. Pennsylvania State University.
Black Sparrow Press Collection (MS 538). Special Collections, University of Arizona Libraries.
Processed by Hannivett Nabahe, Ofelia E. Zepeda, Clint Colby, Debbie Weller, Roger Myers.
| Series I: Book Files, 1973-1993 | |||||||||||
| This series is arranged in chronological order and each project is organized according to the process of production, which is partially documented in A Bibliography of the Black Sparrow Press, 1966-1978 (Cooney, Morrow, 1981). Most book files include correspondence from authors and others involved in their production (very few instances of responses from John Martin or anyone else at Black Sparrow Press are included), layout materials and artwork; original manuscripts; revisions and proofs; 1 to 2 limited edition hardcovers, and 2 to 4 paperbacks for each work. Also in this series are limited edition Black Sparrow Press New Year’s Greetings created by Charles Bukowski. | |||||||||||
| box | folder | ||||||||||
| 1 | 1 | #163 Dancing on the Grave of a Son of a Bitch, Wakoski, Diane, Correspondence, 1973 | |||||||||
| 1 | 2 | #163 Dancing on the Grave of a Son of a Bitch, Wakoski, Diane, Manuscript, 1973 | |||||||||
| 1 | 3 | #163 Dancing on the Grave of a Son of a Bitch, Wakoski, Diane, Folded Signatures, 1973 | |||||||||
| 1 | 4 | #163 Dancing on the Grave of a Son of a Bitch, Wakoski, Diane, 2 Hardcover copies, 2 Softcovers, 1973 | |||||||||
| 1 | 5 | #199 Abalone, Wakoski, Diane, Manuscript, Proof, Artwork, Correspondence, 3 Hardcover copies, 1 Softcover, 1974 | |||||||||
| 1 | 6 | #208 Creating a Personal Mythology, Wakoski, Diane, First Manuscript, Second Manuscript, Proof, Booklet, 1975 | |||||||||
| 1 | 7 | #213 To Have Done with the Judgment of God, Artaud, Antonin, Correspondence, Manuscript, First Proof, Revision, Second Proof, 1975 | |||||||||
| 1 | 8 | #214 Explosion of the Swan and Three Poems, Malanga, Gerard, Manuscript, Proofs, Artwork, Lorca-Dali Photo, Correspondence, Notes, 1975 | |||||||||
| box | folder | ||||||||||
| 2 | 1 | #215 The Gull Wall, Eshleman, Clayton, Correspondence, Artwork, Notes, 1975 | |||||||||
| 2 | 2 | #215 The Gull Wall, Eshleman, Clayton, Manuscript, 1975 | |||||||||
| 2 | 3 | #215 The Gull Wall, Eshleman, Clayton, 3 Hardcover, 1 Softcover 1975 | |||||||||
| box | folder | ||||||||||
| 3 | 1 | #216 Medusa and #38; Others, Stepanchev, Stephen, Correspondence, Manuscript, 1975 | |||||||||
| 3 | 2 | #217 The Cat’s Meow, Morris, Wright, Artwork, Correspondence, Notes, 1975 | |||||||||
| 3 | 3 | #217 The Cat’s Meow, Morris, Wright, Manuscript Unbound Copy, 1 Hardcover, 2 Softcover, 1975 | |||||||||
| box | folder | ||||||||||
| 4 | 1 | #218 The Loom, Kelly, Robert, Artwork, Correspondence, Miscellaneous, 1975 | |||||||||
| 4 | 2 | #218 The Loom, Kelly, Robert, Manuscript (1 of 3), 1975 | |||||||||
| 4 | 3 | #218 The Loom, Kelly, Robert, Manuscript (2 of 3), 1975 | |||||||||
| 4 | 4 | #218 The Loom, Kelly, Robert, Manuscript (3 of 3), 1975 | |||||||||
| 4 | 5 | #218 The Loom, Kelly, Robert, 2 Hardcover, 1 Softcover, 1975 | |||||||||
| box | folder | ||||||||||
| 5 | 1 | #218 Ex Cranium, Rakosi, Carl, Artwork, Correspondence, Notes, 1975 | |||||||||
| 5 | 2 | #218 Ex Cranium, Rakosi, Carl, Discarded Materials, 1975 | |||||||||
| 5 | 3 | #218 Ex Cranium, Rakosi, Carl, Manuscript, 1975 | |||||||||
| 5 | 4 | #218 Ex Cranium, Rakosi, Carl, 2 Hardcover, 1 Softcover, 1975 | |||||||||
| box | folder | ||||||||||
| 6 | 1 | #220 Sparrow 25-36, 1 Hardcover, 1975 | |||||||||
| 6 | 2 | #221 Hadidan Aharam by Mohammed Mrabett, translated by Bowles, Paul, Manuscript, Correspondence, 1975 | |||||||||
| 6 | 3 | #222 Eight Fairy Tales, Loewinsohn, Ron, Manuscript, Copy, 1975 | |||||||||
| 6 | 4 | #223 The Journals, Blackburn, Paul, Artwork, Correspondence, Notes, 1975 | |||||||||
| 6 | 5 | #223 The Journals, Blackburn, Paul, Manuscript, Manuscript (1 of 2), 1975 | |||||||||
| 6 | 6 | #223 The Journals, Blackburn, Paul, Manuscript (2 of 2), 1975 | |||||||||
| 6 | 7 | #223 The Journals, Blackburn, Paul, 2 Hardcover, 1 Softcover, 1975 | |||||||||
| 6 | 8 | #224 Squaw Valley, Jaffe, Sherril, Manuscript, Correspondence, Copy, 1975 | |||||||||
| box | folder | ||||||||||
| 7 | 1 | #225 Factotum, Bukowski, Charles, Artwork, Correspondence, Notes, 1975 | |||||||||
| 7 | 2 | #225 Factotum, Bukowski, Charles, Manuscript (1 of 2), 1975 | |||||||||
| 7 | 3 | #225 Factotum, Bukowski, Charles, Manuscript (2 of 2), 1975 | |||||||||
| 7 | 4 | #225 Factotum, Bukowski, Charles, Final Manuscript (1 of 2), 1975 | |||||||||
| 7 | 5 | #225 Factotum, Bukowski, Charles, Final Manuscript (2 of 2), 1975 | |||||||||
| 7 | 6 | #225 Factotum, Bukowski, Charles, 2 Hardcover, 1 Softcover, 1975 | |||||||||
| 7 | 7 | #226 The Last Poem and Tough Company, Wakoski, Diana and amp; Bukowski, Charles, Artwork, Correspondence, Notes, 1975 | |||||||||
| 7 | 8 | #226 The Last Poem and Tough Company, Wakoski, Diana and amp; Bukowski, Charles, Manuscript, 1975 | |||||||||
| 7 | 9 | #226 The Last Poem and Tough Company, Wakoski, Diana and amp; Bukowski, Charles, 2 Hardcover, 2 Softcovers, 1975 | |||||||||
| box | folder | ||||||||||
| 8 | 1 | #228 The Man Who Changed Overnight, Dawson, Fielding, Artwork, Correspondence, Notes, 1976 | |||||||||
| 8 | 2 | #228 The Man Who Changed Overnight, Manuscript, 1976 | |||||||||
| 8 | 3 | #228 The Man Who Changed Overnight, Dawson, Fielding, 2 Hardcover, 1 Softcover, 1976 | |||||||||
| box | folder | ||||||||||
| 9 | 1 | #229 Sixteen Odes, Kelly, Robert, Manuscript, Proofs, Correspondence, Copy, 1976 | |||||||||
| 9 | 2 | #230 Look and amp; Move On by Mohammed Mrabet, translated by Bowles, Artwork, Correspondence, Notes, 1976 | |||||||||
| 9 | 3 | #230 Look and amp; Move On by Mohammed Mrabet, translated by Bowles, Paul, Manuscript, 1976 | |||||||||
| 9 | 4 | #230 Look and; Move On by Mohammed Mrabet, translated by Bowles, 3 Hardcover, 1 Softcover, 1976 | |||||||||
| 9 | 5 | #231 Credences of Winter, Bromige, David, Manuscript, Proofs, Correspondence, Copy, 1976 | |||||||||
| box | folder | ||||||||||
| 10 | 1 | #232 Poems 1978-1936, Reznikoff, Charles, Artwork, Correspondence, Notes, 1976 | |||||||||
| 10 | 2 | #232 Poems 1978-1936, Reznikoff, Charles, Manuscript, 1976 | |||||||||
| 10 | 3 | #232 Poems 1978-1936, Reznikoff, Charles, 3 Hardcover, 1 Softcover, 1976 | |||||||||
| 10 | 4 | #232 Look and amp; Move On by Mohammed Mrabet, translated by Bowles, By The Well of Living and amp; Seeing, notes for second printing, 1976 | |||||||||
| 10 | 5 | #233 Scarlet, Bukowski, Charles, Artwork, Manuscript, Proof, 2 Hardcover, 1976 | |||||||||
| box | folder | ||||||||||
| 11 | 1 | #234 The Horses of the Sea, Olson, Charles, Manuscript, Proof, Correspondence, Copy, 1976 | |||||||||
| 11 | 2 | #235 Feminine Wiles, Bowles, Jane, Artwork, Correspondence, Photos, Notes, 1976 | |||||||||
| 11 | 3 | #235 Feminine Wiles, Bowles, Jane, Manuscript, 1976 | |||||||||
| 11 | 4 | #235 Feminine Wiles, Bowles, Jane, 1 Hardcover, 2 Softcovers, 1 File Copy, 1976 | |||||||||
| box | folder | ||||||||||
| 12 | 1 | #236 The Act of Poetry and Two Other Essays, Corman, Cid, Manuscript, Correspondence, Copy, 1976 | |||||||||
| 12 | 2 | #237 The Blessing, Oates, Joyce Carol, Manuscript, Proof, Correspondence, Copy, 1976 | |||||||||
| 12 | 3 | #238 D.H. Lawrence: Letters to Thomas and amp; Adele Seltzer, 1876-1940, Seltzer, Thomas, Correspondence [Gerald Lacy, Gerald Pollinger, John Martin], 1976 | |||||||||
| 12 | 4 | #239 A Dozen Oranges, Sorrentino, Gilbert, Manuscript, Correspondence, Copy, 1976 | |||||||||
| 12 | 5 | #240 The House of Leaves, Tarn, Nathaniel, Artwork, Correspondence, Notes, 1976 | |||||||||
| 12 | 6 | #240 The House of Leaves, Tarn, Nathaniel, Manuscript, 1976 | |||||||||
| 12 | 7 | #240 The House of Leaves, Tarn, Nathaniel, 2 Hardcover, 1 Softcover 1976 | |||||||||
| box | folder | ||||||||||
| 13 | 1 | #241 Poems for the Blue Sky, Koller, James, Artwork, Correspondence, Notes, 1976 | |||||||||
| 13 | 2 | #241 Poems for the Blue Sky, Koller, James, Manuscript, 1976 | |||||||||
| 13 | 3 | #241 Poems for the Blue Sky, Koller, James, 2 Hardcover, 1 Softcover, 1976 | |||||||||
| 13 | 4 | #242 Artoud The Momo by Anthony Artaud, translated by Eshleman, Clayton and Glass, Norman, Manuscript, Correspondence, Copy, 1976 | |||||||||
| box | folder | ||||||||||
| 14 | 1 | #243 Harmless Poisons, Blameless Sins by Mohammed Mrabett, translated by Bowles, Paul, Artwork, Correspondence, Notes, 1976 | |||||||||
| 14 | 2 | #243 Harmless Poisons, Blameless Sins by Mohammed Mrabett , translated by Bowles,Paul, Manuscript, 1976 | |||||||||
| 14 | 3 | #243 Harmless Poisons, Blameless Sins by Mohammed Mrabett , translated by Bowles,Paul, 3 Hardcover, 1 Softcover, 1976 | |||||||||
| 14 | 4 | #244 Devotion, Malanga, Gerard, Manuscript, Deleted Discarded Materials, Correspondence, Copy, 1976 | |||||||||
| box | folder | ||||||||||
| 15 | 1 | #245 More Tiger Lilies, Dawson, Fielding, Manuscript, Correspondence, Copies (2), 1976 | |||||||||
| 15 | 2 | #246 Sparrow 37-481 Hardcover, 1976 | |||||||||
| 15 | 3 | #247 Six, Meltzer, David, Artwork, 1976 | |||||||||
| 15 | 4 | #247 Six, Meltzer, David, Artwork, Correspondence, Notes, 1976 | |||||||||
| 15 | 5 | #247 Six, Meltzer, David, Manuscript, 1976 | |||||||||
| 15 | 6 | #247 Six, Meltzer, David, 2 Hardcover, 1 Softcover, 1976 | |||||||||
| box | folder | ||||||||||
| 16 | 1 | #248 Variations on a Theme (An Essay on Revision), Wakoski, Diane, Correspondence, Manuscript, Proof, Copy, 1976 | |||||||||
| 16 | 2 | #249 Goat Dances, Loweinsohn, Ron, Artwork, Correspondence, 1976 | |||||||||
| 16 | 3 | #249 Goat Dances, Loweinsohn, Ron, Manuscript 1976 | |||||||||
| 16 | 4 | #249 Goat Dances, Loweinsohn, Ron, 2 Hardcover, 1 Softcover, 1976 | |||||||||
| box | folder | ||||||||||
| 17 | 1 | #251 Waiting for the King of Spain, Wakoski, Diane, Artwork, Correspondence, Notes, 1976 | |||||||||
| 17 | 2 | #251 Waiting for the King of Spain, Wakoski, Diane, Manuscript, 1976 | |||||||||
| 17 | 3 | #251 Waiting for the King of Spain, Wakoski, Diane, 3 Hardcover, 1 Softcover, 1976 | |||||||||
| 17 | 4 | #252 For the Asking, Corman, Cid, Manuscript, Proof, Correspondence, Copy, 1977 | |||||||||
| 17 | 5 | #253 Art, Bukowski, Charles, Artwork, Correspondence, Notes, Manuscript, Proofs, Miniature Books: 2 Hardcover, 2 Softcovers, 1977 | |||||||||
| 17 | 6 | #254 The Ring, Wakoski, Diane, Artwork, Correspondence, Manuscript, Proof, 2 Hardcover, 1977 | |||||||||
| box | folder | ||||||||||
| 18 | 1 | #255 The Triumph of the Spider Monkey, Oates, Joyce Carol, Artwork, Correspondence, Notes, 1976 | |||||||||
| 18 | 2 | #255 The Triumph of the Spider Monkey, Sunday Sentinel Magazine, 1976 | |||||||||
| 18 | 3 | #255 The Triumph of the Spider Monkey, Sunday Sentinel Magazine, Draft 1 1976 | |||||||||
| 18 | 4 | #255 The Triumph of the Spider Monkey, Draft 2, 1976 | |||||||||
| 18 | 5 | #255 The Triumph of the Spider Monkey 3 Hardcovers, 2 soft-covers, 1 file copy, Northwest review 1976 | |||||||||
| 18 | 6 | #256 First, There is the Need, Rezuikoff, Charles, manuscripts, proofs, copy, 1977 | |||||||||
| 18 | 7 | #257 My Experiences in Parnassus, Rakosi, Carl, manuscript, proofs, copy, 1977 | |||||||||
| box | folder | ||||||||||
| 19 | 1 | #258 Word for Word, Corman, Cid, Artwork, Correspondence, Notes, 1977 | |||||||||
| 19 | 2 | #258 Word for Word,, Corman, Cid, Manuscript, 1977 | |||||||||
| 19 | 3 | #258 Word for Word, Corman, Cid, 3 Hardcover (1 signed), 1 Softcover, 1977 | |||||||||
| box | folder | ||||||||||
| 20 | 1 | #259 Maybe Tomorrow, Bukowski, Charles, Manuscript, Proofs, Copy, 1977 | |||||||||
| 20 | 2 | #260 Poems 1937-1975, Reznikoff, Charles, Artwork, Correspondence, Notes, 1977 | |||||||||
| 20 | 3 | #260 Poems 1937-1975, Reznikoff, Charles, Draft, | |||||||||
| 20 | 4 | #260 Poems 1937-1975, Reznikoff, Charles, 3 Hardcover (1 signed), 1 Softcover, 1977 | |||||||||
| 20 | 5 | #261 On Us, Woolf, Douglas, Artwork, Correspondence, Notes, 1977 | |||||||||
| 20 | 6 | #261 On Us, Woolf, Douglas, draft, | |||||||||
| box | folder | ||||||||||
| 21 | 1 | #261 On Us, Woolf, Douglas, 2 Hardcover, 1 Softcover, 1977 | |||||||||
| 21 | 2 | #262 The Lady Of, Kelly, Robert, Manuscript, Correspondence, Copy, 1977 | |||||||||
| 21 | 3 | #263 Charles Reznikoff, Hindus, Milton, Artwork, Correspondence, 1977 | |||||||||
| 21 | 4 | #263 Charles Reznikoff, Hindus, Milton, Manuscript, 1977 | |||||||||
| 21 | 5 | #263 Charles Reznikoff, Hindus, Milton, 1 Hardcover, 1 Softcover, 1977 | |||||||||
| 21 | 6 | #264 The Big Mirror, by Mohammed Mrabet, translated by Bowles, Paul, Artwork, Correspondence 1977 | |||||||||
| 21 | 7 | #264 The Big Mirror, by Mohammed Mrabet, translated by Bowles, Paul, Manuscript 1977 | |||||||||
| 21 | 8 | #264 The Big Mirror, by Mohammed Mrabet, translated by Bowles, Paul, 3 Hardcover, 1 Softcover, 1977 | |||||||||
| box | folder | ||||||||||
| 22 | 1 | #265 Ascensions, Enslin, Theodore, Manuscript, Correspondence, Copy, 1977 | |||||||||
| 22 | 2 | #266 Daisy, Oates, Joyce Carol, Artwork, Correspondence, 1977 | |||||||||
| 22 | 3 | #267 Daisy, Oates, Joyce Carol, 2 Hardcover, 1 Softcover, 1977 | |||||||||
| 22 | 4 | #267 Core Meander, Eshleman, Clayton, Manuscript, Correspondence, Copy, 1977 | |||||||||
| box | folder | ||||||||||
| 23 | 1 | #268 Shadows of the Sun, Crosby, Harry, Artwork, 1977 | |||||||||
| 23 | 2 | #268 Shadows of the Sun, Crosby, Harry, Photos, 1977 | |||||||||
| 23 | 3 | #268 Shadows of the Sun, Crosby, Harry, Correspondence, notes, 1977 | |||||||||
| 23 | 4 | #268 Shadows of the Sun, Crosby, Harry, Proof, 1977 | |||||||||
| 23 | 5 | #268 Shadows of the Sun, Crosby, Harry, Draft 1, 1977 | |||||||||
| 23 | 6 | #268 Shadows of the Sun, Crosby, Harry, Draft 2, 1977 | |||||||||
| 23 | 7 | #268 Shadows of the Sun, Crosby, Harry, Draft 3 1977 | |||||||||
| 23 | 8 | #268 Shadows of the Sun, Crosby, Harry, 2 Hardcover, 1 Softcover, 1977 | |||||||||
| 23 | 9 | #269 Three Early Stories, Goodman, Paul, Manuscript, Artwork, Correspondence, Copy, 1977 | |||||||||
| box | folder | ||||||||||
| 24 | 1 | #270 White Sail, Sorrentino, Gilbert, Artwork, Correspondence, #270 White Sail, Sorrentino, Gilbert, Manuscript, #270 White Sail, Sorrentino, Gilbert, 2 Hardcover, 1 Softcover, 1977 | |||||||||
| box | folder | ||||||||||
| 25 | 1 | #271 Things Gone and Things Still Here, Bowles, Paul, Artwork, Correspondence, 1977 | |||||||||
| 25 | 2 | #271 Things Gone and Things Still Here, Bowles, Paul, Manuscript, 1977 | |||||||||
| 25 | 3 | #271 Things Gone and Things Still Here, Bowles, Paul, 2 Hardcover, 1 Softcover, 1977 | |||||||||
| box | folder | ||||||||||
| 26 | 1 | #272 Ten Years After, Malanga, Gerard, Artwork, Correspondence, Notes, 1977 | |||||||||
| 26 | 2 | #272 Ten Years After, Malanga, Gerard, Manuscript, 1977 | |||||||||
| 26 | 3 | #272 Ten Years After, Malanga, Gerard, Deleted Materials (Do Not Use), 1977 | |||||||||
| 26 | 4 | #272 Ten Years After, Malanga, Gerard, 2 Hardcover, 1 Softcover, 1977 | |||||||||
| 26 | 5 | #273 Art in the Court of the Blue Fag,Coleman, Wanda, Manuscript, Correspondence, Notes 1977 | |||||||||
| box | folder | ||||||||||
| 27 | 1 | #274 The World and its Streets,Places, Eigner, Larry, Artwork, Correspondence, Photos, Notes 1977 | |||||||||
| 27 | 2 | #274 The World and its Streets, Places, Eigner, Larry, Draft 1977 | |||||||||
| 27 | 3 | #274 The World and its Streets, Places, Eigner, Larry, 2 Hardcover, 1 Softcover | |||||||||
| 27 | 4 | #275 Without Music, Palmer, Michael, Artwork, Correspondence, 1977 | |||||||||
| 27 | 5 | #275 Without Music, Palmer, Michael, 4 file copies: 2 Hardcovers, 2 Softcovers 1977 | |||||||||
| box | folder | ||||||||||
| 28 | 1 | #276 From Towards a New American Poetics, Faas, Ekbert, Manuscript, Correspondence, Copy 1977 | |||||||||
| 28 | 2 | #277 Love is a Dog from Hell, Bukowski, Charles, Artwork, Correspondence, Notes, 1977 | |||||||||
| 28 | 3 | #277 Love is a Dog from Hell, Bukowski, Charles, Draft, 1977 | |||||||||
| 28 | 4 | #277 Love is a Dog from Hell, Bukowski, Charles, Draft, Uncorrected Proof, 1977 | |||||||||
| 28 | 5 | #277 Love is a Dog from Hell, Bukowski, Charles, 1 Hardcover copies, 1 Softcover, 1977 | |||||||||
| box | folder | ||||||||||
| 29 | 1 | #277 Love is a Dog from Hell, Bukowski, Charles, 2 hardcover copies 1977 | |||||||||
| 29 | 2 | #278 The Manner “Music, Reznikoff, Charles, Artwork, Correspondence, Notes, Two Short Stories (From A Notebook, The Brazilian), 1977 | |||||||||
| 29 | 3 | #278 The Manner “Music, Reznikoff, Charles, edited proof, 1977 | |||||||||
| 29 | 4 | #278 The Manner “Music, Reznikoff, Charles, 2 Hardcover copies, 1 Softcover, 1977 | |||||||||
| 29 | 5 | #279 Summer Letters, Davidson, Michael, Manuscript, Proofs, Correspondence, Copy, 1977 | |||||||||
| box | folder | ||||||||||
| 30 | 1 | #280 Sparrow 49-60, Hardcover copy, 1977 | |||||||||
| 30 | 2 | #281 Two Stories,, Shelnutt, Eve, Manuscript, Proofs, Correspondence, Copy, 1977 | |||||||||
| 30 | 3 | #282-283 Penny Lane and Two Penny Lane, Dawson, Fielding, Correspondence, artwork, notes for Penny Lane and Two Penny Lane, 1977 | |||||||||
| 30 | 4 | #282-283Penny Lane and Two Penny Lane, Dawson, Fielding, Manuscript for Penny Lane, 1977 | |||||||||
| 30 | 5 | #282-283 Penny Lane and Two Penny Lane, Dawson, Fielding, Manuscript for Two Penny Lane, 1977 | |||||||||
| 30 | 6 | #282-283 Penny Lane and Two Penny Lane, Dawson, Fielding, 2 Hardcover copies, 1 Softcover for each, Penny Lane and Penny Lane (total of 6), 1977 | |||||||||
| box | folder | ||||||||||
| 31 | 1 | #284 Season of Peril, Oates, Joyce Carol, Artwork, Manuscript, Correspondence, 1977 | |||||||||
| 31 | 2 | #284 Season of Peril,, Oates, Joyce Carol, Proof,Hardcover copies 1977 | |||||||||
| 31 | 4 | #285 Dionysus and the Beat, Everson, William, Manuscript, Correspondence, Copy 1977 | |||||||||
| 31 | 5 | #286 Spending Christmas with the Man from Receiving at Sears, Wakoski, Diane, Artwork, Correspondence, 1977 | |||||||||
| 31 | 6 | #286 Spending Christmas with the Man from Receiving at Sears, Wakoski, Diane, Manuscript, 1977 | |||||||||
| 31 | 7 | #286 Spending Christmas with the Man from Receiving at Sears, Wakoski, Diane, Proofs, 1977 | |||||||||
| 31 | 8 | #286 Spending Christmas with the Man from Receiving at Sears, Wakoski, Diane, 2 Hardcover copies, 1 Softcover, 1 Unbound, 1977 | |||||||||
| 31 | 9 | #287 In a Lost World, Roditi, Edouard, Manuscript, Proofs, Correspondence, Copy, 1978 | |||||||||
| 31 | 10 | #288 Seeking Air, Guest, Barbara, Artwork, Correspondence, Notes, 1978 | |||||||||
| 31 | 11 | #288 Seeking Air, Guest, Barbara, First Draft, 1978 | |||||||||
| box | folder | ||||||||||
| 32 | 1 | #288 Seeking Air, Guest, Barbara, Final Draft, 1978 | |||||||||
| 32 | 2 | #288 Seeking Air,, Guest, Barbara, Hardcover Copies 1978 | |||||||||
| box | folder | ||||||||||
| 33 | 1 | #289 You Kissed Lilly,, Bukowski, Charles, Artwork, Correspondence, Illustrations, 1978 | |||||||||
| 33 | 2 | #289 You Kissed Lilly,, Bukowski, Charles, Proofs 1978 | |||||||||
| 33 | 3 | #289 You Kissed Lilly,, Bukowski, Charles, 2 Hardcover Copies, 1 Softcover, 1978 | |||||||||
| 33 | 4 | #290 Battles in Spain by Cesar Vallejo, translated by Eshleman, Clayton, and Barcia, Jose Rubia, Manuscript, Proof, Correspondence, Copy, 1978 | |||||||||
| 33 | 5 | #291 This Will Kill That, Kelly, Robert, Manuscript, Proof, Correspondence, Copy, 1978 | |||||||||
| 33 | 6 | #292 The Convections, Kelly, Robert, Artwork, Manuscript, Correspondence, Notes, 1978 | |||||||||
| 33 | 7 | #292 The Convections, Kelly, Robert, Artwork, 2 Hardcovers, 1 Softcover, 1978 | |||||||||
| 33 | 8 | #293 Break-up of our Camp: Stories, Artwork, notes 1932, 1935 | |||||||||
| 33 | 9 | #293 Break-up of our Camp: Stories, Correspondence, 1932, 1935 | |||||||||
| box | folder | ||||||||||
| 34 | 1 | #293 Break-up of our Camp: Stories, Manuscript, 1932, 1935 | |||||||||
| 34 | 2 | #293 Break-up of our Camp: Stories, First Proof, 1932, 1935 | |||||||||
| 34 | 3 | #293 Break-up of our Camp: Stories, 2 Hardcover, 2 Softcover, 1932, 1935 | |||||||||
| 34 | 4 | #294 Birdscapes,with Seaside, Tarn, Nathaniel, Manuscript, Proof, Correspondence, Copy, 1978 | |||||||||
| 34 | 5 | #295 Primitive, Oppen, George, Artwork, Correspondence, Ephemera, 1978 | |||||||||
| 34 | 6 | #295 Primitive, Oppen, George, Proofs, 1978 | |||||||||
| box | folder | ||||||||||
| 35 | 1 | #295 Primitive, Oppen, George,3 Hardcover, 2 Softcover, 1978 | |||||||||
| 35 | 2 | #296 At Their Word: Essays on the Arts of Language, Corman, Cid, Artwork, Correspondence, Notes, 1978 | |||||||||
| 35 | 3 | #296 At Their Word: Essays on the Arts of Language, Corman, Cid, Manuscript, 1978 | |||||||||
| 35 | 4 | #296 At Their Word: Essays on the Arts of Language, Corman, Cid, Proof, 1978 | |||||||||
| 35 | 5 | #296 At Their Word: Essays on the Arts of Language, Corman, Cid, 3 Hardcover, 1 Softcover, 1978 | |||||||||
| box | folder | ||||||||||
| 36 | 1 | #297 Wheres, Kelly, Robert, Manuscript, Proof, Correspondence, Copy, 1978 | |||||||||
| 36 | 2 | #298 A Conversation with Hitler, Clark, Tom, Manuscript, Correspondence, Proofs, Copies, 1978 | |||||||||
| 36 | 3 | #299 Towards a New American Poetics, Faas, Ekbert, Artwork, Correspondence, Review, 1978 | |||||||||
| 36 | 4 | #299 Towards a New American Poetics, Faas, Ekbert, Manuscript, 1978 | |||||||||
| 36 | 5 | #299 Towards a New American Poetics, Faas, Ekbert, Proof, 1978 | |||||||||
| 36 | 6 | #299 Towards a New American Poetics, Faas, Ekbert, Uncorrected Proofs (Last five sections), 1978 | |||||||||
| 36 | 7 | #299 Towards a New American Poetics, Faas, Ekbert, Uncorrected Proofs (Final 4 sections), 1978 | |||||||||
| box | folder | ||||||||||
| 37 | 1 | #299 Towards a New American Poetics, Faas, Ekbert, 2 Hardcover Copies, 1 Softcover, 1978 | |||||||||
| box | folder | ||||||||||
| 38 | 1 | #300 Meaning a Life,, Oppen, Mary, Artwork, Correspondence, Notes, 1978 | |||||||||
| 38 | 2 | #300 Meaning a Life,, Oppen, Mary, First Manuscript, 1978 | |||||||||
| 38 | 3 | #300 Meaning a Life,, Oppen, Mary, Second Manuscript, 1978 | |||||||||
| 38 | 4 | #300 Meaning a Life,, Oppen, Mary, Deleted Materials (second manuscript), 1978 | |||||||||
| 38 | 5 | #300 Meaning a Life,, Oppen, Mary, Third Manuscript, 1978 | |||||||||
| box | folder | ||||||||||
| 39 | 1 | #300 Meaning a Life,, Oppen, Mary, Final Manuscript, 1978 | |||||||||
| 39 | 2 | #300 Meaning a Life,, Oppen, Mary, 3 Hardcover, 1 Softcover, 1978 | |||||||||
| 39 | 3 | #301 What I Own, Stepanchev, Stephen, Manuscript, Proof, Correspondence, Copy, 1978 | |||||||||
| 39 | 4 | #302 The United States (1885-1915) Recitative, Reznikoff, Charles, Artwork, Correspondence, Notes, 1978 | |||||||||
| 39 | 5 | #302 The United States (1885-1915) Recitative, Reznikoff, Charles, Manuscript, 1978 | |||||||||
| box | folder | ||||||||||
| 40 | 1 | #302 The United States (1885-1915) Recitative, Reznikoff, Charles, First Proof, 1978 | |||||||||
| 40 | 2 | #302 The United States (1885-1915) Recitative, Reznikoff, Charles, 2 Hardcover, 1 Softcover, 1978 | |||||||||
| box | folder | ||||||||||
| 41 | 1 | #303 Pachelbel’s Canon, Wakoski, Diane, Correspondence, Manuscript, Proof, Copy, Poems, 1978 | |||||||||
| 41 | 2 | #304 What She Means, Eshleman ,Clayton, Artwork, Correspondence, Notes, 1978 | |||||||||
| 41 | 3 | #304 What She Means, Eshleman, Clayton, First Manuscript, #304 What She Means, Eshleman, Clayton, Second Manuscript, #304 What She Means, Eshleman, Clayton, Final Manuscript, #304 What She Means, Eshleman, Clayton, 2 Hardcover, 1 Softcover, 1978 | |||||||||
| box | folder | ||||||||||
| 42 | 1 | #305 We’ll Take Them, Bukowski, Charles, Manuscript, Proof, Copy, 1978 | |||||||||
| 42 | 2 | #306 The Veritable Years 1949-1966, Everson, William, Artwork, Correspondence, Proof, 1978 | |||||||||
| 42 | 3 | #306 The Veritable Years 1949-1966, Everson, William, First Draft, 1978 | |||||||||
| 42 | 4 | #306 The Veritable Years 1949-1966, Everson, William, Manuscript (1 of 2), 1978 | |||||||||
| 42 | 5 | #306 The Veritable Years 1949-1966, Everson, William, Manuscript (2 of 2), 1978 | |||||||||
| box | folder | ||||||||||
| 43 | 6 | #306 The Veritable Years 1949-1966, Everson, William, 1 Hardcover, 1 Softcover, 1978 | |||||||||
| box | folder | ||||||||||
| 44 | 1 | #306 The Veritable Years 1949-1966, Everson, William, 2 Hardcover, 1978 | |||||||||
| 44 | 2 | #307 What’s for Dinner?, Schuyler, James, Artwork, Correspondence, Notes, 1978 | |||||||||
| 44 | 3 | #307 What’s for Dinner?, Schuyler, James, Manuscript, 1978 | |||||||||
| 44 | 4 | #307 What’s for Dinner?, Schuyler, James, 3 Hardcover, 1 Softcover, 1978 | |||||||||
| 44 | 5 | #308 Sparrow 61-72,1 Hardcover, 1978 | |||||||||
| 44 | 6 | #309 A Ceremonial: Stories 1936-1940, Goodman, Paul, Artwork, Unused materials, Correspondence, Notes, 1978 | |||||||||
| 44 | 7 | #309 A Ceremonial: Stories 1936-1940, Goodman, Paul, 2 Hardcover, 1 Softcover, 1978 | |||||||||
| box | folder | ||||||||||
| 45 | 1 | #310 When Things Get Tough on Easy Street, Clark, Tom, Correspondence, Artwork, Deleted Poems, Notes, 1978 | |||||||||
| 45 | 2 | #310 When Things Get Tough on Easy Street, Clark, Tom, Manuscript, 1978 | |||||||||
| 45 | 3 | #310 When Things Get Tough on Easy Street, Clark, Tom, First Proof, 1978 | |||||||||
| 45 | 4 | #310 When Things Get Tough on Easy Street, Clark, Tom, 2 Hardcover, 1 Softcover, 1978 | |||||||||
| box | folder | ||||||||||
| 46 | 1 | #311 A Bibliography of the Writings of Wydham Lewis, Morrow, Bradford and Lafourcade, Bernard, Correspondence, 1978 | |||||||||
| 46 | 2 | #311 A Bibliography of the Writings of Wydham Lewis, Morrow, Bradford and Lafourcade, Bernard, Artwork, Ephemera, 1978 | |||||||||
| 46 | 3 | #311 A Bibliography of the Writings of Wydham Lewis, Morrow, Bradford and Lafourcade, Bernard, Photo Sections, 1978 | |||||||||
| 46 | 4 | #311 A Bibliography of the Writings of Wydham Lewis, Morrow, Bradford and Lafourcade, Bernard, "Crossing the Frontier", Artwork, Manuscript, Proof, 1978 | |||||||||
| 46 | 5 | #311 A Bibliography of the Writings of Wydham Lewis, Morrow, Bradford and Lafourcade, Bernard, 1 Hardcover, 1 Softcover, 1978 | |||||||||
| box | folder | ||||||||||
| 47 | 1 | #311 A Bibliography of the Writings of Wydham Lewis, Morrow, Bradford and Lafourcade, Bernard, 2 Hardbound/Slipcased Special Numbered File Copies, 1978 | |||||||||
| box | folder | ||||||||||
| 48 | 1 | #312 Women, Bukowski, Charles, Artwork, Correspondence, Notes, 1978 | |||||||||
| 48 | 2 | #312 Women, Bukowski, Charles, First Draft (1 of 2), 1978 | |||||||||
| 48 | 3 | #312 Women, Bukowski, Charles, First Draft (2 of 2), 1978 | |||||||||
| 48 | 4 | #312 Women, Bukowski, Charles, First Corrections, 1978 | |||||||||
| 48 | 5 | #312 Women, Bukowski, Charles, Manuscript (1 of 2), 1978 | |||||||||
| 48 | 6 | #312 Women, Bukowski, Charles, Manuscript (2 of 2), 1978 | |||||||||
| box | folder | ||||||||||
| 49 | 1 | #312 Women, Bukowski, Charles, Final Proofs (1 of 2), 1978 | |||||||||
| 49 | 2 | #312 Women, Bukowski, Charles, Final Proofs (2 of 2), 1978 | |||||||||
| 49 | 3 | #312 Women, Bukowski, Charles, 3 Hardcover (1 signed), 3 Softcover (1 Revised), 1978 | |||||||||
| 49 | 4 | #312 Women, Bukowski, Charles, Promotional Poster. Black and White Photograph, Copywright: Ulvis Alberts and Joan Levine, 1983/1984—See Oversized Items, Box 298, 1978 | |||||||||
| box | folder | ||||||||||
| 50 | 1 | #313 All the Good People I’ve Left Behind, Oates, Joyce Carol, Artwork, Correspondence, Notes, 1979, (1978) | |||||||||
| 50 | 2 | #313 All the Good People I’ve Left Behind, Oates, Joyce Carol," Sentimental Journey", Corrected Copy, 1979, (1978) | |||||||||
| 50 | 3 | #313 All the Good People I’ve Left Behind, Oates, Joyce Carol, Setting Copy (1 of 2), 1979, (1978) | |||||||||
| 50 | 4 | #313 All the Good People I’ve Left Behind, Oates, Joyce Carol, Setting Copy (2 of 2), 1979, (1978) | |||||||||
| 50 | 5 | #313 All the Good People I’ve Left Behind, Oates, Joyce Carol, Manuscript, 1979, (1978) | |||||||||
| 50 | 6 | #313 All the Good People I’ve Left Behind, Oates, Joyce Carol, 2 Hardcover, 1 Hardbound/Slipcased File Copy, 1979, (1978) | |||||||||
| box | folder | ||||||||||
| 51 | 1 | #314 The Joe Chronicles: Part 2, Owens, Rochelle, Artwork, Correspondence, Notes, 1979, (1978) | |||||||||
| 51 | 2 | #314 The Joe Chronicles: Part 2, Owens, Rochelle, Manuscript, 1979, (1978) | |||||||||
| 51 | 3 | #314 The Joe Chronicles: Part 2, Owens, Rochelle, First Proof, 1979, (1978) | |||||||||
| 51 | 4 | #314 The Joe Chronicles: Part 2, Owens, Rochelle, 2 Hardcover, 1979, (1978) | |||||||||
| 51 | 5 | #315 A Love Poem, Bukowski, Charles, Artwork, 1979 | |||||||||
| 51 | 6 | #315 A Love Poem, Bukowski, Charles, Proof, Unbound copy, 1979 | |||||||||
| 51 | 7 | #315 A Love Poem, Bukowski, Charles, Proof,2 Hardcover, 1979 | |||||||||
| 51 | 8 | #316 The Love Child, Shellnutt, Eve, Artwork, Correspondence, Notes, 1979 | |||||||||
| 51 | 9 | #316 The Love Child, Shellnutt, Eve, Manuscript, 1979 | |||||||||
| box | folder | ||||||||||
| 52 | 1 | #316 The Love Child, Shellnutt, Eve, Deleted Materials (from Manuscript), 1979 | |||||||||
| 52 | 2 | #316 The Love Child, Shellnutt, Eve, First Proof, 1979 | |||||||||
| 52 | 3 | #316 The Love Child, Shellnutt, Eve, 2 Hardcover, 1 Softcover, 1979 | |||||||||
| box | folder | ||||||||||
| 53 | 1 | #317 This Flower Only Blooms Every Hundred Years, Jaffe, Sherril, Artwork, Correspondence, Notes, 1979 | |||||||||
| 53 | 2 | #317 This Flower Only Blooms Every Hundred Years, Jaffe, Sherril, Artwork, Correspondence, Notes, 1979 | |||||||||
| 53 | 3 | #317 This Flower Only Blooms Every Hundred Years, Jaffe, Sherril, Final Proof, 1979 | |||||||||
| 53 | 4 | #317 This Flower Only Blooms Every Hundred Years, Jaffe, Sherril, 2 Hardcover, 1 Softcover, 1979 | |||||||||
| 53 | 5 | #318 Mad Dog Black Lady, Coleman, Wanda, Artwork, Notes, 1979 | |||||||||
| 53 | 6 | #318 Mad Dog Black Lady, Coleman, Wanda, Correspondence, 1979 | |||||||||
| 53 | 7 | #318 Mad Dog Black Lady, Coleman, Wanda, Manuscript (1 of 2), 1979 | |||||||||
| 53 | 8 | #318 Mad Dog Black Lady, Coleman, Wanda, Manuscript (2 of 2), 1979 | |||||||||
| box | folder | ||||||||||
| 54 | 1 | #318 Mad Dog Black Lady, Coleman, Wanda, Poems Not in Manuscript, (1978) | |||||||||
| 54 | 2 | #318 Mad Dog Black Lady, Coleman, Wanda, Poems Not in Manuscript, "Chomo-Uri" Magazine (Vol IV, No 1), 1977 | |||||||||
| 54 | 3 | #318 Mad Dog Black Lady, Coleman, Wanda, Poems Not in Manuscript, 1976 | |||||||||
| 54 | 4 | #318 Mad Dog Black Lady, Coleman, Wanda, Poems Not in Manuscript, 1975 | |||||||||
| 54 | 5 | #318 Mad Dog Black Lady, Coleman, Wanda, Poems Not in Manuscript, 1974 | |||||||||
| 54 | 6 | #318 Mad Dog Black Lady, Coleman, Wanda, Poems Not in Manuscript (1974 and previous), | |||||||||
| 54 | 7 | #318 Mad Dog Black Lady, Coleman, Wanda, Final Manuscript, 1979 | |||||||||
| box | folder | ||||||||||
| 55 | 1 | #318 Mad Dog Black Lady, Coleman, Wanda, First Revised Copy, 1979 | |||||||||
| 55 | 2 | #318 Mad Dog Black Lady, Coleman, Wanda, Final Revised Copy, 1979 | |||||||||
| 55 | 3 | #318 Mad Dog Black Lady, Coleman, Wanda, 2 Hardcover, 1 Softcover, 1979 | |||||||||
| 55 | 4 | #319 Collected Stories 1939-1976, Bowles, Paul, Artwork, Notes, 1979 | |||||||||
| 55 | 5 | #319 Collected Stories 1939-1976, Bowles, Paul, Correspondence, 1979 | |||||||||
| 55 | 6 | #319 Collected Stories 1939-1976, Bowles, Paul, Manuscript (1 of 2), 1979 | |||||||||
| 55 | 7 | #319 Collected Stories 1939-1976, Bowles, Paul, Manuscript (2 of 2), 1979 | |||||||||
| box | folder | ||||||||||
| 56 | 1 | #319 Collected Stories 1939-1976, Bowles, Paul, 3 Hardcover, 2 Softcover, 1979 | |||||||||
| box | folder | ||||||||||
| 57 | 1 | #320 Testimony: The United States (1885-1975) Recitative (Volume II), Reznikoff, Charles, Artwork, Correspondence, Notes, 1979 | |||||||||
| 57 | 2 | #320 Testimony: The United States (1885-1975) Recitative (Volume II), Reznikoff, Charles, 2 Hardcover, 1 Softcover, 1979 | |||||||||
| box | folder | ||||||||||
| 58 | 1 | #321 Play the Piano Drunk Like a Percussion Instrument Until Your fingers Begin to bleed a Bit, Bukowski, Charles, Artwork, Correspondence, Ephemera, 1979 | |||||||||
| 58 | 2 | #321 Play the Piano Drunk Like a Percussion Instrument Until Your fingers Begin to bleed a Bit, Bukowski, Charles, Manuscript, 1979 | |||||||||
| 58 | 3 | #321 Play the Piano Drunk Like a Percussion Instrument Until Your fingers Begin to bleed a Bit, Bukowski, Charles, Proof, Unbound Copy, 1979 | |||||||||
| 58 | 4 | #321 Play the Piano Drunk Like a Percussion Instrument Until Your fingers Begin to bleed a Bit, Bukowski, Charles, 3 Hardcover, 1 Softcover, 1979 | |||||||||
| box | folder | ||||||||||
| 59 | 1 | 1979 | |||||||||
| 59 | 2 | #322 Don Juan, Goodman, Paul, First Proof, 1979 | |||||||||
| 59 | 3 | #322 Don Juan, Goodman, Paul, Manuscript, 1979 | |||||||||
| 59 | 4 | #322 Don Juan, Goodman, Paul, 2 Hardcover, 1 Softcover, 1979 | |||||||||
| box | folder | ||||||||||
| 60 | 1 | #323 Five Eyes by Abdeslam Boulaich, translated by Bowles, Paul, Artwork, Correspondence, Notes, 1979 | |||||||||
| 60 | 2 | #323 Five Eyes by Abdeslam Boulaich, translated by Bowles, Paul, Revised Manuscript, 1979 | |||||||||
| 60 | 3 | #323 Five Eyes by Abdeslam Boulaich, translated by Bowles, Paul, 3 Hardcover, 1 Softcover, 1979 | |||||||||
| 60 | 4 | #324 Trophies, Wakoski, Diane, Artwork, Correspondence, Notes, 1979 | |||||||||
| 60 | 5 | #324 Trophies, Wakoski, Diane, Manuscript and Deleted Material, 1979 | |||||||||
| 60 | 6 | #324 Trophies, Wakoski, Diane, Second Proof, Unbound Copy, 1979 | |||||||||
| 60 | 7 | #324 Trophies, Wakoski, Diane, 2 Hardcover, 1979 | |||||||||
| box | folder | ||||||||||
| 61 | 1 | #325 Cybele, Oates, Joyce Carol, Artwork, Correspondence, Notes, 1979 | |||||||||
| 61 | 2 | #325 Cybele, Oates, Joyce Carol, Manuscript, 1979 | |||||||||
| 61 | 3 | #325 Cybele, Oates, Joyce Carol, 2 Hardcover, 1 Softcover, 1 Hardbound/Slip cased Copy, 1979 | |||||||||
| box | folder | ||||||||||
| 62 | 1 | #326 The Facts of Life: Stories 1940-1949, Goodman, Paul, Artwork, Correspondence, Notes, 1979 | |||||||||
| 62 | 2 | #326 The Facts of Life: Stories 1940-1949, Goodman, Paul, Manuscript, 1979 | |||||||||
| 62 | 3 | #326 The Facts of Life: Stories 1940-1949, Goodman, Paul, 1 Hardcover, 1 Softcover, 1979 | |||||||||
| box | folder | ||||||||||
| 63 | 1 | #326 The Facts of Life: Stories 1940-1949, Goodman, Paul, 2 Hardcover, 1979 | |||||||||
| 63 | 2 | #327 Kill The Messenger Who Brings Bad News, Kelly, Robert, Artwork, Correspondence, Notes, 1979 | |||||||||
| 63 | 3 | #327 Kill The Messenger Who Brings Bad News, Kelly, Robert, Manuscript, 1979 | |||||||||
| 63 | 4 | #328 Ask The Dust, Fante, John, Artwork, Correspondence, Notes, 1980, (1979) | |||||||||
| 63 | 5 | #328 Ask The Dust, Fante, John, Manuscript, 1980, (1979) | |||||||||
| box | folder | ||||||||||
| 64 | 1 | #328 Ask The Dust, Fante, John, 3 Hardcover, 1 Softcover, 1980, (1979) | |||||||||
| 64 | 2 | #329 The Masks of Drought, Everson, William, Artwork, Correspondence, Notes, 1980 | |||||||||
| 64 | 3 | #329 The Masks of Drought, Everson, William, Manuscript, Unbound Copy, 1980 | |||||||||
| 64 | 4 | #329 The Masks of Drought, Everson, William, 3 Hardcover, 1 Softcover, 1980 | |||||||||
| 64 | 5 | #330 D.H. Lawrence and the High Temptation of the Mind, Olson, Charles, Artwork, Manuscript, Proof, 2 Hardcover, 2 Softcover, 1980 | |||||||||
| 64 | 6 | Journal of D.H. Lawrence Society, 1976, 1978, 1980-1981 | |||||||||
| 64 | 7 | Lawrence County News: Newsletter of the D.H. Lawrence Society, 1976-1982 | |||||||||
| 64 | 8 | D.H. Lawrence of North America Newsletter: John Martin Membership Card, 1981 | |||||||||
| box | folder | ||||||||||
| 65 | 1 | #331 The Beach Café and The Voice by Mohammed Mrabet , translated by Bowles, Paul, Artwork, Notes, Correspondence, 1980 | |||||||||
| 65 | 2 | #331 The Beach Café and The Voice by Mohammed Mrabet , translated by Bowles, Paul, Manuscript, 1980 | |||||||||
| 65 | 3 | #331 The Beach Café and The Voice by Mohammed Mrabet , translated by Bowles, Paul, 3 Hardcover, 1 Softcover, 1980 | |||||||||
| 65 | 4 | #332 Notes on Aaron’s Rod, Miller, Henry, First Draft, Correspondence, 1980 | |||||||||
| 65 | 5 | #332 Notes on Aaron’s Rod, Miller, Henry, First Proof, 1980 | |||||||||
| 65 | 6 | #332 Notes on Aaron’s Rod, Miller, Henry, Second Proof, 1980 | |||||||||
| 65 | 7 | #332 Notes on Aaron’s Rod, Miller, Henry, 2 Hardcover, 1 Hardbound/Slip cased Signed Copy, 1 Unbound Copy with Hardcover, 1 Hardcover, 1980 | |||||||||
| box | folder | ||||||||||
| 66 | 1 | #333 Cap of Darkness, Wakoski, Diane, Artwork, Notes, Correspondence, 1980 | |||||||||
| 66 | 2 | #333 Cap of Darkness, Wakoski, Diane, Artwork, Manuscript, 1980 | |||||||||
| 66 | 3 | #333 Cap of Darkness, Wakoski, Diane, 3 Hardcover, 1 Softcover, 1980 | |||||||||
| 66 | 4 | #334 Ted Hughes: The Unaccommodated Universe, Faas, Ekbert, Artwork, 1980 | |||||||||
| 66 | 5 | #334 Ted Hughes: The Unaccommodated Universe, Faas, Ekbert, Correspondence, 1980 | |||||||||
| 66 | 6 | #334 Ted Hughes: The Unaccommodated Universe, Faas, Ekbert, Manuscript, 1980 | |||||||||
| 66 | 7 | #334 Ted Hughes: The Unaccommodated Universe, Faas, Ekbert, 1 Hardcover, 1 Softcover 1980 | |||||||||
| box | folder | ||||||||||
| 67 | 1 | #334 Ted Hughes: The Unaccommodated Universe, Faas, Ekbert, 2 Hardcover copies, 1980 | |||||||||
| 67 | 2 | #335 Charles Olson and Robert Creeley: The Complete Correspondence, Volume I, edited by Butterick, George, Artwork, Negatives, Photographs, Correspondence, Notes, First Draft (Discarded Materials), 1980 | |||||||||
| 67 | 3 | #335 Charles Olson and Robert Creeley: The Complete Correspondence, Volume I, edited by Butterick, George, Manuscript,Charles Olson and Robert Creeley: The Complete Correspondence, Volume I, edited by Butterick, George, 3 Hardcover, 1 Softcover, 1980 | |||||||||
| box | folder | ||||||||||
| 68 | 1 | #336 Charles Olson and Robert Creeley: The Complete Correspondence, Volume II, edited by Butterick, George, Artwork, Photographs, Correspondence, Notes, Reviews, 1980 | |||||||||
| 68 | 2 | #336 Charles Olson and Robert Creeley: The Complete Correspondence, Volume II, edited by Butterick, George, Manuscript, 1980 | |||||||||
| 68 | 3 | #336 Charles Olson and Robert Creeley: The Complete Correspondence, Volume II, 3 Hardcover, 1 Softcover, 1980 | |||||||||
| 68 | 4 | #337 The Last Gas Station and Other Stories, Clark, Tom, Artwork, Negative, Correspondence, Notes, 1980 | |||||||||
| box | folder | ||||||||||
| 69 | 1 | #337 The Last Gas Station and Other Stories, Clark, Tom, Manuscript, 1980 | |||||||||
| 69 | 2 | #337 The Last Gas Station and Other Stories, Clark, Tom, 3 Hardcover copy, 1 Softcover, 1980 | |||||||||
| box | folder | ||||||||||
| 70 | 1 | #338 The Galley to Mytilene, Stories 1949-1960: volume IV of the Collected Stories, Goodman, Paul, Artwork, Correspondence, Notes, 1980 | |||||||||
| 70 | 2 | #338 The Galley to Mytilene, Stories 1949-1960: volume IV of the Collected Stories, Goodman, Paul, Manuscript, 1980 | |||||||||
| 70 | 3 | #338 The Galley to Mytilene, Stories 1949-1960: volume IV of the Collected Stories, Goodman, Paul, 2 Hardcover, 1 Softcover, 1980 | |||||||||
| 70 | 4 | #339 Letters to Christopher, Spender, Stephen, Artwork, Photographs, Negatives, 1980 | |||||||||
| 70 | 5 | #339 Letters to Christopher, Spender, Stephen, Correspondence, Notes, 1980 | |||||||||
| 70 | 6 | #339 Letters to Christopher, Spender, Stephen, First Draft, 1980 | |||||||||
| box | folder | ||||||||||
| 71 | 1 | #339 Letters to Christopher, Spender, Stephen, First Draft, (Discarded Materials), 1980 | |||||||||
| 71 | 2 | #339 Letters to Christopher, Spender, Stephen, First Proof, 1980 | |||||||||
| 71 | 3 | #339 Letters to Christopher, Spender, Stephen, Manuscript (1 of 2), 1980 | |||||||||
| 71 | 4 | #339 Letters to Christopher, Spender, Stephen, Manuscript (2 of 2), 1980 | |||||||||
| box | folder | ||||||||||
| 72 | 1 | #340 Let It Come Down, Bowles, Paul, Artwork, Correspondence, Notes, 1980 | |||||||||
| 72 | 2 | #340 Let It Come Down, Bowles, Paul, Manuscript, 1980 | |||||||||
| 72 | 3 | #340 Let It Come Down, Bowles, Paul, 3 Hardcover, 1 Softcover, 1980 | |||||||||
| 72 | 4 | #341 Hades in Manganese, Eshleman, Clayton, Artwork, Correspondence, Notes, 1981 | |||||||||
| 72 | 5 | #341 Hades in Manganese, Eshleman, Clayton, First Draft (Discarded Materials), 1981 | |||||||||
| 72 | 6 | #341 Hades in Manganese, Eshleman, Clayton, Manuscript, 1981 | |||||||||
| box | folder | ||||||||||
| 73 | 1 | #341 Hades in Manganese, Eshleman, Clayton, 2 Hardcover, 1 Softcover, 1981 | |||||||||
| 73 | 2 | #342 Three Penny Lane, Dawson, Fielding, Artwork, Correspondence, Notes, 1981 | |||||||||
| 73 | 3 | #342 Three Penny Lane, Dawson, Fielding, First Draft (Discarded Materials), 1981 | |||||||||
| 73 | 4 | #342 Three Penny Lane, Dawson, Fielding, Manuscript, 1981 | |||||||||
| 73 | 5 | #342 Three Penny Lane, Dawson, Fielding, 2 Hardcover v, 1 Softcover, 1981 | |||||||||
| 73 | 6 | #343 The Sea-Mists of the Winter, Lewis, Wyndham, Correspondence, Artwork, Copy, 1981 | |||||||||
| 73 | 7 | #343 The Sea-Mists of the Winter, Lewis, Wyndham,2 Hardcover copies, 2 Softcover, 1981 | |||||||||
| box | folder | ||||||||||
| 74 | 1 | #344 Bibliography of the Black Sparrow Press, Morrow, Morrow, Bradford and Cooney, Seamus, Artwork, 1981 | |||||||||
| 74 | 2 | #344 Bibliography of the Black Sparrow Press, Morrow, Morrow, Bradford and Cooney, Seamus, Photographs, Negatives, Captions, 1981 | |||||||||
| 74 | 3 | #344 Bibliography of the Black Sparrow Press, Morrow, Morrow, Bradford and Cooney, Seamus, Ephemera, Correspondence, Notes, 1981 | |||||||||
| 74 | 4 | #344 Bibliography of the Black Sparrow Press, Morrow, Morrow, Bradford and Cooney, Seamus, Manuscript (1 of 3), 1981 | |||||||||
| 74 | 5 | #344 Bibliography of the Black Sparrow Press, Morrow, Morrow, Bradford and Cooney, Seamus, Manuscript (2 of 3), 1981 | |||||||||
| 74 | 6 | #344 Bibliography of the Black Sparrow Press, Morrow, Morrow, Bradford and Cooney, Seamus, Manuscript (3 of 3), 1981 | |||||||||
| box | folder | ||||||||||
| 75 | 1 | #344 Bibliography of the Black Sparrow Press, Morrow, Bradford and Cooney, Seamus, 2 Trade Hardcover Copy, 1 Special Hardbound, 1 Hardbound/Slipcase File, 1981 | |||||||||
| box | folder | ||||||||||
| 76 | 1 | #345 Proud Beggars by Albert Cossery translated by Cushing, Thomas, Artwork, Negatives, Correspondence, Notes, 1981 | |||||||||
| 76 | 2 | #345 Proud Beggars by Albert Cossery translated by Cushing, Thomas, First Manuscript (Discarded Materials), 1981 | |||||||||
| 76 | 3 | #345 Proud Beggars by Albert Cossery translated by Cushing, Thomas, Original Manuscript in French, 1981 | |||||||||
| 76 | 4 | #345 Proud Beggars by Albert Cossery translated by Cushing, Thomas, Final Manuscript, 1981 | |||||||||
| 76 | 5 | #345 Proud Beggars by Albert Cossery translated by Cushing, Thomas,1 Hardcover Copy, 1 Softcover, 1981 | |||||||||
| box | folder | ||||||||||
| 77 | 1 | #345 Proud Beggars by Albert Cossery translated by Cushing, Thomas, 2 Hardcover Copy, 1981 | |||||||||
| 77 | 2 | #346 Selected Poems 1958-1980, Sorrentino, Gilbert, Artwork, Correspondence, 1981 | |||||||||
| 77 | 3 | #346 Selected Poems 1958-1980, Sorrentino, Gilbert, Manuscript, 1981 | |||||||||
| 77 | 4 | #346 Selected Poems 1958-1980, Sorrentino, Gilbert, 1 Hardcover Copy, 3 Softcover, 1981 | |||||||||
| box | folder | ||||||||||
| 78 | 1 | #346 Selected Poems 1958-1980, Sorrentino, Gilbert, 2 Hardcover Copy, 1981 | |||||||||
| 78 | 2 | #347 Midnight Mass, Bowles, Paul, Artwork, Correspondence, Notes, 1981 | |||||||||
| 78 | 3 | #347 Midnight Mass, Bowles, Paul, Manuscript, 1981 | |||||||||
| box | folder | ||||||||||
| 79 | 1 | #347 Midnight Mass, Bowles, Paul, Artwork, Unbound Copy, First Proof, 1981 | |||||||||
| 79 | 2 | #347 Midnight Mass, Bowles, Paul, 3 Hardcover copy, 2 Softcover, 1981 | |||||||||
| 79 | 3 | #348 Next to Nothing, Collected Poems 1926-1977, Bowles, Paul, Artwork, Correspondence, 1981 | |||||||||
| 79 | 4 | #348 Next to Nothing, Collected Poems 1926-1977, Bowles, Paul, Manuscript, 1981 | |||||||||
| 79 | 5 | #348 Next to Nothing, Collected Poems 1926-1977, Bowles, Paul, 3 Hardcover copies, 1 Softcover, 1981 | |||||||||
| box | folder | ||||||||||
| 80 | 1 | #349 The Apes of God, Lewis, Wyndham, Artwork, Negatives, Ephemera, Correspondence, Notes, 1981 | |||||||||
| 80 | 2 | #349 The Apes of God, Lewis, Wyndham, 2 First Trade Editions (1930) Hardcover Copies, 1 Hardcover copy, 1 Softcover, 1981 | |||||||||
| box | folder | ||||||||||
| 81 | 1 | #349 The Apes of God, Lewis, Wyndham, 4 Hardcover copies, 1981 | |||||||||
| box | folder | ||||||||||
| 82 | 1 | #350 Thrice Chosen, Roditi, Edouard, Correspondence, Notes, Artwork, 1981 | |||||||||
| 82 | 2 | #350 Thrice Chosen, Roditi, Edouard, First Draft (Discarded Materials), 1981 | |||||||||
| 82 | 3 | #350 Thrice Chosen, Roditi, Edouard, Manuscript, 1981 | |||||||||
| 82 | 4 | #351 Dangling in the Tournefortia, Bukowski, Charles, Artwork, Correspondence, Notes, Reviews, 1981 | |||||||||
| 82 | 5 | #351 Dangling in the Tournefortia, Bukowski, Charles, First Draft, 1981 | |||||||||
| 82 | 6 | #351 Dangling in the Tournefortia, Bukowski, Charles, Manuscript, 1981 | |||||||||
| box | folder | ||||||||||
| 83 | 1 | #351 Dangling in the Tournefortia, Bukowski, Charles, 3 Hardcover copies, 1 Softcover, 1981 | |||||||||
| 83 | 2 | #352 Spiritual Exercises Kelly, Robert, Correspondence, Notes, Review, Artwork, 1981 | |||||||||
| 83 | 3 | #352 Spiritual Exercises Kelly, Robert, Manuscript, 1981 | |||||||||
| 83 | 4 | #352 Spiritual Exercises Kelly, Robert, 2 Hardcover copies, 1 Softcover, 1981 | |||||||||
| box | folder | ||||||||||
| 84 | 1 | #353 Blast 1, Lewis, Wyndham, Correspondence, Notes, Artwork, 1981 | |||||||||
| 84 | 2 | #353 Blast 1, Lewis, Wyndham, 2 Hardcover copies, 1 Softcover, 1981 | |||||||||
| 84 | 3 | #354 Blast 2, Lewis, Wyndham, Notes, Review, Artwork, 1981 | |||||||||
| 84 | 4 | #354 Blast 2, Lewis, Wyndham, 1 Softcover, 1981 | |||||||||
| box | folder | ||||||||||
| 85 | 1 | #354 Blast 2, Lewis, Wyndham, 2 Hardcover copies, 1981 | |||||||||
| 85 | 2 | #355 Complete Correspondence #3, Olson, Charles and Creeley, Robert, Correspondence, Notes, Review, Artwork, 1981 | |||||||||
| 85 | 3 | #355 Complete Correspondence #3, Olson, Charles and Creeley, Robert, Manuscript,3 Hardcover copies, 1 Softcover 1981 | |||||||||
| box | folder | ||||||||||
| 86 | 1 | #356 Dreams from Bunker Hill, Fante, John, Correspondence, Notes, Review, Artwork, 1982 | |||||||||
| 86 | 2 | #356 Dreams from Bunker Hill, Fante, John, Manuscript, 1982 | |||||||||
| 86 | 3 | #356 Dreams from Bunker Hill, Fante, John, 3 Hardcover copies, 1 Softcover, 1982 | |||||||||
| 86 | 4 | #357 A Man Without Shoes, Sanford, John, Correspondence, Reviews, First Introduction, Artwork, 1982 | |||||||||
| 86 | 5 | #357 A Man Without Shoes, Sanford, John, Correspondence, 1 Hardcover copy, 1982 | |||||||||
| box | folder | ||||||||||
| 87 | 1 | #358 The Last Generation, Bukowski, Charles, Artwork, 1982 | |||||||||
| 87 | 2 | #358 The Last Generation, Bukowski, Charles, Artwork, 2 Softcover copies, 1982 | |||||||||
| 87 | 3 | #358 The Last Generation, Bukowski, Charles, 2 Hardcover copies, 1982 | |||||||||
| 87 | 4 | #359 Complete Correspondence #4, Olson, Charles and Creeley, Robert, Correspondence, Notes, Artwork, 1982 | |||||||||
| 87 | 5 | #359 Complete Correspondence #4, Olson, Charles and Creeley, Robert, Manuscript, 1982 | |||||||||
| 87 | 6 | #359 Complete Correspondence #4, Olson, Charles and Creeley, Robert, 3 Hardcover copies, 1982 | |||||||||
| 87 | 7 | #360 Musician’s Feastletters, Wakoski, Diane, Correspondence, Notes, Reviews, Artwork, 1982 | |||||||||
| box | folder | ||||||||||
| 88 | 1 | #360 Musician’s Feastletters, Wakoski, Diane, First Manuscript (Discarded Materials), 1982 | |||||||||
| 88 | 2 | #360 Musician’s Feastletters, Wakoski, Diane, Second Manuscript, 1982 | |||||||||
| 88 | 3 | #360 Musician’s Feastletters, Wakoski, Diane, Proof, 1982 | |||||||||
| 88 | 4 | #360 Musician’s Feastletters, Wakoski, Diane, 3 Hardcover copies, 1 Softcover, 1982 | |||||||||
| 88 | 5 | #361 Birth of a Poet,, Everson, William, Correspondence, Notes, Reviews, Artwork, 1982 | |||||||||
| box | folder | ||||||||||
| 89 | 1 | #361 Birth of a Poet, Everson, William, Manuscript, 1982 | |||||||||
| 89 | 2 | #361 Birth of a Poet, Everson, William, 3 Hardcover copies, 1 Softcover, 1982 | |||||||||
| 89 | 3 | #362 The Spider’s House, Bowles, Paul, Correspondence, Notes, Reviews, Artwork, 1982 | |||||||||
| 89 | 4 | 362 The Spider’s House, Bowles, Paul, 2 Hardcover original copies with notes, 1982 | |||||||||
| box | folder | ||||||||||
| 90 | 1 | #362 The Spider’s House, Bowles, Paul, 3 Hardcover copies, 1 Softcover, 1982 | |||||||||
| 90 | 2 | #363 A More Goodly Country, Sanford, John, Reviews, Artwork, Manuscript, 1982 | |||||||||
| 90 | 3 | #363 A More Goodly Country, Sanford, John, Reviews, 1 Hardcover copy, 1982 | |||||||||
| box | folder | ||||||||||
| 91 | 1 | #364 The Formal Voice, Shelnutt, Eve, Correspondence, Notes, Reviews, Artwork, 1982 | |||||||||
| 91 | 2 | #364 The Formal Voice, Shelnutt, Eve, First Manuscript (Discarded Materials), 1982 | |||||||||
| 91 | 3 | #364 The Formal Voice, Shelnutt, Eve, Second Manuscript, 1982 | |||||||||
| 91 | 4 | #364 The Formal Voice, Shelnutt, Eve, 3 Hardcover copies, 1 Softcover, 1982 | |||||||||
| box | folder | ||||||||||
| 92 | 1 | #365 Ham on Rye, Bukoski, Charles, Correspondence, Reviews, Notes, Artwork, 1982 | |||||||||
| 92 | 2 | #365 Ham on Rye, Bukoski, Charles, First Manuscript, 15 folders, 1982 | |||||||||
| 92 | 3 | #365 Ham on Rye, Bukoski, Charles, First Manuscript, 15 folders, 1982 | |||||||||
| 92 | 4 | #365 Ham on Rye, Bukoski, Charles, Second Draft, 1982 | |||||||||
| 92 | 5 | #365 Ham on Rye, Bukoski, Charles,Third Draft, pg 1-199, 1982 | |||||||||
| 92 | 6 | #365 Ham on Rye, Bukoski, Charles, Third Draft, pg 200-386, 1982 | |||||||||
| box | folder | ||||||||||
| 93 | 1 | #365 Ham on Rye, Bukoski, Charles, 3 Hardcover copies, 1 Softcover, 1982 | |||||||||
| box | folder | ||||||||||
| 94 | 1 | #365 Ham on Rye, Bukoski, Charles, 1 Hardcover copy, 1982 | |||||||||
| 94 | 2 | #366 The Complete Wild Body, Lewis, Wyndham, Correspondence, Reviews, 1982 | |||||||||
| 94 | 3 | #366 The Complete Wild Body, Lewis, Wyndham, Artwork, 1982 | |||||||||
| 94 | 4 | #366 The Complete Wild Body, Lewis, Wyndham, First Draft (1 of 2), 1982 | |||||||||
| 94 | 5 | #366 The Complete Wild Body, Lewis, Wyndham, First Draft (2 of 2) 1982 | |||||||||
| box | folder | ||||||||||
| 95 | 1 | #366 The Complete Wild Body, Lewis, Wyndham, First Manuscript (Discarded Materials), 1982 | |||||||||
| 95 | 2 | #366 The Complete Wild Body, Lewis, Wyndham, Second Manuscript, 1982 | |||||||||
| 95 | 3 | #366 The Complete Wild Body, Lewis, Wyndham, First Proofs, 1982 | |||||||||
| box | folder | ||||||||||
| 96 | 1 | #366 The Complete Wild Body, Lewis, Wyndham, 3 Hardcover copies, 1 Softcover, 1982 | |||||||||
| 96 | 2 | #367 The Plain of Smokes, Mudd, Harvey and Price, Ken, Correspondence, Reviews, 1982 | |||||||||
| 96 | 3 | #367 The Plain of Smokes, Mudd, Harvey and Price, Ken, Slides, Artwork, 1982 | |||||||||
| 96 | 4 | #367 The Plain of Smokes, Mudd, Harvey and Price, Ken, Manuscript, 1982 | |||||||||
| 96 | 5 | #367 The Plain of Smokes, Mudd, Harvey and Price, Ken, First Proofs, 1982 | |||||||||
| box | folder | ||||||||||
| 97 | 1 | #367 The Plain of Smokes , Mudd, Harvey and Price, Ken, Second Proof, 1982 | |||||||||
| 97 | 2 | #367 The Plain of Smokes , Mudd, Harvey and Price, Ken, Third Proof, 1982 | |||||||||
| 97 | 3 | #367 The Plain of Smokes Mudd, Harvey and Price, Ken, Unbound copy, 1982 | |||||||||
| 97 | 4 | #367 The Plain of Smokes , Mudd, Harvey and Price, Ken, 3 Hardcover copies, 1 Softcover, 1982 | |||||||||
| 97 | 5 | #368 Krazy Kat and 76 More, Dawson, Fielding, Correspondence, Notes, Reviews, 1982 | |||||||||
| 97 | 6 | #368 Krazy Kat and 76 More, Dawson, Fielding, Artwork, 1982 | |||||||||
| 97 | 7 | #368 Krazy Kat and 76 More, Dawson, Fielding, Manuscript, 1982 | |||||||||
| 97 | 8 | #368 Krazy Kat and 76 More, Dawson, Fielding, 1 Softcover copy, 1982 | |||||||||
| box | folder | ||||||||||
| 98 | 1 | #369 Horsemeat, Bukowski, Charles, 3 Hardcover, 1 Softcover, 1982 | |||||||||
| 98 | 2 | #369 Horsemeat, Bukowski, Charles, Correspondence, 1982 | |||||||||
| 98 | 3 | #369 Horsemeat, Bukowski, Charles, Artwork, 1982 | |||||||||
| 98 | 4 | #369 Horsemeat, Bukowski, Charles, First Manuscript, 1982 | |||||||||
| 98 | 5 | #369 Horsemeat, Bukowski, Charles, Second Manuscript, 1982 | |||||||||
| 98 | 6 | #369 Horsemeat, Bukowski, Charles, Proof, 1982 | |||||||||
| box | folder | ||||||||||
| 99 | 1 | #370 Journey into Barbary, Lewis, Wyndham, Correspondence, Notes, Notice, 1982 | |||||||||
| 99 | 2 | #370 Journey into Barbary, Lewis, Wyndham, Artwork (illustration negatives), 1982 | |||||||||
| 99 | 3 | #370 Journey into Barbary, Lewis, Wyndham, Manuscript (boxed), 1982 | |||||||||
| box | folder | ||||||||||
| 100 | 1 | #370 Journey into Barbary, Lewis, Wyndham, Second Proof, 1982 | |||||||||
| 100 | 2 | #370 Journey into Barbary, Lewis, Wyndham, 3 Hardcover copies,1 Softcover, 1982 | |||||||||
| 100 | 3 | #371 Sparks, Bukowski, Charles, Artwork, 1983 | |||||||||
| 100 | 4 | #371 Sparks, Bukowski, Charles, 3 Unbound copies, 1983 | |||||||||
| 100 | 5 | #371 Sparks, Bukowski, Charles, 1 Hardcover copy, 2 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 101 | 1 | #372 Wait Until Spring, Bandini, Fante, John, Correspondence, Notes, Reviews, 1983 | |||||||||
| 101 | 2 | #372 Wait Until Spring, Bandini, Fante, John, Artwork, 1983 | |||||||||
| 101 | 3 | #372 Wait Until Spring, Bandini, Fante, John, Artwork, 1 Hardbound copy (original with new and deleted material), 1983 | |||||||||
| 101 | 4 | #372 Wait Until Spring, Bandini, Fante, John, Proof, 1983 | |||||||||
| box | folder | ||||||||||
| 102 | 1 | #372 Wait Until Spring, Bandini, Fante, John, 3 Hardcover copies, 1 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 103 | 1 | #373 Complete Correspondence #5, Olson, Charles and Creeley, Robert, Correspondence, Notes, 1983 | |||||||||
| 103 | 2 | #373 Complete Correspondence #5, Olson, Charles and Creeley, Robert, Correspondence, Artwork, 1983 | |||||||||
| 103 | 3 | #373 Complete Correspondence #5, Olson, Charles and Creeley, Robert, Manuscript, 1983 | |||||||||
| 103 | 4 | #373 Complete Correspondence #5, Olson, Charles and Creeley, First Proof, 1983 | |||||||||
| 103 | 5 | #373 Complete Correspondence #5, Olson, Charles and Creeley, Second Proof, 1983 | |||||||||
| box | folder | ||||||||||
| 104 | 1 | #373 Complete Correspondence #5, Olson, Charles and Creeley, Robert, 3 Hardcover copies, 1 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 105 | 1 | #374 Waters/Places/A Time, Eigner, Larry, Correspondence, Notes, 1983 | |||||||||
| 105 | 2 | #374 Waters/Places/A Time, Eigner, Larry, Artwork, 1983 | |||||||||
| 105 | 3 | #374 Waters/Places/A Time, Eigner, Larry, Manuscript, 1983 | |||||||||
| 105 | 4 | #374 Waters/Places/A Time, Eigner, Larry, 2 Hardcover copies, 1 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 106 | 1 | #375 Self Condemned, Lewis, Wyndham, Correspondence, Notes, Reviews, 1983 | |||||||||
| 106 | 2 | #375 Self Condemned, Lewis, Wyndham, Artwork, 1983 | |||||||||
| 106 | 3 | #375 Self Condemned, Lewis, Wyndham, Third Proof, 1983 | |||||||||
| 106 | 4 | #375 Self Condemned, Lewis, Wyndham, New Material to be Set, 1983 | |||||||||
| 106 | 5 | #375 Self Condemned, Lewis, Wyndham, 3 Hardcover copies, 1 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 107 | 1 | #376 Fracture, Eshleman, Clayton, Correspondence, Notes, Reviews, 1983 | |||||||||
| 107 | 2 | #376 Fracture, Eshleman, Clayton, Artwork, | |||||||||
| 107 | 3 | #376 Fracture, Eshleman, Clayton, Manuscript, 1983 | |||||||||
| 107 | 4 | #376 Fracture, Eshleman, Clayton, First Proof, 1983 | |||||||||
| 107 | 5 | #376 Fracture, Eshleman, Clayton, Second Proof, 1983 | |||||||||
| 107 | 6 | #376 Fracture, Eshleman, Clayton, 3 Hardcover copies, 1 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 108 | 1 | #377 This Will Kill That, Malanga, Gerard, Correspondence, Notes, 1983 | |||||||||
| 108 | 2 | #377 This Will Kill That, Malanga, Gerard, Artwork (pictures), 1983 | |||||||||
| 108 | 3 | #377 This Will Kill That, Malanga, Gerard, First Manuscript (Discarded Materials), 1983 | |||||||||
| 108 | 4 | #377 This Will Kill That, Malanga, Gerard, Final Manuscript, 1983 | |||||||||
| 108 | 5 | #377 This Will Kill That, Malanga, Gerard, 2 Hardcover copies, 1 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 109 | 1 | #378 Bring Me Your Love, Bukowski, Charles and Crumb, R., Original Manuscript, Correspondence, Notes, Reviews, 1983 | |||||||||
| 109 | 2 | #378 Bring Me Your Love, Bukowski, Charles and Crumb, R., Final Manuscript, 1983 | |||||||||
| 109 | 3 | #378 Bring Me Your Love, Bukowski, Charles and Crumb, R., Proofs, | |||||||||
| 109 | 4 | #378 Bring Me Your Love, Bukowski, Charles and Crumb, R. Artwork, 1983 | |||||||||
| box | folder | ||||||||||
| 110 | 1 | #379 The Unexamined Wife, Jaffe, Sherril, Correspondence, Notes, Reviews, 1983 | |||||||||
| 110 | 2 | #379 The Unexamined Wife, Jaffe, Sherril, Artwork, 1983 | |||||||||
| 110 | 3 | #379 The Unexamined Wife, Jaffe, Sherril, Second Proof, 1983 | |||||||||
| 110 | 4 | #379 The Unexamined Wife, Jaffe, Sherril, 3 Hardcover copies, 1 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 111 | 1 | #380 Imagoes, Coleman, Wanda, Correspondence, Notes, Reviews, 1983 | |||||||||
| 111 | 2 | #380 Imagoes, Coleman, Wanda, Artwork, 1983 | |||||||||
| 111 | 3 | #380 Imagoes, Coleman, Wanda, Manuscript, 1983 | |||||||||
| 111 | 4 | #380 Imagoes, Coleman, Wanda, Manuscript, First Proof, 1983 | |||||||||
| 111 | 5 | #380 Imagoes, Coleman, Wanda, Second Proof, 1983 | |||||||||
| 111 | 6 | #380 Imagoes, Coleman, Wanda, Final Proof, 1983 | |||||||||
| box | folder | ||||||||||
| 112 | 1 | #381 Under Words, Kelly, Robert, Correspondence, Notes, Reviews, 1983 | |||||||||
| 112 | 2 | #381 Under Words, Kelly, Robert, Artwork, 1983 | |||||||||
| 112 | 3 | #381 Under Words, Kelly, Robert, Manuscript, 1983 | |||||||||
| 112 | 4 | #381 Under Words, Kelly, Robert, First Proof, 1983 | |||||||||
| 112 | 5 | #381 Under Words, Kelly, Robert, Second Proof, Final Proof, 1983 | |||||||||
| 112 | 6 | #381 Under Words, Kelly, Robert, Final Proof, 1983 | |||||||||
| box | folder | ||||||||||
| 113 | 1 | #381 Under Words, Kelly, Robert, 3 Hardcover copies, 1 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 114 | 1 | #382 Hot Water Music, Bukowski, Charles, Correspondence, Notes, Review, 1983 | |||||||||
| 114 | 2 | #382 Hot Water Music, Bukowski, Charles, Artwork, 1983 | |||||||||
| 114 | 3 | #382 Hot Water Music, Bukowski, Charles, Ephemera, 1983 | |||||||||
| 114 | 4 | #382 Hot Water Music, Bukowski, Charles, Manuscript, 1983 | |||||||||
| 114 | 5 | #382 Hot Water Music, Bukowski, Charles, First Proof, 1983 | |||||||||
| 114 | 6 | #382 Hot Water Music, Bukowski, Charles, Second Proof, 1983 | |||||||||
| 114 | 7 | #382 Hot Water Music, Bukowski, Charles, Third Proof, 1983 | |||||||||
| 114 | 8 | #382 Hot Water Music, Bukowski, Charles, 1 Hardcover copies, 1 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 115 | 1 | #382 Hot Water Music,, Bukowski, Charles, 4 Hardcover copies, 1983 | |||||||||
| box | folder | ||||||||||
| 116 | 1 | #383 Young Robert Duncan, Faas, Ekbert, Correspondence, Notes, Reviews, 1983 | |||||||||
| 116 | 2 | #383 Young Robert Duncan, Faas, Ekbert, Photographs and Notes, 1983 | |||||||||
| 116 | 3 | #383 Young Robert Duncan, Faas, Ekbert, Artwork, 1983 | |||||||||
| 116 | 4 | #383 Young Robert Duncan, Faas, Ekbert, First Manuscript (Discarded Materials), 1983 | |||||||||
| 116 | 5 | #383 Young Robert Duncan, Faas, Ekbert, Second Manuscript (Discarded Materials), 1983 | |||||||||
| 116 | 6 | #383 Young Robert Duncan, Faas, Ekbert, Author Corrections, 1983 | |||||||||
| 116 | 7 | #383 Young Robert Duncan, Faas, Ekbert, Author Corrections, First Proof (1 of 2), 1983 | |||||||||
| box | folder | ||||||||||
| 117 | 1 | #383 Young Robert Duncan, Faas, Ekbert, First Proof (2 of 2), 1983 | |||||||||
| 117 | 2 | #383 Young Robert Duncan, Second Proof, 1983 | |||||||||
| 117 | 3 | #383Young Robert Duncan, Third Proof, 1983 | |||||||||
| box | folder | ||||||||||
| 118 | 1 | #383 Young Robert Duncan, Faas, Ekbert, Index, 1983 | |||||||||
| 118 | 2 | #383 Young Robert Duncan, Faas, Ekbert, Final Corrections, 1983 | |||||||||
| 118 | 3 | #383 Young Robert Duncan, Faas, Ekbert, 3 Hardcover copies, 1 Softcover, 1983 | |||||||||
| box | folder | ||||||||||
| 119 | 1 | #384 Snooty Baronet, Lewis, Wyndham, Correspondence, Notes, Reviews, 1984 | |||||||||
| 119 | 2 | #384 Snooty Baronet, Lewis, Wyndham, Artwork, 1984 | |||||||||
| 119 | 3 | #384 Snooty Baronet, Lewis, Wyndham, Unedited Manuscript, 1984 | |||||||||
| 119 | 4 | #384 Snooty Baronet, Lewis, Wyndham, Edited Manuscript, 1984 | |||||||||
| 119 | 5 | #384 Snooty Baronet, Lewis, Wyndham, Second Proofs Lacking Back Matter, 1984 | |||||||||
| box | folder | ||||||||||
| 120 | 1 | #384 Snooty Baronet, Lewis, Wyndham, Back Matter, 1984 | |||||||||
| 120 | 2 | #384 Snooty Baronet, Lewis, Wyndham, Third Proof, 1984 | |||||||||
| 120 | 3 | #384 Snooty Baronet, Lewis, Wyndham, 3 Hardcover copies, 1 Softcover, 1984 | |||||||||
| box | folder | ||||||||||
| 121 | 1 | #385 One for the Old Boy, Bukowski, Charles, Correspondence, 1984 | |||||||||
| 121 | 2 | #385 One for the Old Boy, Bukowski, Charles, Artwork, Manuscript, 1984 | |||||||||
| 121 | 3 | #385 One for the Old Boy, Bukowski, Charles, 2 Softcovers copies, 1984 | |||||||||
| 121 | 4 | #385 One for the Old Boy, Bukowski, Charles, 2 Hardcover copies, 1984 | |||||||||
| 121 | 5 | #386 There is no Business, Bukowski, Charles and Crumb, 1 Artwork, 1984 | |||||||||
| 121 | 6 | #386 There is no Business, Bukowski, Charles and Crumb, Ephemera (Flyer), 1984 | |||||||||
| 121 | 7 | #386 There is no Business, Bukowski, Charles and Crumb, Manuscript, First Proof, 1984 | |||||||||
| 121 | 8 | #386 There is no Business, Bukowski, Charles and Crumb, Layout Work, 1984 | |||||||||
| box | folder | ||||||||||
| 122 | 1 | #386 There is no Business,,Bukowski, Charles and Crumb, 3 Hardcover copies, 1 Softcover, 1984 | |||||||||
| box | folder | ||||||||||
| 123 | 1 | #387 The Name, Meltzer, David, Correspondence, Notes, Reviews, 1984 | |||||||||
| 123 | 2 | #387 The Name, Meltzer, David, Correspondence, Artwork, 1984 | |||||||||
| 123 | 3 | #387 The Name, Meltzer, David, First Manuscript (Discarded Materials), Correspondence, Artwork, 1984 | |||||||||
| 123 | 4 | #387 The Name, Meltzer, David, Second Manuscript, 1984 | |||||||||
| 123 | 5 | #387 The Name, Meltzer, David, First Proof, 1984 | |||||||||
| 123 | 6 | #387 The Name, Meltzer, David, Second Proof, 1984 | |||||||||
| 123 | 7 | #387 The Name, Meltzer, David, Second Proof, Third Proof, 1984 | |||||||||
| box | folder | ||||||||||
| 124 | 1 | #387 The Name, Meltzer, David, 2 Hardcover copies, 1 Softcover, 1984 | |||||||||
| box | folder | ||||||||||
| 125 | 1 | #388 The Winters of that Country, Sanford, John, Correspondence, Reviews, 1984 | |||||||||
| 125 | 2 | #388 The Winters of that Country, Sanford, John, Artwork, Back Matter, Second Proof, 1984 | |||||||||
| 125 | 3 | #388 The Winters of that Country, Sanford, John, First Manuscript (Discarded Materials, 1 of 2) 1984 | |||||||||
| 125 | 4 | #388 The Winters of that Country, Sanford, John,First Manuscript (Discarded Materials, 2 of 2), 1984 | |||||||||
| 125 | 5 | #388 The Winters of that Country, Sanford, John, Manuscript (copy 2), 1984 | |||||||||
| box | folder | ||||||||||
| 126 | 1 | #388 The Winters of that Country, Sanford, John, First Proof, 1984 | |||||||||
| 126 | 2 | #388 The Winters of that Country, Sanford, John, Second Proof, 1984 | |||||||||
| 126 | 3 | #388 The Winters of that Country, Sanford, John, Final Proof, 1984 | |||||||||
| box | folder | ||||||||||
| 127 | 1 | #388 The Winters of that Country, Sanford, John, 2 Hardcover copies, 1 Softcover, 1984 | |||||||||
| box | folder | ||||||||||
| 128 | 1 | #389 Paradise Resisted, Clark, Tom, Notes, Reviews, 1984 | |||||||||
| 128 | 2 | #389 Paradise Resisted, Clark, Tom, Artwork, 1984 | |||||||||
| 128 | 3 | #389 Paradise Resisted, Clark, Tom, First Proof (authors copy), 1984 | |||||||||
| 128 | 4 | #389 Paradise Resisted, Clark, Tom, Second Proof (not full text), 1984 | |||||||||
| 128 | 5 | #389 Paradise Resisted, Clark, Tom, 3 Hardcover copy, 1 Softcover, 1984 | |||||||||
| box | folder | ||||||||||
| 129 | 1 | #390 The Collected Greed Parts 1-13, Wakoski, Diane, Correspondence, Notes, Review, 1984 | |||||||||
| 129 | 2 | #390 The Collected Greed Parts 1-13, Wakoski, Diane, Artwork, 1984 | |||||||||
| 129 | 3 | #390 The Collected Greed Parts 1-13, Wakoski, Diane, First Manuscript (Discarded Materials), 1984 | |||||||||
| 129 | 4 | #390 The Collected Greed Parts 1-13, Wakoski, Diane, Final Manuscript, 1984 | |||||||||
| 129 | 5 | #390 The Collected Greed Parts 1-13, Wakoski, Diane, First Proof, 1984 | |||||||||
| box | folder | ||||||||||
| 130 | 1 | #390 The Collected Greed Parts 1-13 Wakoski, Diane, 3 Hardcover copy, 1 Softcover, 1984 | |||||||||
| box | folder | ||||||||||
| 131 | 1 | #391 Blast 3, Cooney, Seamus, Correspondence, 1984 | |||||||||
| 131 | 2 | #391 Blast 3, Cooney, Seamus, Correspondence, Permissions, 1984 | |||||||||
| 131 | 3 | #391 Blast 3, Cooney, Seamus, Contributors Notes, 1984 | |||||||||
| 131 | 4 | #391 Blast 3, Cooney, Seamus, Artwork, 1984 | |||||||||
| 131 | 5 | #391 Blast 3, Cooney, Seamus, Authors Corrected First Proof (pg 5-190), 1984 | |||||||||
| 131 | 6 | #391 Blast 3, Cooney, Seamus, Authors Corrected First Proof (pg 199-277), 1984 | |||||||||
| box | folder | ||||||||||
| 132 | 1 | #391 Blast 3, Cooney, Seamus, Final Manuscript (1 of 3), 1984 | |||||||||
| 132 | 2 | #391 Blast 3, Cooney, Seamus, Final Manuscript (2 of 3), 1984 | |||||||||
| 132 | 3 | #391 Blast 3, Cooney, Seamus, Final Manuscript (3 of 3), 1984 | |||||||||
| 132 | 4 | #391 Blast 3, Cooney, Seamus, 1 Hardcover copy, 1984 | |||||||||
| box | folder | ||||||||||
| 133 | 1 | #391 Blast 3, Cooney, Seamus, 1 Hardcover, 3 Softcover copies, 1984 | |||||||||
| box | folder | ||||||||||
| 134 | 1 | #392 Rude Assignments, Lewis, Wyndham, Correspondence, 1984 | |||||||||
| 134 | 2 | #392 Rude Assignments, Lewis, Wyndham, Artwork, Back Matter, 1984 | |||||||||
| 134 | 3 | #392 Rude Assignments, Lewis, Wyndham, Manuscript, 1984 | |||||||||
| 134 | 4 | #392 Rude Assignments, Lewis, Wyndham, First Proof, 1984 | |||||||||
| 134 | 5 | #392 Rude Assignments, Lewis, Wyndham, First Proof (Back Matter), 1984 | |||||||||
| 134 | 6 | #392 Rude Assignments, Lewis, Wyndham, Second Proof (1 of 3), 1984 | |||||||||
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| 135 | 1 | #392 Rude Assignments, Lewis, Wyndham, Second Proof (2 of 3), 1984 | |||||||||
| 135 | 2 | #392 Rude Assignments, Lewis, Wyndham, Second Proof (3 of 3), 1984 | |||||||||
| 135 | 3 | #392 Rude Assignments, Lewis, Wyndham, Third Proof (1 of 2), 1984 | |||||||||
| 135 | 4 | #392 Rude Assignments, Lewis, Wyndham, Third Proof (2 of 2), 1984 | |||||||||
| 135 | 5 | #392 Rude Assignments, Lewis, Wyndham, Discarded Materials, 1984 | |||||||||
| 135 | 6 | #392 Rude Assignments, Lewis, Wyndham, 3 Hardcover copy, 1 Softcover, 1984 | |||||||||
| box | folder | ||||||||||
| 136 | 1 | #393 War All The Time: Poems 1981-1984, Bukowski, Charles, Correspondence, 1984 | |||||||||
| 136 | 2 | #393 War All The Time: Poems 1981-1984, Bukowski, Charles, Artwork, 1984 | |||||||||
| 136 | 3 | #393 War All The Time: Poems 1981-1984, Bukowski, Charles, Manuscript, 1984 | |||||||||
| 136 | 4 | #393 War All The Time: Poems 1981-1984, Bukowski, Charles, First Proof, 1984 | |||||||||
| 136 | 5 | #393 War All The Time: Poems 1981-1984, Bukowski, Charles, Second Proof, 1984 | |||||||||
| 136 | 6 | >#393 War All The Time: Poems 1981-1984, Bukowski, Charles, 1 Hardcover copy, 1 Softcover, 1984 | |||||||||
| box | folder | ||||||||||
| 137 | 1 | #393 War All The Time: Poems 1981-1984, Bukowski, Charles, 2 Hardcover copies, 1984 | |||||||||
| 137 | 2 | #394 The Wine of Youth, Fante, John, Correspondence, 1985 | |||||||||
| 137 | 3 | #394 The Wine of Youth, Fante, John, Correspondence, Artwork, Back Matter, 1985 | |||||||||
| 137 | 4 | #394 The Wine of Youth, Fante, John, Manuscript, 1985 | |||||||||
| 137 | 5 | #394 The Wine of Youth, Fante, John, Short Stories Not Used, 1985 | |||||||||
| 137 | 6 | #394 The Wine of Youth, Fante, John, Discarded Materials (Rejected Stories), 1985 | |||||||||
| box | folder | ||||||||||
| 138 | 1 | #394 The Wine of Youth, Fante, John, Final Proof, 1985 | |||||||||
| 138 | 2 | #394 The Wine of Youth, Fante, John, Hardcover copy, 1 Softcover, 1985 | |||||||||
| 138 | 3 | #395 Virginia Dare, Dawson, Fielding, Correspondence, 1985 | |||||||||
| 138 | 4 | #395 Virginia Dare, Dawson, Fielding, Artwork, 1985 | |||||||||
| 138 | 5 | #395 Virginia Dare, Dawson, Fielding, Discarded Materials, 1985 | |||||||||
| 138 | 6 | #395 Virginia Dare, Dawson, Fielding, Manuscript, 1985 | |||||||||
| box | folder | ||||||||||
| 139 | 1 | #395 Virginia Dare, Dawson, Fielding, Final Proof, 1985 | |||||||||
| 139 | 2 | #395 Virginia Dare, Dawson, Fielding, Final Corrections by Author, 1985 | |||||||||
| 139 | 3 | #395 Virginia Dare,Dawson, Fielding, 3 Hardcover copies, 1 Softcover copy, 1985 | |||||||||
| 139 | 4 | #399 The Secret of Life and Death, Ruppersberg, Allen, Correspondence, 1985 | |||||||||
| 139 | 5 | #396 The Secret of Life and Death, Ruppersberg, Allen, Artwork, 1985 | |||||||||
| 139 | 6 | #396 The Secret of Life and Death, Ruppersberg, Allen, Manuscript, 1985 | |||||||||
| 139 | 7 | #396 The Secret of Life and Death, Ruppersberg, Allen, First Proof (umarked), 1985 | |||||||||
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| 140 | 1 | #396 The Secret of Life and Death, Ruppersberg, Allen, First Proof (corrected), 1985 | |||||||||
| 140 | 2 | #396 The Secret of Life and Death, Ruppersberg, Allen, Unbound Copy, 1985 | |||||||||
| 140 | 3 | #396 The Secret of Life and Death, Ruppersberg, Allen, Mockup (1 of 2), 1985 | |||||||||
| 140 | 4 | #396 The Secret of Life and Death, Ruppersberg, Allen, Mockup (2 of 2), 1985 | |||||||||
| 140 | 5 | #396 The Secret of Life and Death, Ruppersberg, Allen, Hardcover Binding Mockup, 1985 | |||||||||
| 140 | 6 | #396 The Secret of Life and Death, Ruppersberg, Allen, Hardcover Blank Mockup, 1985 | |||||||||
| box | folder | ||||||||||
| 141 | 1 | #396 The Secret of Life and Death, Ruppersberg, Allen, 2 Hardcover copies, 1 Softcover, 1985 | |||||||||
| 141 | 2 | #397 Alone in a Time of Armies, Bukowski, Charles, Artwork, Back Matter, 4 Softcover copies, 2 Hardcover copies, 1985 | |||||||||
| 141 | 3 | #398 Out in the World: Selected Letters of Jane Bowles, Bowles, Paul, Correspondence, 1985 | |||||||||
| 141 | 4 | #398 Out in the World: Selected Letters of Jane Bowles, Bowles, Paul, Artwork, 1985 | |||||||||
| 141 | 5 | #398 Out in the World: Selected Letters of Jane Bowles, Bowles, Paul, Manuscript (1 of 2), 1985 | |||||||||
| box | folder | ||||||||||
| 142 | 1 | #398 Out in the World: Selected Letters of Jane Bowles, Bowles, Paul, Manuscript (2 of 2), 1985 | |||||||||
| 142 | 2 | #398 Out in the World: Selected Letters of Jane Bowles, Bowles, Paul, First Proof, 1985 | |||||||||
| 142 | 3 | #398 Out in the World: Selected Letters of Jane Bowles, Bowles, Paul, Second Proof, 1985 | |||||||||
| 142 | 4 | #398 Out in the World: Selected Letters of Jane Bowles, Bowles, Paul, Final Proof, 1985 | |||||||||
| box | folder | ||||||||||
| 143 | 1 | #398 Out in the World: Selected Letters of Jane Bowles, Bowles, Paul, 4 Hardcover copies, 1985 | |||||||||
| box | folder | ||||||||||
| 144 | 1 | #399 Complete Correspondence #6, Olson, Charles and Creeley, Robert, Correspondence, 1985 | |||||||||
| 144 | 2 | #399 Complete Correspondence #6, Olson, Charles and Creeley, Robert, Artwork, 1985 | |||||||||
| 144 | 3 | #399 Complete Correspondence #6, Olson, Charles and Creeley, Robert, First Proof, 1985 | |||||||||
| 144 | 4 | #399 Complete Correspondence #6,Olson, Charles and Creeley, Robert, Second Proof, 1985 | |||||||||
| box | folder | ||||||||||
| 145 | 1 | #399 Complete Correspondence #6, Olson, Charles and Creeley, Robert, 3 Hardcover copies, 1 Softcover, 1985 | |||||||||
| box | folder | ||||||||||
| 146 | 1 | #400 Yesterday and Today, Layachi, Larbi, Correspondence, 1985 | |||||||||
| 146 | 2 | #400 Yesterday and Today, Layachi, Larbi, Artwork, 1985 | |||||||||
| 146 | 3 | #400 Yesterday and Today, Layachi, Larbi, Manuscript, 1985 | |||||||||
| 146 | 4 | #400 Yesterday and Today, Layachi, Larbi, 3 Hardcover copies, 1 Softcover, 1985 | |||||||||
| 146 | 5 | #401 The Vulgar Streak, Lewis, Wyndham, ed. Edwards, Paul, Artwork, 1985 | |||||||||
| 146 | 6 | #401 The Vulgar Streak, Lewis, Wyndham, ed. Edwards, Paul, Discarded Materials (Original Afterword), 1985 | |||||||||
| box | folder | ||||||||||
| 147 | 1 | #401 The Vulgar Streak, Lewis, Wyndham, ed. Edwards, Paul, Manuscript, 1985 | |||||||||
| 147 | 2 | #401 The Vulgar Streak, Lewis, Wyndham, ed. Edwards, Paul, First Proof, 1985 | |||||||||
| 147 | 3 | #401 The Vulgar Streak, Lewis, Wyndham, ed. Edwards, Paul, 3 Hardcover copies, 1 Softcover, 1985 | |||||||||
| 147 | 4 | #402 Parents’ Day, Goodman, Paul, Correspondence, 1985 | |||||||||
| 147 | 5 | #402 Parents’ Day, Goodman, Paul, Artwork, 1985 | |||||||||
| box | folder | ||||||||||
| 148 | 1 | #402 Parents’ Day,, Goodman, Paul, Manuscript and Afterword (by Taylor Stoehn), 1985 | |||||||||
| 148 | 2 | #402 Parents’ Day,, Goodman, Paul, Final Proof (1 of 2), 1985 | |||||||||
| 148 | 3 | #402 Parents’ Day,, Goodman, Paul, Final Proof (2 of 2), 1985 | |||||||||
| 148 | 4 | #402 Parents’ Day,, Goodman, Paul, 1 Hardcover copy, 1 Softcover, 1985 | |||||||||
| box | folder | ||||||||||
| 149 | 1 | #402 Parents’ Day,,Goodman, Paul, 2 Hardcover copies, 1985 | |||||||||
| 149 | 2 | #403 New Spaces: Poems 1975-1983, Oppenheimer, Joel, Correspondence, 1985 | |||||||||
| 149 | 3 | #403 New Spaces: Poems 1975-1983, Oppenheimer, Joel, Artwork, 1985 | |||||||||
| 149 | 4 | 1985 | |||||||||
| 149 | 5 | #403 New Spaces: Poems 1975-1983, Oppenheimer, Joel, Manuscript (Office Copy), 1985 | |||||||||
| 149 | 6 | #403 New Spaces: Poems 1975-1983, Oppenheimer, Joel, First Proof, 1985 | |||||||||
| 149 | 7 | #403 New Spaces: Poems 1975-1983, Oppenheimer, Joel, Second Proof, 1985 | |||||||||
| 149 | 8 | #403 New Spaces: Poems 1975-1983, Oppenheimer, Joel, Final Proof, 1985 | |||||||||
| box | folder | ||||||||||
| 150 | 1 | #403 New Spaces: Poems 1975-1983, Oppenheimer, Joel, Drawing from Life: Poems Used in New Spaces, 1985 | |||||||||
| 150 | 2 | Drawing from Life: Poems Used in New Spaces, 1985 | |||||||||
| 150 | 3 | Drawing from Life: Poems Not Used in New Spaces, 3 Hardcover copies, 1 Softcover 1985 | |||||||||
| box | folder | ||||||||||
| 151 | 1 | #404 The Road To Los Angeles, Fante, John, Correspondence, 1985 | |||||||||
| 151 | 2 | #404 The Road To Los Angeles, Fante, John, Artwork, 1985 | |||||||||
| 151 | 3 | #404 The Road To Los Angeles, Fante, John, Manuscript, 1985 | |||||||||
| 151 | 4 | #404 The Road To Los Angeles, Fante, John, Editor’s Manuscript, 1985 | |||||||||
| 151 | 5 | #404 The Road To Los Angeles, Fante, John, Discarded Materials, 1985 | |||||||||
| 151 | 6 | #404 The Road To Los Angeles, Fante, John, First Proof, 1985 | |||||||||
| 151 | 7 | #404 The Road To Los Angeles, Fante, John, Second Proof, 1985 | |||||||||
| box | folder | ||||||||||
| 152 | 1 | #404 The Road To Los Angeles Fante, John, 3 Hardcover copies, 1 Softcover, 1985 | |||||||||
| box | folder | ||||||||||
| 153 | 1 | #405 The Color of Air,Sanford, John, Artwork, 1985 | |||||||||
| 153 | 2 | #405 The Color of Air, Sanford, John, Manuscript, Part I (1 of 2), 1985 | |||||||||
| 153 | 3 | #405 The Color of Air, Sanford, John, Manuscript, Part I (2 of 2), 1985 | |||||||||
| 153 | 4 | #405 The Color of Air, Sanford, John, Manuscript, Part II (1 of 2), 1985 | |||||||||
| 153 | 5 | #405 The Color of Air, Sanford, John, Manuscript, Part II (2 of 2), 1985 | |||||||||
| 153 | 6 | #405 The Color of Air, Sanford, John, First Proof, 1985 | |||||||||
| 153 | 7 | #405 The Color of Air, Sanford, John, Second Proof 1985 | |||||||||
| box | folder | ||||||||||
| 154 | 1 | #405 The Color of Air, Sanford, John, Discarded Materials (First Draft), 1985 | |||||||||
| 154 | 2 | #405 The Color of Air, Sanford, John, 3 Hardcover copies, 1 Softcover, 1985 | |||||||||
| box | folder | ||||||||||
| 155 | 1 | #406 John Register, Browning, Jeffrey, Correspondence, 1985 | |||||||||
| 155 | 2 | #406 John Register, Browning, Jeffrey, First Draft, 1985 | |||||||||
| 155 | 3 | #406 John Register, Browning, Jeffrey, First Manuscript, 1985 | |||||||||
| 155 | 4 | #406 John Register, Browning, Jeffrey, Final Manuscript, 1985 | |||||||||
| 155 | 5 | #406 John Register, Browning, Jeffrey, Edited Proof, 1985 | |||||||||
| 155 | 6 | #406 John Register, Browning, Jeffrey, Unbound Signed Tip-in Pages (18), 1985 | |||||||||
| 155 | 7 | #406 John Register, Browning, Jeffrey, 2 Hardcover copies, 1 Softcover, 1985 | |||||||||
| box | folder | ||||||||||
| 156 | 8 | #407 1933 Was a Bad Year, Fante, John, Artwork, 1985 | |||||||||
| 156 | 9 | #407 1933 Was a Bad Year, Fante, John, Manuscript, 1985 | |||||||||
| 156 | 10 | #407 1933 Was a Bad Year, Fante, John, Second Proof, 1985 | |||||||||
| 156 | 11 | #407 1933 Was a Bad Year, Fante, John, 3 Hardcover copies, 1 Softcover, 1985 | |||||||||
| box | folder | ||||||||||
| 157 | 1 | #408 The Letters of D.H. Lawerence and Amy Lowell 1914-1925, ed. Cushman, Keith, Correspondence, 1985 | |||||||||
| 157 | 2 | #408 The Letters of D.H. Lawerence and Amy Lowell 1914-1925, ed. Cushman, Keith, Artwork, 1985 | |||||||||
| 157 | 3 | #408 The Letters of D.H. Lawerence and Amy Lowell 1914-1925, ed. Cushman, Keith, Manuscript, 1985 | |||||||||
| 157 | 4 | #408 The Letters of D.H. Lawerence and Amy Lowell 1914-1925, ed. Cushman, Keith, First Proof, 1985 | |||||||||
| 157 | 5 | #408 The Letters of D.H. Lawerence and Amy Lowell 1914-1925, ed. Cushman, Keith, Second Proof, 1985 | |||||||||
| 157 | 6 | #408 The Letters of D.H. Lawerence and Amy Lowell 1914-1925, ed. Cushman, Keith, 3 Hardcover copies, 1985 | |||||||||
| box | folder | ||||||||||
| 158 | 1 | #409 A European Education, Mudd, Harvey, Correspondence, 1986 | |||||||||
| 158 | 2 | #409 A European Education, Mudd, Harvey, Artwork, 1986 | |||||||||
| 158 | 3 | #409 A European Education, Mudd, Harvey, Artwork, First Manuscript, 1986 | |||||||||
| 158 | 4 | #409 A European Education, Mudd, Harvey, Artwork, Second Manuscript, 1986 | |||||||||
| 158 | 5 | #409 A European Education, Mudd, Harvey, First Proofs (Revised), 1986 | |||||||||
| 158 | 6 | #409 A European Education, Mudd, Harvey, First Proofs (Revised), Final Proofs, Unbound Copy, 1986 | |||||||||
| box | folder | ||||||||||
| 159 | 1 | #410 Rotting Hill, Lewis, Wyndham, Correspondence, 1986 | |||||||||
| 159 | 2 | #410 Rotting Hill, Lewis, Wyndham, Artwork, 1986 | |||||||||
| 159 | 3 | #410 Rotting Hill, Lewis, Wyndham, Copy of Original Text (1952), 1986 | |||||||||
| 159 | 4 | #410 Rotting Hill, Lewis, Wyndham, Revised Manuscript, 1986 | |||||||||
| 159 | 5 | #410 Rotting Hill, Lewis, Wyndham, 3 Hardcover copies, 1 Softcover, 1986 | |||||||||
| box | folder | ||||||||||
| 160 | 1 | #410 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, Correspondence, 1986 | |||||||||
| 160 | 2 | #410 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, Artwork, 1986 | |||||||||
| 160 | 3 | #410 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, First Manuscript (1 of 2), 1986 | |||||||||
| 160 | 4 | #410 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, First Manuscript (2 of 2), 1986 | |||||||||
| box | folder | ||||||||||
| 161 | 1 | #411 The Name Encanyoned River: Selected Poems 1960-1985,Eshleman, Clayton, Discarded Material (1 of 2), 1986 | |||||||||
| 161 | 2 | #411 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, Discarded Material (2 of 2), 1986 | |||||||||
| 161 | 3 | 411 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, Final Manuscript (1 of 2), 1986 | |||||||||
| 161 | 4 | #411 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, Final Manuscript (2 of 2), 1986 | |||||||||
| 161 | 5 | #411 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, Final Manuscript First Proof (1 of 2), 1986 | |||||||||
| 161 | 6 | #411 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, Final Manuscript First Proof (2 of 2), 1986 | |||||||||
| box | folder | ||||||||||
| 162 | 1 | #411 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, Second Proof (1 of 2), 1986 | |||||||||
| 162 | 2 | #411 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, Second Proof (2 of 2), 1986 | |||||||||
| 162 | 3 | #411 The Name Encanyoned River: Selected Poems 1960-1985, Eshleman, Clayton, 3 Hardcover copies, 1 Softcover, 1986 | |||||||||
| 162 | 4 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Correspondence, 1986 | |||||||||
| 162 | 5 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Artwork, 1986 | |||||||||
| box | folder | ||||||||||
| 163 | 1 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Manuscript (Section A), 1986 | |||||||||
| 163 | 2 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Manuscript (Section B-C), 1986 | |||||||||
| 163 | 3 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Manuscript (Section D-H), 1986 | |||||||||
| 163 | 4 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, First Proof (Section A) and Discarded Material, 1986 | |||||||||
| 163 | 5 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, First Proof (Section B), 1986 | |||||||||
| 163 | 6 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, First Proof (Section C-H) 1986 | |||||||||
| box | folder | ||||||||||
| 164 | 1 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Second Proof (Section A), 1986 | |||||||||
| 164 | 2 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Third Proof (Section A), Second Proof (Section B), 1986 | |||||||||
| 164 | 3 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Fourth Proof (Section A), Third Proof (Section B)—Revision 1, 1986 | |||||||||
| 164 | 4 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Fourth Proof (Section A), Third Proof (Section B)—Revision 2, 1986 | |||||||||
| 164 | 5 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Index only, 1986 | |||||||||
| 164 | 6 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Index only, 1986 | |||||||||
| 164 | 7 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, Final Proofs, 1986 | |||||||||
| box | folder | ||||||||||
| 165 | 1 | #412 An Invisible Spectator: A Biography of Paul Bowles, Miller, Jeffrey, 3 Hardcover copies, 1986 | |||||||||
| 165 | 2 | #413 Selected Poems: 1958-1984,, Wieners, John, Correspondence, 1986 | |||||||||
| 165 | 3 | #413 Selected Poems: 1958-1984,, Wieners, John, Artwork, 1986 | |||||||||
| 165 | 4 | #413 Selected Poems: 1958-1984,, Wieners, John, Manuscript, 1986 | |||||||||
| box | folder | ||||||||||
| 166 | 1 | #413 Selected Poems: 1958-1984,, Wieners, John, Manuscript, First Proof, 1986 | |||||||||
| 166 | 2 | #413 Selected Poems: 1958-1984,,Wieners, John, Second Proof, 1986 | |||||||||
| 166 | 3 | #413 Selected Poems: 1958-1984,,Wieners, John, 1 Hardcover copy, 1 Softcover copy, 1986 | |||||||||
| box | folder | ||||||||||
| 167 | 1 | #413 Selected Poems: 1958-1984,,Wieners, John, 2 Hardcover copies, 1986 | |||||||||
| 167 | 2 | #414 Gold in Your Eye: A New Year’s Greeting,,Bukowski, Charles, Artwork, 3 Hardcover copies, 2 Softcover copies, Signed Tip-ins (17), 1986 | |||||||||
| 167 | 3 | #415 Caliph’s Design,,Lewis, Wyndham, Correspondence, Artwork, Notes on Illustrations, 1986 | |||||||||
| 167 | 4 | #415 Caliph’s Design , Lewis, Wyndham, Afterword and Notes (1986), 1919 Manuscript copy, 1986 | |||||||||
| 167 | 5 | #415 Caliph’s Design Lewis, Wyndham, First Proof, 1986 | |||||||||
| 167 | 6 | #415 Caliph’s Design , Lewis, Wyndham, Second Proof, 1986 | |||||||||
| box | folder | ||||||||||
| 168 | 1 | #415 Caliph’s Design, Lewis, Wyndham, 3 Hardcover copies, 1 Softcover copy,3 Hardcover copies, 1 Softcover copy 1986 | |||||||||
| box | folder | ||||||||||
| 169 | 1 | #416 Waters of Darkness, Sanford, John, Artwork, Ephemera, 1986 | |||||||||
| 169 | 2 | #416 Waters of Darkness, Sanford, John, Manuscript (1 of 2), 1986 | |||||||||
| 169 | 3 | #416 Waters of Darkness, Sanford, John, Manuscript (2 of 2), 1986 | |||||||||
| 169 | 4 | #416 Waters of Darkness, Sanford, John, First Proof, 1986 | |||||||||
| box | folder | ||||||||||
| 170 | 1 | #416 Waters of Darkness, Sanford, John, Second Proof, 1986 | |||||||||
| 170 | 2 | #416 Waters of Darkness, Sanford, John, 3 Hardcover copies, 1 Softcover, 1986 | |||||||||
| box | folder | ||||||||||
| 171 | 1 | #417 The Rings of Saturn, Wakoski, Diane, Correspondence, Artwork, Back Matter, 1986 | |||||||||
| 171 | 2 | #417 The Rings of Saturn, Wakoski, Diane, Manuscript, 1986 | |||||||||
| 171 | 3 | #417 The Rings of Saturn, Wakoski, Diane, First Proof, 1986 | |||||||||
| 171 | 4 | #417 The Rings of Saturn, Wakoski, Diane, Second Proof, 1986 | |||||||||
| 171 | 5 | #417 The Rings of Saturn, Wakoski, Diane, Rejected Poems, 1986 | |||||||||
| 171 | 6 | #417 The Rings of Saturn, Wakoski, Diane, 3 Hardcover copies, 1 Softcover, 1986 | |||||||||
| box | folder | ||||||||||
| 172 | 1 | #418 West of Rome, Fante, John, Correspondence, Artwork, 1986 | |||||||||
| 172 | 2 | #418 West of Rome, Fante, John, Manuscript, 1986 | |||||||||
| 172 | 3 | #418 West of Rome, Fante, John, First Proof, 1986 | |||||||||
| 172 | 4 | #418 West of Rome, Fante, John, Second Proof, 1986 | |||||||||
| 172 | 5 | #418 West of Rome, Fante, John, 4 Hardcover copies, 1 Softcover, 1986 | |||||||||
| box | folder | ||||||||||
| 173 | 1 | #419 You Get So Alone at Times That it Just Makes Sense, Bukowski, Charles, Correspondence, Artwork, Back Matter, 1986 | |||||||||
| 173 | 2 | #419 You Get So Alone at Times That it Just Makes Sense, Bukowski, Charles, Manuscript, 1986 | |||||||||
| 173 | 3 | #419 You Get So Alone at Times That it Just Makes Sense, Bukowski, Charles, First Proof, 1986 | |||||||||
| 173 | 4 | #419 You Get So Alone at Times That it Just Makes Sense, Bukowski, Charles, 4 Hardcover copies, 1986 | |||||||||
| box | folder | ||||||||||
| 174 | 1 | #420 Robert Duncan: A Descriptive Bibliography, Berthold, Robert, Correspondence, 1986 | |||||||||
| 174 | 2 | #420 Robert Duncan: A Descriptive Bibliography, Berthold, Robert, Artwork 1986 | |||||||||
| 174 | 3 | #420 Robert Duncan: A Descriptive Bibliography, Berthold, Robert, Manuscript (1 of 4), 1986 | |||||||||
| 174 | 4 | #420 Robert Duncan: A Descriptive Bibliography, Berthold, Robert, Manuscript (2 of 4), 1986 | |||||||||
| 174 | 5 | #420 Robert Duncan: A Descriptive Bibliography, Berthold, Robert, Manuscript (3 of 4), 1986 | |||||||||
| 174 | 6 | #420 Robert Duncan: A Descriptive Bibliography, Berthold, Robert, Manuscript (4 of 4), 1986 | |||||||||
| box | folder | ||||||||||
| 175 | 1 | #420 Robert Duncan: A Descriptive Bibliography, Berthold, Robert, 2 Hardcover copies, 1986 | |||||||||
| box | folder | ||||||||||
| 176 | 1 | #420 Robert Duncan: A Descriptive Bibliography, Berthold, Robert, 1 Hardcover copies, 1986 | |||||||||
| box | folder | ||||||||||
| 177 | 1 | #421 Collected Poems of Marsden Hartley, Scott, Gail R., Correspondence, Artwork, 1987 | |||||||||
| 177 | 2 | #421 Collected Poems of Marsden Hartley, Scott, Gail R., Manuscript (1 of 2) 1987 | |||||||||
| 177 | 3 | #421 Collected Poems of Marsden Hartley, Scott, Gail R., Manuscript (2 of 2), 1987 | |||||||||
| 177 | 4 | #421 Collected Poems of Marsden Hartley, Scott, Gail R., Second Proof (1 of 2), 1987 | |||||||||
| 177 | 5 | #421 Collected Poems of Marsden Hartley, Scott, Gail R., Second Proof (2 of 2) 1987 | |||||||||
| box | folder | ||||||||||
| 178 | 1 | #421 Collected Poems of Marsden Hartley, Scott, Gail R., 3 Hardcover copies, 1 Softcover, 1987 | |||||||||
| box | folder | ||||||||||
| 179 | 1 | #422 Luck: A New Year’s Greeting, Bukowski, Charles, Artwork, Manuscript, 2 Hardcover copies, 2 Softcover, 1987 | |||||||||
| 179 | 2 | #423 Complete Correspondence #7, Olson, Charles and Creeley, Robert, Correspondence, 1987 | |||||||||
| 179 | 3 | #423 Complete Correspondence #7, Olson, Charles and Creeley, Robert, Artwork, Back Matter, 1987 | |||||||||
| 179 | 4 | #423 Complete Correspondence #7, Olson, Charles and Creeley, Robert, Manuscript (1 of 2), 1987 | |||||||||
| 179 | 5 | #423 Complete Correspondence #7, Olson, Charles and Creeley, Robert, Manuscript (2 of 2), 1987 | |||||||||
| 179 | 6 | #423 Complete Correspondence #7, Olson, Charles and Creeley, Robert, First Proof, 1987 | |||||||||
| 179 | 7 | #423 Complete Correspondence #7, Olson, Charles and Creeley, Robert, Second Proof, 1987 | |||||||||
| box | folder | ||||||||||
| 180 | 1 | #423Complete Correspondence #7, Olson, Charles and Creeley, Robert, Third Proof (1 of 2), 1987 | |||||||||
| 180 | 2 | #423 Complete Correspondence #7, Olson, Charles and Creeley, Robert, Third Proof (2 of 2), 1987 | |||||||||
| 180 | 3 | #423 Complete Correspondence #7, Olson, Charles and Creeley, Robert, 3 Hardcover copies, 1 Softcover, 1987 | |||||||||
| box | folder | ||||||||||
| 181 | 1 | #424 Men without Art, Lewis, Wyndham, Correspondence, Artwork, 1987 | |||||||||
| 181 | 2 | #424 Men without Art, Lewis, Wyndham, Manuscript, 1987 | |||||||||
| 181 | 3 | #424 Men without Art, Lewis, Wyndham, First Proof (1 of 2), 1987 | |||||||||
| 181 | 4 | #424 Men without Art, Lewis, Wyndham, First Proof (2 of 2), 1987 | |||||||||
| 181 | 5 | #424 Men without Art, Lewis, Wyndham, Second Proof (1 of 2), 1987 | |||||||||
| 181 | 6 | #424 Men without Art, Lewis, Wyndham, Second Proof (2 of 2), 1987 | |||||||||
| 181 | 7 | #424 Men without Art, Lewis, Wyndham, Final Proof (1 of 2), 1987 1987 | |||||||||
| 181 | 8 | #424 Men without Art, Lewis, Wyndham, Final Proof (2 of 2), 1987 | |||||||||
| box | folder | ||||||||||
| 182 | 1 | #424 Men without Art, Lewis, Wyndham, 3 Hardcover copies, 1 Softcover, 1987 | |||||||||
| box | folder | ||||||||||
| 183 | 1 | #425 Disordered Ideas, Clark, Tom, Correspondence, Artwork, 1987 | |||||||||
| 183 | 2 | #425 Disordered Ideas, Clark, Tom, Manuscripts 1987 | |||||||||
| 183 | 3 | #425 Disordered Ideas, Clark, Tom, First Proofs, 1987 | |||||||||
| 183 | 4 | #425 Disordered Ideas, Clark, Tom, Second Proofs, 1987 | |||||||||
| box | folder | ||||||||||
| 184 | 1 | #426 Not This Island Music, Kelly, Robert, Correspondence, 1987 | |||||||||
| 184 | 2 | #426 Not This Island Music, Kelly, Robert, Artwork, Insert for Deluxe Edition, 1987 | |||||||||
| 184 | 3 | #426 Not This Island Music, Kelly, Robert, Manuscript, 1987 | |||||||||
| 184 | 4 | #426 Not This Island Music, Kelly, Robert, Third Proof, 1987 | |||||||||
| 184 | 5 | #426 Not This Island Music, Kelly, Robert, 3 Hardcover copies, 1 Softcover, 1987 | |||||||||
| box | folder | ||||||||||
| 185 | 1 | #427 Complete Correspondence #8, Olson, Charles and Creeley, Robert, Correspondence, Artwork, 1987 | |||||||||
| 185 | 2 | #427 Complete Correspondence #8, Olson, Charles and Creeley, Robert, Manuscript, 1987 | |||||||||
| 185 | 3 | #427 Complete Correspondence #8, Olson, Charles and Creeley, Robert, 3 Hardcover copies, 1 Softcover, 1987 | |||||||||
| box | folder | ||||||||||
| 186 | 1 | #428 The Musician, Shelnutt, Eve, Correspondence, 1987 | |||||||||
| 186 | 2 | #428 The Musician, Shelnutt, Eve, Correspondence, Artwork, 1987 | |||||||||
| 186 | 3 | #428 The Musician, Shelnutt, Eve, Manuscript, 1987 | |||||||||
| 186 | 4 | #428 The Musician, Shelnutt, Eve, First Proof, 1987 | |||||||||
| 186 | 4 | #428 The Musician, Shelnutt, Eve, First Proof, 1987 | |||||||||
| 186 | 5 | #428 The Musician, Shelnutt, Eve, Second Proof, 1987 | |||||||||
| 186 | 6 | #428 The Musician, Shelnutt, Eve, 3 Hardcover copies, 1 Softcover, 1987 | |||||||||
| box | folder | ||||||||||
| 187 | 1 | #429 Heavy Daughters Blues, Coleman, Wanda, Correspondence, 1987 | |||||||||
| 187 | 2 | #429 Heavy Daughters Blues, Coleman, Wanda, Artwork, 1987 | |||||||||
| 187 | 3 | #429 Heavy Daughters Blues, Coleman, Wanda, First Manuscript, 1987 | |||||||||
| 187 | 4 | #429 Heavy Daughters Blues, Coleman, Wanda, Revised Manuscript, 1987 | |||||||||
| 187 | 5 | #429 Heavy Daughters Blues, Coleman, Wanda, First Proof, 1987 | |||||||||
| box | folder | ||||||||||
| 188 | 1 | #429 Heavy Daughters Blues,Coleman, Wanda, 3 Hardcover copies, 1 Softcover, 1987 | |||||||||
| box | folder | ||||||||||
| 189 | 1 | #430 Movie: Barfly, Bukowski, Charles, Correspondence, 1987 | |||||||||
| 189 | 2 | #430 Movie: Barfly, Bukowski, Charles, Artwork, 1987 | |||||||||
| 189 | 3 | #430 Movie: Barfly, Bukowski,Charles, Photographs, 1987 | |||||||||
| 189 | 4 | #430 Movie: Barfly, Bukowski,Charles, Photographs by Michael Montfort, 1987 | |||||||||
| 189 | 5 | #430 Movie: Barfly, Bukowski,Charles, Manuscript, Discarded Materials, 1987 | |||||||||
| 189 | 6 | #430 Movie: Barfly, Bukowski, Charles, Miscellaneous Texts, Discarded Materials, 1987 | |||||||||
| 189 | 7 | #430 Movie: Barfly, Bukowski,Charles, Edited Screenplay, 1987 | |||||||||
| 189 | 8 | #430 Movie: Barfly, Bukowski,Charles, Screenplay Manuscript, 1987 | |||||||||
| 189 | 8 | #430 Movie: Barfly, Bukowski,Charles, First Proof, 1987 | |||||||||
| box | folder | ||||||||||
| 190 | 1 | #430 Movie: Movie: Barfly,Bukowski, Charles, Second Proofs, 1987 | |||||||||
| 190 | 2 | #430 Movie: Movie: Barfly,Bukowski, Charles,3 Hardcover copies, 1 Softcover, 1987 | |||||||||
| box | folder | ||||||||||
| 191 | 1 | #431 Memoir of Maurice Magnus, Lawrence, D.H., Correspondence, 1987 | |||||||||
| 191 | 2 | #431 Memoir of Maurice Magnus, Lawrence, D.H., Artwork, Notes, 1987 | |||||||||
| 191 | 3 | #431 Memoir of Maurice Magnus, Lawrence, D.H., Manuscript, 1987 | |||||||||
| 191 | 4 | #431 Memoir of Maurice Magnus, Lawrence, D.H., First Proof, 1987 | |||||||||
| 191 | 5 | #431 Memoir of Maurice Magnus, Lawrence, D.H., Second Proof, 1987 | |||||||||
| 191 | 6 | #431 Memoir of Maurice Magnus, Lawrence, D.H., 3 Hardcover copies, 1987 | |||||||||
| box | folder | ||||||||||
| 192 | 1 | #432 A Very Good Land To Fall With, Volume 3, Sanford, John, Correspondence, Artwork, 1987 | |||||||||
| 192 | 2 | #432 A Very Good Land To Fall With, Volume 3, Sanford, John, Manuscript (1 of 3), 1987 | |||||||||
| 192 | 3 | #432 A Very Good Land To Fall With, Volume 3, Sanford, John, Manuscript (2 of 3), 1987 | |||||||||
| 192 | 4 | #432 A Very Good Land To Fall With, Volume 3, Sanford, John, Manuscript (3 of 3), 1987 | |||||||||
| 192 | 5 | #432 A Very Good Land To Fall With, Volume 3, Sanford, John, First Proof, 1987 | |||||||||
| box | folder | ||||||||||
| 193 | 1 | #432 A Very Good Land To Fall With, Volume 3, Sanford, John, 3 Hardcover copies, 1 Softcover, 1987 | |||||||||
| box | folder | ||||||||||
| 194 | 1 | #433 Full of Life, Fante, John, Correspondence, Artwork, 1987 | |||||||||
| 194 | 2 | #433 Full of Life, Fante, John, Manuscript, 1987 | |||||||||
| 194 | 3 | #433 Full of Life, Fante, John, First Proof, 1987 | |||||||||
| 194 | 4 | #433 Full of Life, Fante, John, Second Proof, 1987 | |||||||||
| 194 | 5 | #433 Full of Life, Fante, John, 3 Hardcover copies, 1 Softcover, 1987 | |||||||||
| box | folder | ||||||||||
| 195 | 1 | #434 Faces Reappear, Jaffe, Sherril, Correspondence, Artwork, 1988 | |||||||||
| 195 | 2 | #434 Faces Reappear, Jaffe, Sherril, Manuscript, 1988 | |||||||||
| 195 | 3 | #434 Faces Reappear, Jaffe, Sherril, First Proof, 1988 | |||||||||
| 195 | 4 | #434 Faces Reappear, Jaffe, Sherril, Second Proof, 1988 | |||||||||
| 195 | 5 | #434 Faces Reappear, Jaffe, Sherril, 3 Hardcover copies, 1 Softcover, 1988 | |||||||||
| box | folder | ||||||||||
| 196 | 1 | #435 Essays: Personal and Impersonal, Hindus, Milton, Correspondence, 1988 | |||||||||
| 196 | 2 | #435 Essays: Personal and Impersonal, Hindus, Milton, Manuscript, 1988 | |||||||||
| 196 | 3 | #435 Essays: Personal and Impersonal, Hindus, Milton, Second Proof, 1988 | |||||||||
| 196 | 4 | #435 Essays: Personal and Impersonal, Hindus, Milton, 2 Hardcover copies, 1988 | |||||||||
| 196 | 5 | #436 The Movie Critics, Bukowski, Charles, Artwork, Manuscript, 2 Hardcover copies, 5 Softcover copy, 1 Unbound copy, 1988 | |||||||||
| box | folder | ||||||||||
| 197 | 1 | #436 Brotherhood of the Grape, Fante, John, Artwork, 1988 | |||||||||
| 197 | 2 | #436 Brotherhood of the Grape, Fante, John, Manuscript, 1988 | |||||||||
| 197 | 3 | #436 Brotherhood of the Grape, Fante, John, 3 Hardcover copies, 1 Softcover, 1988 | |||||||||
| box | folder | ||||||||||
| 198 | 1 | #438 Roominghouse,, Bukowski, Charles, Doodles, 1988 | |||||||||
| 198 | 2 | #438 Roominghouse,, Bukowski, Charles, Artwork, 1988 | |||||||||
| 198 | 3 | #438 Roominghouse,, Bukowski, Charles, Manuscript, 1988 | |||||||||
| 198 | 4 | #438 Roominghouse,, Bukowski, Charles, Original Poems Manuscript Selected, 1988 | |||||||||
| 198 | 5 | #438 Roominghouse,, Bukowski, Charles, Rejected Poems Manuscript, 1988 | |||||||||
| 198 | 6 | #438 Roominghouse,, Bukowski, Charles, First proof - office copy, 1988 | |||||||||
| box | folder | ||||||||||
| 199 | 1 | #438 Roominghouse,, Bukowski, Charles, 3 Hardcover copies, 1 Softcover, 1988 | |||||||||
| box | folder | ||||||||||
| 200 | 1 | #439 Bukowski at Bellevue, Bukowski, Charles, Correspondence, 1988 | |||||||||
| 200 | 2 | #439 Bukowski at Bellevue, Bukowski, Charles, Artwork, 1988 | |||||||||
| 200 | 3 | #439 Bukowski at Bellevue, Bukowski, Charles, 3 VHS 1-hr video recordings of Bukowski at Bellevue Community College (2 sealed, 1 open), 1988 | |||||||||
| box | folder | ||||||||||
| 201 | 1 | #440 Desire, Bromige, David, Artwork, 1988 | |||||||||
| 201 | 2 | #440 Desire, Bromige, David, Manuscript, 1988 | |||||||||
| 201 | 3 | #440 Desire, Bromige, David, Revised Manuscript, 1988 | |||||||||
| 201 | 4 | #440 Desire, Bromige, David, Western States Book Awards, 1988 | |||||||||
| 201 | 5 | #440 Desire, Bromige, David, 3 Hardcover copies, 1 Softcover, 1 uncorrected proof, 1988 | |||||||||
| box | folder | ||||||||||
| 202 | 1 | #441 A War Of Eyes And Other Stories, Coleman, Wanda, Correspondence, 1988 | |||||||||
| 202 | 2 | #441 A War Of Eyes And Other Stories, Coleman, Wanda, Artwork, 1988 | |||||||||
| 202 | 3 | #441 A War Of Eyes And Other Stories, Coleman, Wanda, First Manuscript, 1988 | |||||||||
| 202 | 4 | #441 A War Of Eyes And Other Stories, Coleman, Wanda, Western States Book Awards, 1988 | |||||||||
| 202 | 5 | #441 A War Of Eyes And Other Stories, Coleman, Wanda, 3 Hardcover copies, 1 Softcover, 1 uncorrected proof, 1988 | |||||||||
| box | folder | ||||||||||
| 203 | 1 | #442 Will She Understand? Dawson, Fielding, Correspondence, 1988 | |||||||||
| 203 | 2 | #442 Will She Understand? Dawson, Fielding, Artwork, 1988 | |||||||||
| 203 | 3 | #442 Will She Understand? Dawson, Fielding, Discarded Materials, 1988 | |||||||||
| 203 | 4 | #442 Will She Understand? Dawson, Fielding, Manuscript, 1988 | |||||||||
| 203 | 5 | #442 Will She Understand? Dawson, Fielding, 3 Hardcover copies, 1 Softcover, 1988 | |||||||||
| box | folder | ||||||||||
| 204 | 1 | #443 Cultural Affairs In Boston, Wieners, John, Correspondence, 1988 | |||||||||
| 204 | 2 | #443 Cultural Affairs In Boston, Wieners, John, Artwork, 1988 | |||||||||
| 204 | 3 | #443 Cultural Affairs In Boston, Wieners, John, Discarded Materials, 1988 | |||||||||
| 204 | 4 | #443 Cultural Affairs In Boston, Wieners, John, Manuscript, 1988 | |||||||||
| 204 | 5 | #443 Cultural Affairs In Boston, Wieners, John, 3 Hardcover copies, 1 Softcover, 1988 | |||||||||
| box | folder | ||||||||||
| 205 | 1 | #444 Emerald Ice, Wakoski, Diane, Correspondence and Artwork, 1988 | |||||||||
| 205 | 2 | #444 Emerald Ice, Wakoski, Diane, Manuscript (1 of 2), 1988 | |||||||||
| 205 | 3 | #444 Emerald Ice, Wakoski, Diane, Manuscript (2 of 2), 1988 | |||||||||
| 205 | 4 | #444 Emerald Ice, Wakoski, Diane, First proofs (1 of 2), 1988 | |||||||||
| 205 | 5 | #444 Emerald Ice, Wakoski, Diane, First proofs (2 of 2), 1988 | |||||||||
| 205 | #444 Emerald Ice, Wakoski, Diane, 1 Hardcover copies, 1 Softcover, 1988 | ||||||||||
| box | folder | ||||||||||
| 206 | 1 | #444 Emerald Ice,Wakoski, Diane, 2 Hardcover copies, 1988 | |||||||||
| box | folder | ||||||||||
| 207 | 1 | #445 In The Zone, Chester, Laura, Correspondence, 1988 | |||||||||
| 207 | 2 | #445 In The Zone, Chester, Laura, Artwork, 1988 | |||||||||
| 207 | 3 | #445 In The Zone, Chester, Laura, Manuscript, 1988 | |||||||||
| 207 | 4 | #445 In The Zone, Chester, Laura, First Proof, 1988 | |||||||||
| box | folder | ||||||||||
| 208 | 1 | #446 If You Let Them Kill You, They Will, Bukowski, Charles, New Year's Greeting Artwork, Tip-Ins (12), and Manuscript, 1989 | |||||||||
| 208 | 2 | #446 If You Let Them Kill You, They Will, Bukowski, Charles, 2 Hardcover copies, 4 Softcover, 1989 | |||||||||
| 208 | 3 | #447 A Nation of Nothing but Poetry, Olson, Charles, Correspondence, 1989 | |||||||||
| 208 | 4 | #447 A Nation of Nothing but Poetry,Olson, Charles, Artwork, 1989 | |||||||||
| 208 | 5 | #447 A Nation of Nothing but Poetry,Olson, Charles, Manuscript (1 of 2), 1989 | |||||||||
| 208 | 6 | #447 A Nation of Nothing but Poetry,Olson, Charles, Manuscript (2 of 2), 1989 | |||||||||
| 208 | 7 | #447 A Nation of Nothing but Poetry,Olson, Charles, 3 Hardcover copies, 1 Softcover, 1989 | |||||||||
| box | folder | ||||||||||
| 209 | 1 | #448 The Art of Being Ruled, Lewis, Wyndham, Correspondence, 1989 | |||||||||
| 209 | 2 | #448 The Art of Being Ruled, Lewis, Wyndham, Artwork, 1989 | |||||||||
| 209 | 3 | #448 The Art of Being Ruled, Lewis, Wyndham, Manuscript (1 of 2), 1989 | |||||||||
| 209 | 4 | #448 The Art of Being Ruled, Lewis, Wyndham, Manuscript (2 of 2), 1989 | |||||||||
| 209 | 5 | #448 The Art of Being Ruled, Lewis, Wyndham, 3 Hardcover copies, 1 Softcover, 1989 | |||||||||
| box | folder | ||||||||||
| 210 | 1 | #448 The Art of Being Ruled, Lewis, Wyndham, 2 Hardcover copies, 1989 | |||||||||
| box | folder | ||||||||||
| 211 | 1 | #449 Hollywood, Bukowski, Charles, Correspondence, 1989 | |||||||||
| 211 | 2 | #449 Hollywood, Bukowski, Charles, Artwork, 1989 | |||||||||
| 211 | 3 | #449 Hollywood, Bukowski, Charles, First run out (1 of 2), 1989 | |||||||||
| 211 | 4 | #449 Hollywood, Bukowski, Charles, First run out (2 of 2), 1989 | |||||||||
| 211 | 5 | #449 Hollywood, Bukowski, Charles, First proofs (1 of 2), 1989 | |||||||||
| 211 | 6 | #449 Hollywood, Bukowski, Charles, First proofs (2 of 2), 1989 | |||||||||
| 211 | 7 | #449 Hollywood, Bukowski, Charles, Manuscripts (1of 2), 1989 | |||||||||
| 211 | 8 | #449 Hollywood, Bukowski, Charles, Manuscripts (2 of 2), Cover Art Slides - see Oversized Materials, 1989 | |||||||||
| box | folder | ||||||||||
| 212 | 1 | #449 Hollywood, Bukowski, Charles, 2 Hardcover copies, 1 Softcover, Cover Art Slides; See Oversized Items, Box 298, 1989 | |||||||||
| box | folder | ||||||||||
| 213 | 1 | #450 A Walk in The Fire, Sanford, John, Correspondence, 1989 | |||||||||
| 213 | 2 | #450 A Walk in The Fire, Sanford, John, Artwork, 1989 | |||||||||
| 213 | 3 | #450 A Walk in The Fire, Sanford, John, Manuscript (1 of 3), 1989 | |||||||||
| 213 | 4 | #450 A Walk in The Fire, Sanford, John, Manuscript, Manuscript (2 of 3), 1989 | |||||||||
| 213 | 5 | #450 A Walk in The Fire, Sanford, John, Manuscript (3 of 3), | |||||||||
| 213 | 6 | #450 A Walk in The Fire, Sanford, John, Manuscript, 1 Hardcover copy, 1 Softcover, | |||||||||
| box | folder | ||||||||||
| 214 | 1 | #450 A Walk in The Fire,Sanford, John, 2 Hardcover copies, 1989 | |||||||||
| 214 | 2 | #451 Hotel Cro-Magnon,Eshleman, Clayton, Correspondence, 1989 | |||||||||
| 214 | 3 | #451 Hotel Cro-Magnon, Eshleman, Clayton, Artwork, 1989 | |||||||||
| box | folder | ||||||||||
| 215 | 1 | #451 Hotel Cro-Magnon, Eshleman, Clayton, Manuscript, 1989 | |||||||||
| 215 | 2 | #451 Hotel Cro-Magnon, Eshleman, Clayton, Artwork, Discarded Materials (1 of 2), 1989 | |||||||||
| 215 | 3 | #451 Hotel Cro-Magnon, Eshleman, Clayton, Discarded Materials (2 of 2). 1989 | |||||||||
| 215 | 4 | #451 Hotel Cro-Magnon, Eshleman, Clayton, First proof,First proof 1989 | |||||||||
| 215 | 5 | #451 Hotel Cro-Magnon, Eshleman, Clayton, 3 Hardcover copies, 1 Softcover, 1989 | |||||||||
| box | folder | ||||||||||
| 216 | 1 | #452 Objects Of Reverie, Callis, Jo Ann, Correspondence, 1989 | |||||||||
| 216 | 2 | #452 Objects Of Reverie, Callis, Jo Ann, Artwork, 1989 | |||||||||
| 216 | 3 | #452 Objects Of Reverie, Callis, Jo Ann, Manuscript and Slides, 1989 | |||||||||
| 216 | 4 | #452 Objects Of Reverie, Callis, Jo Ann, First proof and Second Proof, 1989 | |||||||||
| 216 | 5 | #452 Objects Of Reverie, Callis, Jo Ann, First proof and Second Proof, 1 Hardcover copies, 1 Softcover, 1989 | |||||||||
| 216 | 6 | #453 A Personal Correspondence,Fante, John, and Mencken, H.L., Correspondence, 1989 | |||||||||
| 216 | 7 | #453 A Personal Correspondence, Fante, John, and Mencken, H.L., Copies of letters from J. Fante, 1989 | |||||||||
| 216 | 8 | #453 A Personal Correspondence, Fante, John, and Mencken, H.L., Artwork, 1989 | |||||||||
| box | folder | ||||||||||
| 217 | 1 | #453 A Personal Correspondence, Fante, John, and Mencken, H.L., Manuscript, 1989 | |||||||||
| 217 | 2 | #453 A Personal Correspondence, Fante, John, and Mencken, H.L., First Proof, 1989 | |||||||||
| 217 | 3 | #453 A Personal Correspondence, Fante, John, and Mencken, H.L., Second Proof, 1989 | |||||||||
| 217 | 4 | #453 A Personal Correspondence, Fante, John, and Mencken, H.L., 3 Hardcover copies, 1 Softcover, 1989 | |||||||||
| box | folder | ||||||||||
| 218 | 1 | #454 The Complete Poems, Reznikoff, Charles, Correspondence, 1989 | |||||||||
| 218 | 2 | #454 The Complete Poems, Reznikoff, Charles, Artwork, 1989 | |||||||||
| 218 | 3 | #454 The Complete Poems, Reznikoff, Charles, Text revisions, 1989 | |||||||||
| 218 | 4 | #454 The Complete Poems, Reznikoff, Charles, 3 Softcover copies of The Complete Poems, Vol I and II (Text revisions), 1989 | |||||||||
| 218 | 5 | #455 Creatures of Habit and Creatures of Change, Wyndham, Lewis, Editor's synopsis, 1989 | |||||||||
| 218 | 6 | #455 Creatures of Habit and Creatures of Change, Wyndham, Lewis, Artwork, 1989 | |||||||||
| 218 | 7 | #455 Creatures of Habit and Creatures of Change, Wyndham, Lewis, Manuscript (1 of 2), 1989 | |||||||||
| 218 | 8 | #455 Creatures of Habit and Creatures of Change, Wyndham, Lewis, Manuscript (2 of 2), 1989 | |||||||||
| box | folder | ||||||||||
| 219 | 1 | #455 Creatures of Habit and Creatures of Change, Wyndham, Lewis, 3 Hardcover copies, 1 Softcover, 1989 | |||||||||
| 219 | 2 | #456 Radiant Silhouette, Yau, John, Correspondence, 1989 | |||||||||
| 219 | 3 | #456 Radiant Silhouette, Yau, John, Artwork, 1989 | |||||||||
| 219 | 4 | #456 Radiant Silhouette, Yau, John, Magazine Appearances, 1989 | |||||||||
| box | folder | ||||||||||
| 220 | 1 | #456 Radiant Silhouette, Yau, John, Catalogue Essays, 1989 | |||||||||
| 220 | 2 | #456 Radiant Silhouette, Yau, John, First Draft, 1989 | |||||||||
| 220 | 3 | #456 Radiant Silhouette, Yau, John, Discarded Materials, 1989 | |||||||||
| 220 | 4 | #456 Radiant Silhouette, Yau, John, Manuscript, 1989 | |||||||||
| 220 | 5 | #456 Radiant Silhouette, Yau, John, First Proof, 1989 | |||||||||
| box | folder | ||||||||||
| 221 | 1 | #456 Radiant Silhouette, Yau, John, 3 Hardcover copies, 1 Softcover, 1989 | |||||||||
| box | folder | ||||||||||
| 222 | 1 | #457 The Stone Baby, Chester, Laura, Correspondence, 1989 | |||||||||
| 222 | 2 | #457 The Stone Baby, Chester, Laura, Artwork, 1989 | |||||||||
| 222 | 3 | #457 The Stone Baby, Chester, Laura, Discarded Materials, 1989 | |||||||||
| 222 | 4 | #457 The Stone Baby, Chester, Laura, First Draft, 1989 | |||||||||
| 222 | 5 | #457 The Stone Baby, Chester, Laura, 1989 | |||||||||
| 222 | 6 | #457 The Stone Baby, Chester, Laura, Manuscript, 1989 | |||||||||
| 222 | 7 | #457 The Stone Baby, Chester, Laura, First Proof, 1989 | |||||||||
| box | folder | ||||||||||
| 223 | 1 | #457 The Stone Baby ,Chester, Laura, 3 Hardcover copies, 2 Softcovers, 1989 | |||||||||
| box | folder | ||||||||||
| 224 | 1 | #458 Scars Make Your Body More Interesting, Jaffe, Sherril, Correspondence, 1989 | |||||||||
| 224 | 2 | #458 Scars Make Your Body More Interesting, Jaffe, Sherril, Artwork, 1989 | |||||||||
| 224 | 3 | #458 Scars Make Your Body More Interesting, Jaffe, Sherril, Manuscript, 1989 | |||||||||
| 224 | 4 | #458 Scars Make Your Body More Interesting, Jaffe, Sherril, Second proof, 1989 | |||||||||
| 224 | 5 | #458 Scars Make Your Body More Interesting, Jaffe, Sherril, 3 Hardcover copies, 1 Softcover, 1989 | |||||||||
| box | folder | ||||||||||
| 225 | 1 | #459 We Ain't Got No Money, Bukowski, Charles, Artwork, 1990 | |||||||||
| 225 | 2 | #459 We Ain't Got No Money, Bukowski, Charles, Second Proofs, 1990 | |||||||||
| 225 | 3 | #459 We Ain't Got No Money, Bukowski, Charles, Book copies: 2 Hardcover, 3 Softcovers, 1990 | |||||||||
| box | folder | ||||||||||
| 226 | 1 | #460 Tarr: The 1918 Version, Wyndham, Lewis, Correspondence, 1990 | |||||||||
| 226 | 2 | #460 Tarr: The 1918 Version, Wyndham, Lewis, Artwork, 1990 | |||||||||
| 226 | 3 | #460 Tarr: The 1918 Version, Wyndham, Lewis, Manuscript (1 of 2), 1990 | |||||||||
| 226 | 4 | #460 Tarr: The 1918 Version, Wyndham, Lewis, Manuscript (2 of 2), 1990 | |||||||||
| 226 | 5 | #460 Tarr: The 1918 Version, Wyndham, Lewis, First Proof (1 of 2), 1990 | |||||||||
| 226 | 6 | #460 Tarr: The 1918 Version, Wyndham, Lewis, First Proof (2 of 2), 1990 | |||||||||
| box | folder | ||||||||||
| 227 | 1 | #460 Tarr: The 1918 Version, Wyndham, Lewis, 3 Hardcover copies, 1 Softcover, 1990 | |||||||||
| 227 | 2 | #461 Fractured Karma,, Clark, Tom, Correspondence, 1990 | |||||||||
| 227 | 3 | #461 Fractured Karma,, Clark, Tom, Artwork, 1990 | |||||||||
| 227 | 4 | #461 Fractured Karma,, Clark, Tom, Discarded Materials, 1990 | |||||||||
| box | folder | ||||||||||
| 228 | 1 | #461 Fractured Karma,, Clark, Tom, Manuscript, 1990 | |||||||||
| 228 | 2 | #461 Fractured Karma,, Clark, Tom, First Proof (Tom), 1990 | |||||||||
| 228 | 3 | #461 Fractured Karma,, Clark, Tom, First Proof (Seamus), 1990 | |||||||||
| 228 | 4 | #461 Fractured Karma,, Clark, Tom, Second Proof 1990 | |||||||||
| 228 | 5 | #461 Fractured Karma,Clark, Tom, 3 Hardcover copies, 1 Softcover, 1990 | |||||||||
| 228 | 6 | #462 Comics, Crumb, R., Artwork; See Oversized Items, Box 298, 1990 | |||||||||
| 228 | 7 | #462 Comics, Crumb, R., Artwork; See Oversized Items, Box 298, 1990 | |||||||||
| box | folder | ||||||||||
| 229 | 1 | #463 Septuagenarian Stew,Bukowski, Charles, Correspondence, Artwork; See Oversized Items, Box 298, 1990 | |||||||||
| 229 | 2 | #463 Septuagenarian Stew, Bukowski, Charles, Manuscript (1 of 2), 1990 | |||||||||
| 229 | 3 | #463 Septuagenarian Stew, Bukowski, Charles, Manuscript (2 of 2), 1990 | |||||||||
| 229 | 4 | #463 Septuagenarian Stew, Bukowski, Charles, First proof (1 of 2), 1990 | |||||||||
| 229 | 5 | #463 Septuagenarian Stew, Bukowski, Charles, First proof (2 of 2), 1990 | |||||||||
| 229 | 6 | #463 Septuagenarian Stew, Bukowski, Charles, 1 Hardcover copy (in shrink-wrap), 1 Softcover copy, 1990 | |||||||||
| box | folder | ||||||||||
| 230 | 1 | #463 Septuagenarian Stew, Bukowski, Charles, 2 Hardcover copies, 1 Softcover copy, 1990 | |||||||||
| box | folder | ||||||||||
| 231 | 1 | #464 Correspondence, VOL 9., Olson, C. and Creeley, R., Correspondence, 1990 | |||||||||
| 231 | 2 | #464 Correspondence, VOL 9., Olson, C. and Creeley, R., Artwork, 1990 | |||||||||
| 231 | 3 | #464 Correspondence, VOL 9., Olson, C. and Creeley, R., Manuscripts (1 of 2), 1990 | |||||||||
| 231 | 4 | #464 Correspondence, VOL 9., Olson, C. and Creeley, R., Manuscripts (2 of 2), 1990 | |||||||||
| 231 | 5 | #464 Correspondence, VOL 9., Olson, C. and Creeley, R., Second proofs (1 of 2), 1990 | |||||||||
| 231 | 6 | #464 Correspondence, VOL 9., Olson, C. and Creeley, R., Second proofs (2 of 2), 1990 | |||||||||
| box | folder | ||||||||||
| 232 | 1 | #464 Correspondence, VOL 9., Olson, C. and Creeley, R., Hardcover copies, 1 Softcover copy, 1990 | |||||||||
| box | folder | ||||||||||
| 233 | 1 | #465 Abhorrence’s, Dorn, Edward, Correspondence, 1990 | |||||||||
| 233 | 2 | #465 Abhorrence’s, Dorn, Edward, Artwork, Correspondence, 1990 | |||||||||
| 233 | 3 | #465 Abhorrence’s, Dorn, Edward, Manuscripts, 1990 | |||||||||
| 233 | 4 | #465 Abhorrence’s, Dorn, Edward, Discarded Materials, 1990 | |||||||||
| 233 | 5 | #465 Abhorrence’s, Dorn, Edward, Second proofs, 1990 | |||||||||
| 233 | 6 | #465 Abhorrence’s, Dorn, Edward, 3 Hardcover copies, 1 Softcover, 1990 | |||||||||
| box | folder | ||||||||||
| 234 | 1 | #466 Head of A Sad Angel, Chester, Alfred, Correspondence, 1990 | |||||||||
| 234 | 2 | #466 Head of A Sad Angel, Chester, Alfred, Artwork, 1990 | |||||||||
| 234 | 3 | #466 Head of A Sad Angel, Chester, Alfred, Book of Stories, 1990 | |||||||||
| 234 | 4 | #466 Head of A Sad Angel, Chester, Alfred, Manuscript, 1990 | |||||||||
| 234 | 5 | #466 Head of A Sad Angel, Chester, Alfred, Second Proofs (1 of 2), 1990 | |||||||||
| box | folder | ||||||||||
| 235 | 1 | #466 Head of A Sad Angel, Chester, Alfred, Second Proofs (2 of 2), 1990 | |||||||||
| 235 | 2 | #466 Head of A Sad Angel, Chester, Alfred, 3 Hardcover copies, 1 Softcover, 1990 | |||||||||
| 235 | 3 | #467 Men, Women and Vehicles, Bromige, David, Correspondence, 1990 | |||||||||
| 235 | 4 | #467 Men, Women and Vehicles, Bromige, David, Artwork, 1990 | |||||||||
| 235 | 5 | #467 Men, Women and Vehicles, Bromige, David, Manuscript, 1990 | |||||||||
| box | folder | ||||||||||
| 236 | 1 | #467 Men, Women and Vehicles, Bromige, David, Discarded Materials (1 of 2), 1990 | |||||||||
| 236 | 2 | #467 Men, Women and Vehicles, Bromige, David, Discarded Materials (2 of 2), 1990 | |||||||||
| 236 | 3 | #467 Men, Women and Vehicles, Bromige, David, 3 Hardcover copies, 1 Softcover, 1990 | |||||||||
| 236 | 4 | #468 The Engendering Flood, Everson, David, Correspondence, 1990 | |||||||||
| 236 | 5 | #468 The Engendering Flood, Everson, David, Artwork, 1990 | |||||||||
| 236 | 6 | #468 The Engendering Flood, Everson, David, Manuscript, 1990 | |||||||||
| box | folder | ||||||||||
| 237 | 1 | #468 The Engendering Flood, Everson, David, First proof, 1990 | |||||||||
| 237 | 2 | #468 The Engendering Flood, Everson, David, Second proof, 1990 | |||||||||
| 237 | 3 | #468 The Engendering Flood, Everson, David, 3 Hardcover copies, 1 Softcover, 1990 | |||||||||
| 237 | 4 | #469 African Sleeping Sickness, Coleman, Wanda, Artwork, 1990 | |||||||||
| 237 | 5 | #469 African Sleeping Sickness, Coleman, Wanda, Manuscript (1 of 2), 1990 | |||||||||
| 237 | 6 | #469 African Sleeping Sickness, Coleman, Wanda, Manuscript (2 of 2), 1990 | |||||||||
| 237 | 7 | #469 African Sleeping Sickness, Coleman, Wanda, First Revisions, 1990 | |||||||||
| box | folder | ||||||||||
| 238 | 1 | #469 African Sleeping Sickness, Coleman, Wanda, First Proof (1 of 2), 1990 | |||||||||
| 238 | 2 | #469 African Sleeping Sickness, Coleman, Wanda, First Proof (2 of 2), 1990 | |||||||||
| 238 | 3 | #469 African Sleeping Sickness, Coleman, Wanda, 3 Hardcover copy, 1 Softcover, 1990 | |||||||||
| box | folder | ||||||||||
| 239 | 1 | #470 Home Sick, Berlin, Lucia, Correspondence, 1990 | |||||||||
| 239 | 2 | #470 Home Sick, Berlin, Lucia, Artwork, 1990 | |||||||||
| 239 | 2 | #470 Home Sick, Berlin, Lucia, Artwork, 1990 | |||||||||
| 239 | 3 | #470 Home Sick, Berlin, Lucia, Manuscript (1 of 2), 1990 | |||||||||
| 239 | 4 | #470 Home Sick, Berlin, Lucia, Manuscript (2 of 2), 1990 | |||||||||
| 239 | 5 | #470 Home Sick, Berlin, Lucia, Discarded Materials, 1990 | |||||||||
| 239 | 6 | #470 Home Sick, Berlin, Lucia, 3 Hardcover copies, 1 Softcover, 1990 | |||||||||
| box | folder | ||||||||||
| 240 | 1 | #471 Prologue "Ask The Dust.” Fante, John, Correspondence, 1990 | |||||||||
| 240 | 2 | #471 Prologue "Ask The Dust", Fante, John, Artwork, 1990 | |||||||||
| 240 | 3 | #471 Prologue "Ask The Dust", Fante, John, Manuscript, 1990 | |||||||||
| 240 | 4 | #471 Prologue "Ask The Dust", Fante, John, 2 Softcover copies, 1990 | |||||||||
| 240 | 5 | #472Medea, The Sorceress, Wakoski, Diane, Correspondence, 1991 | |||||||||
| 240 | 6 | #472 Medea, The Sorceress, Wakoski, Diane, Artwork, 1991 | |||||||||
| 240 | 7 | #472 Medea, The Sorceress, Wakoski, Diane, Manuscript, 1991 | |||||||||
| 240 | 8 | #472 Medea, The Sorceress, Wakoski, Diane, First proof, 1991 | |||||||||
| 240 | 9 | #472 Medea, The Sorceress, Wakoski, Diane, 1 Hardcover copy, 1 Softcover, 1991 | |||||||||
| box | folder | ||||||||||
| 241 | 1 | #472 Medea, The Sorceress, Wakoski, Diane, 2 Hardcover copies, 1991 | |||||||||
| 241 | 2 | #473 In The Morning, and at Night and in Between, Bukowski, Charles, Artwork, Manuscript, and Back Matter, 1991 | |||||||||
| 241 | 3 | #473 In The Morning, and at Night and in Between, Bukowski, Charles, 1 Hardcover copy, 1 Softcover copy, 1991 | |||||||||
| box | folder | ||||||||||
| 242 | 1 | #474 The Trick, Dawson, Fielding, Correspondence, 1991 | |||||||||
| 242 | 2 | #474 The Trick, Dawson, Fielding, Artwork, 1991 | |||||||||
| 242 | 3 | #474 The Trick, Dawson, Fielding, Manuscript, 1991 | |||||||||
| 242 | 4 | #474 The Trick, Dawson, Fielding, Discarded Materials, 1991 | |||||||||
| 242 | 5 | #474 The Trick, Dawson, Fielding, First proof, 1991 | |||||||||
| 242 | 6 | #474 The Trick, Dawson, Fielding, 3 Hardcover copies, 1 Softcover, 1991 | |||||||||
| box | folder | ||||||||||
| 243 | 1 | #475 Hank, The Life Of Charles Bukowski, Cherkovski, Charles, Artwork, 1991 | |||||||||
| 243 | 2 | #475 Hank, The Life Of Charles Bukowski, Cherkovski, Charles, 1 Hardcover, 1991 | |||||||||
| 243 | 3 | #476 The Season, It Was Winter, Sanford, John, Correspondence, 1991 | |||||||||
| 243 | 4 | #476 The Season, It Was Winter, Sanford, John, Artwork, 1991 | |||||||||
| 243 | 5 | #476 The Season, It Was Winter, Sanford, John, Manuscript (1 of 3), 1991 | |||||||||
| 243 | 6 | #476 The Season, It Was Winter, Sanford, John, Manuscript (2 of 3), 1991 | |||||||||
| 243 | 8 | #476 The Season, It Was Winter, Sanford, John, Manuscript (3 of 3), 1991 | |||||||||
| box | folder | ||||||||||
| 244 | 1 | #476 The Season, It Was Winter, Sanford, John, First proof (1 of 2), 1991 | |||||||||
| 244 | 2 | #476 The Season, It Was Winter, Sanford, John, First proof (2 of 2), 1991 | |||||||||
| 244 | 3 | #476 The Season, It Was Winter, Sanford, John, 1 Hardcover copy, 1 Softcover, 1991 | |||||||||
| box | folder | ||||||||||
| 245 | 1 | #477 Selected Letters: 1932-1977, Fante, John, Correspondence, 1991 | |||||||||
| 245 | 2 | #477 Selected Letters: 1932-1977, Fante, John, Artwork, 1991 | |||||||||
| 245 | 3 | #477 Selected Letters: 1932-1977, Fante, John, Fante/Covici letters, 1991 | |||||||||
| 245 | 4 | #477 Selected Letters: 1932-1977, Fante, John, Letters from Rome, 1991 | |||||||||
| 245 | 5 | #477 Selected Letters: 1932-1977, Fante, John, Manuscript, 1991 | |||||||||
| 245 | 6 | #477 Selected Letters: 1932-1977, Fante, John, Manuscript (1 of 2), 1991 | |||||||||
| 245 | 7 | #477 Selected Letters: 1932-1977, Fante, John, Manuscript (2 of 2), 1991 | |||||||||
| box | folder | ||||||||||
| 246 | 1 | #477 Selected Letters: 1932-1977, Fante, John, First proof (1 of 2), 1991 | |||||||||
| 246 | 2 | #477 Selected Letters: 1932-1977, Fante, John, First proof (2 of 2), 1991 | |||||||||
| 246 | 3 | #477 Selected Letters: 1932-1977, Fante, John, 3 Hardcover copies, 1 Softcover, 1991 | |||||||||
| box | folder | ||||||||||
| 247 | 1 | #478 Minding The Underworld, Christensen, Paul, Correspondence, 1991 | |||||||||
| 247 | 2 | #478 Minding The Underworld, Christensen, Paul, Artwork, 1991 | |||||||||
| 247 | 3 | #478 Minding The Underworld, Christensen, Paul, First Manuscript (1 of 2), 1991 | |||||||||
| 247 | 4 | #478 Minding The Underworld, Christensen, Paul, First Manuscript (2 of 2), 1991 | |||||||||
| 247 | 5 | #478 Minding The Underworld, Christensen, Paul, Final Manuscript (1 of 2), 1991 | |||||||||
| 247 | 6 | #478 Minding The Underworld, Christensen, Paul, Final Manuscript (2 of 2), 1991 | |||||||||
| 247 | 7 | #478 Minding The Underworld, Christensen, Paul, Discarded Materials, 1991 | |||||||||
| box | folder | ||||||||||
| 248 | 1 | #478 Minding The Underworld, Christensen, Paul, 3 Hardcover copies, 1 Softcover, 1991 | |||||||||
| box | folder | ||||||||||
| 249 | 1 | #479 In The Shadow Of The Rose, Bukowski, Charles, Correspondence, 1991 | |||||||||
| 249 | 2 | #479 In The Shadow Of The Rose, Bukowski, Charles, Artwork, 1991 | |||||||||
| 249 | 3 | #479 In The Shadow Of The Rose, Bukowski, Charles, First Manuscript, 1991 | |||||||||
| 249 | 4 | #479 In The Shadow Of The Rose, Bukowski, Charles, Final Manuscript, 1991 | |||||||||
| 249 | 5 | #479 In The Shadow Of The Rose, Bukowski, Charles, 2 Hardcover copies, 1991 | |||||||||
| box | folder | ||||||||||
| 250 | 1 | #480 The Revenge For Love, Lewis, Wyndham, Correspondence, 1991 | |||||||||
| 250 | 2 | #480 The Revenge For Love, Lewis, Wyndham, Artwork, 1991 | |||||||||
| 250 | 3 | #480 The Revenge For Love, Lewis, Wyndham, Artwork, Manuscript (1 of 2), 1991 | |||||||||
| 250 | 4 | #480 The Revenge For Love, Lewis, Wyndham, Manuscript (2 of 2), 1991 | |||||||||
| 250 | 5 | #480 The Revenge For Love, Lewis, Wyndham, 3 Hardcover copies, 1 Softcover, 1991 | |||||||||
| box | folder | ||||||||||
| 251 | 1 | #481 By The Sound, Dorn, Edward, Correspondence, 1991 | |||||||||
| 251 | 2 | #481 By The Sound, Dorn, Edward, Artwork, 1991 | |||||||||
| 251 | 3 | #481 By The Sound, Dorn, Edward, Manuscript, 1991 | |||||||||
| 251 | 4 | #481 By The Sound, Dorn, Edward, First proof, 1991 | |||||||||
| 251 | 5 | #481 By The Sound, Dorn, Edward,3 Hardcover copies, 1 Softcover, 1991 | |||||||||
| box | folder | ||||||||||
| 252 | 1 | #482 Three Diamonds, Malanga, Gerard, Correspondence, 1991 | |||||||||
| 252 | 2 | #482 Three Diamonds, Malanga, Gerard, Artwork, 1991 | |||||||||
| 252 | 3 | #482 Three Diamonds, Malanga, Gerard, Manuscript, 1991 | |||||||||
| 252 | 4 | #482 Three Diamonds, Malanga, Gerard, 3 Hardcover copies, 1 Softcover, 1991 | |||||||||
| 252 | 5 | #483 Just Space,Kyger, Joanne, Correspondence, 1991 | |||||||||
| 252 | 6 | #483 Just Space, Kyger, Joanne, Artwork, 1991 | |||||||||
| 252 | 7 | #483 Just Space, Kyger, Joanne, Manuscript, 1991 | |||||||||
| 252 | 8 | #483 Just Space, Kyger, Joanne, 1 Hardcover copy, 1 Softcover, 1991 | |||||||||
| box | folder | ||||||||||
| 253 | 1 | #483 Just Space, Kyger, Joanne, 2 Hardcover copies, 1991 | |||||||||
| 253 | 2 | #484 Dream Palace, Purdy, James, Correspondence, 1991 | |||||||||
| 253 | 3 | #484 Dream Palace, Purdy, James, Artwork, 1991 | |||||||||
| 253 | 4 | #484 Dream Palace, Purdy, James, Manuscript, 1991 | |||||||||
| 253 | 5 | #484 Dream Palace, Purdy, James, 3 Hardcover copies, 1 Softcover, 1991 | |||||||||
| box | folder | ||||||||||
| 254 | 1 | #485 The Bluebird., Bukowski, Charles, Artwork, Manuscript, and Back Matter, 1991 | |||||||||
| 254 | 2 | #486 Insel, Loy, Mina, Correspondence, 1991 | |||||||||
| 254 | 4 | #486 Insel, Loy, Mina, Artwork, 1991 | |||||||||
| 254 | 5 | #486 Insel, Loy, Mina, Manuscript, 1991 | |||||||||
| 254 | 6 | #486 Insel, Loy, Mina, Discarded Materials, | |||||||||
| 254 | 7 | #486 Insel, Loy, Mina,3 Hardcover copies, 1 Softcover 1991 | |||||||||
| box | folder | ||||||||||
| 255 | 1 | #487 Bitches Ride Alone,Chester, Laura, Correspondence, 1991 | |||||||||
| 255 | 2 | #487 Bitches Ride Alone, Chester, Laura, Artwork, 1991 | |||||||||
| 255 | 3 | #487 Bitches Ride Alone, Chester, Laura, First Manuscript, 1991 | |||||||||
| 255 | 4 | #487 Bitches Ride Alone, Chester, Laura, Final Manuscript, 1991 | |||||||||
| 255 | 5 | #487 Bitches Ride Alone, Chester, Laura, Discarded Materials, 1991 | |||||||||
| 255 | 6 | #487 Bitches Ride Alone, Chester, Laura, 1 Hardcover copies, 1 Softcover, 1991 | |||||||||
| box | folder | ||||||||||
| 256 | 1 | #487 Bitches Ride Alone, Chester, Laura, 2 Hardcover Copies, 1991 | |||||||||
| 256 | 2 | #488 House Tours, Jaffe, Sherril, Correspondence, 1991 | |||||||||
| 256 | 3 | #488 House Tours, Jaffe, Sherril, Artwork, 1991 | |||||||||
| 256 | 4 | #488 House Tours, Jaffe, Sherril, Manuscript, 1991 | |||||||||
| 256 | #488 House Tours, Jaffe, Sherril, 3 Hardcover copies, 1 Softcover, 1991 | ||||||||||
| box | folder | ||||||||||
| 257 | 1 | #489 Now, Bukowski, Charles, Artwork and Manuscript, 1992 | |||||||||
| 257 | 2 | #489 Now, Bukowski, Charles, 15 signed tip-ins, 3 soft cover, 2 Hardcover, 1992 | |||||||||
| 257 | 3 | #490 A Brief History of Camouflage, Frank, Thaisa, Correspondence (1 of 2), 1992 | |||||||||
| 257 | 4 | #490 A Brief History of Camouflage, Frank, Thaisa, Correspondence (2 of 2), 1992 | |||||||||
| 257 | 5 | #490 A Brief History of Camouflage, Frank, Thaisa, Artwork, 1992 | |||||||||
| 257 | 6 | #490 A Brief History of Camouflage, Frank, Thaisa, Manuscript, 1992 | |||||||||
| 257 | 7 | #490 A Brief History of Camouflage, Frank, Thaisa, Discarded Materials (1 of 2), 1992 | |||||||||
| box | folder | ||||||||||
| 258 | 1 | #490 A Brief History of Camouflage, Frank, Thaisa, Discarded Materials (2 of 2), 1992 | |||||||||
| 258 | 2 | #490 A Brief History of Camouflage,Frank, Thaisa, 3 Hardcover copies, 1 Softcover, 1992 | |||||||||
| 258 | 3 | #491 The Last Night Of The Earth Poems, Bukowski, Charles, Artwork, 1992 | |||||||||
| 258 | 4 | #491 The Last Night Of The Earth Poems,Bukowski, Charles, Manuscript (1 of 2), 1992 | |||||||||
| 258 | 5 | #491 The Last Night Of The Earth Poems,Bukowski, Charles, Manuscript (1 of 2), 1992 | |||||||||
| box | folder | ||||||||||
| 259 | 1 | #491 The Last Night Of The Earth Poems, Bukowski, Charles, 4 Hardcover copies, 1 Softcover, 1992 | |||||||||
| box | folder | ||||||||||
| 260 | 1 | #492 Sleepwalker’s Fate, Clark, Tom, Correspondence, 1992 | |||||||||
| 260 | 2 | #492 Sleepwalker’s Fate, Clark, Tom, Artwork, 1992 | |||||||||
| 260 | 3 | #492 Sleepwalker’s Fate, Clark, Tom, Manuscript, 1992 | |||||||||
| 260 | 4 | #492 Sleepwalker’s Fate, Clark, Tom, 3 Hardcover copies, 1 Softcover, 1992 | |||||||||
| box | folder | ||||||||||
| 261 | 1 | #493 Birds, Beasts and Flowers,Lawrence, D.H., Correspondence, 1992 | |||||||||
| 261 | 2 | #493 Birds, Beasts and Flowers, Lawrence, D.H., Artwork, 1992 | |||||||||
| 261 | 3 | #493 Birds, Beasts and Flowers, Lawrence, D.H., Manuscript, 1992 | |||||||||
| 261 | 4 | #493 Birds, Beasts and Flowers, Lawrence, D.H., 3 Hardcover copies, 1 Softcover, 1992 | |||||||||
| 261 | 5 | #494 Three by Bukowski, Bukowski, Charles, Artwork, Manuscript, Back Matter and 3 Softcovers, 1992 | |||||||||
| 261 | 6 | #495 Looking For Genet, Chester, Alfred, Correspondence, 1992 | |||||||||
| 261 | 7 | #495 Looking For Genet, Chester, Alfred, Artwork, 1992 | |||||||||
| 261 | 8 | #495 Looking For Genet, Chester, Alfred, Manuscript, 1992 | |||||||||
| box | folder | ||||||||||
| 262 | 1 | #495 Looking For Genet, Chester, Alfred, Discarded Materials, 1992 | |||||||||
| 262 | 2 | #495 Looking For Genet, Chester, Alfred, 3 Hardcover copies, 1 Softcover, 1992 | |||||||||
| 262 | 3 | #496 A Strange Market, Kelly, Robert, Correspondence, 1992 | |||||||||
| 262 | 4 | #496 A Strange Market, Kelly, Robert, Artwork, 1992 | |||||||||
| 262 | 5 | #496 A Strange Market, Kelly, Robert, Manuscript, 1992 | |||||||||
| 262 | 6 | #496 A Strange Market, Kelly, Robert, 1 Hardcover copy and 1 Softcover, 1992 | |||||||||
| box | folder | ||||||||||
| 263 | 1 | #496 A Strange Market, Kelly, Robert, 2 Hardcover Copies, 1992 | |||||||||
| 263 | 2 | #497 Fulfilment And Other Tales, Boutilier, Nancy, Correspondence, 1992 | |||||||||
| 263 | 3 | #497 Fulfilment And Other Tales, Boutilier, Nancy, Artwork, 1992 | |||||||||
| 263 | 4 | #497 Fulfilment And Other Tales, Boutilier, Nancy,First Manuscript (1 of 2), 1992 | |||||||||
| box | folder | ||||||||||
| 264 | 1 | #497 Fulfilment And Other Tales, Boutilier, Nancy, 1992 | |||||||||
| 264 | 2 | #497 Fulfilment And Other Tales, Boutilier, Nancy, Second Manuscript, 3 Hardcover copies, 1 Softcover, 1992 | |||||||||
| 264 | 3 | #498 According To Her Contours, Boutilier, Nancy, Correspondence, 1992 | |||||||||
| 264 | 4 | #498 According To Her Contours, Boutilier, Nancy, Artwork, 1992 | |||||||||
| box | folder | ||||||||||
| 265 | 1 | #498 According To Her Contours, Boutilier, Nancy, Manuscript (1 of 2), 1992 | |||||||||
| 265 | 2 | #498 According To Her Contours, Boutilier, Nancy, Manuscript (2 of 2), 1992 | |||||||||
| 265 | 3 | #498 According To Her Contours, Boutilier, Nancy, Discarded Materials, 1992 | |||||||||
| 265 | 4 | #498 According To Her Contours, Boutilier, Nancy, First Proof, 1992 | |||||||||
| 265 | 5 | #498 According To Her Contours, Boutilier, Nancy, 3 Hardcover copies, 1 Softcover, 1992 | |||||||||
| box | folder | ||||||||||
| 266 | 1 | #499 Counting Myself Lucky, Field, Edward, Correspondence, 1992 | |||||||||
| 266 | 2 | #499 Counting Myself Lucky, Field, Edward, Artwork, 1992 | |||||||||
| 266 | 3 | #499 Counting Myself Lucky, Field, Edward, Manuscript, 1992 | |||||||||
| 266 | 4 | #499 Counting Myself Lucky, Field, Edward, Discarded Materials, 1992 | |||||||||
| 266 | 5 | #499 Counting Myself Lucky, Field, Edward, 3 Hardcover copies, 1 Softcover, 1992 | |||||||||
| box | folder | ||||||||||
| 267 | 1 | #500 Edificio Sayonara, Yau, John, Correspondence, 1992 | |||||||||
| 267 | 2 | #500 Edificio Sayonara, Yau, John, Artwork, 1992 | |||||||||
| 267 | 3 | #500 Edificio Sayonara, Yau, John, Manuscript, 1992 | |||||||||
| 267 | 4 | #500 Edificio Sayonara, Yau, John, Discarded Materials, 1992 | |||||||||
| 267 | 5 | #500 Edificio Sayonara, Yau, John,3 Hardcover copies, 1 Softcover, 1992 | |||||||||
| box | folder | ||||||||||
| 268 | 1 | #501 Those Marvelous Lunches, Bukowski, Charles, Artwork, Manuscript, Back Matter, 2 Softcovers, and 1 Hardcover, 1993 | |||||||||
| 268 | 2 | #502 Hand Dance, Coleman, Wanda, Correspondence, 1993 | |||||||||
| 268 | 3 | #502 Hand Dance, Coleman, Wanda, Artwork, 1993 | |||||||||
| 268 | 4 | #502 Hand Dance, Coleman, Wanda, Manuscript (1 of 2), 1993 | |||||||||
| 268 | 5 | #502 Hand Dance, Coleman, Wanda, Manuscript (2 of 2), 1993 | |||||||||
| 268 | 6 | #502 Hand Dance, Coleman, Wanda, First Corrections,3 Hardcover copies, 1 Softcover 1993 | |||||||||
| box | folder | ||||||||||
| 269 | 1 | #503 So Long, Berlin, Lucia, Correspondence, 1993 | |||||||||
| 269 | 2 | #503 So Long, Berlin, Lucia, Artwork, 1993 | |||||||||
| 269 | 3 | #503 So Long, Berlin, Lucia, Early versions, 1993 | |||||||||
| 269 | 4 | #503 So Long, Berlin, Lucia, Manuscript, 1993 | |||||||||
| 269 | 5 | #503 So Long, Berlin, Lucia, 3 Hardcover copies, 1 Softcover, 1993 | |||||||||
| box | folder | ||||||||||
| 270 | 1 | #504 Jason The Sailor, Wakoski, Diane, Correspondence, 1993 | |||||||||
| 270 | 2 | #504 Jason The Sailor, Wakoski, Diane, Artwork, 1993 | |||||||||
| 270 | 3 | #504 Jason The Sailor, Wakoski, Diane, Manuscript, 1993 | |||||||||
| 270 | 4 | #504 Jason The Sailor, Wakoski, Diane, 3 Hardcover copies, 1 Softcover, 1993 | |||||||||
| box | folder | ||||||||||
| 271 | 1 | #505 Hymn To The Rebel Cafe, Sanders, Edward, Correspondence, 1993 | |||||||||
| 271 | 2 | #505 Hymn To The Rebel Cafe, Sanders, Edward, Artwork, 1993 | |||||||||
| 271 | 3 | #505 Hymn To The Rebel Cafe, Sanders, Edward, Manuscript, 1993 | |||||||||
| 271 | 4 | #505 Hymn To The Rebel Cafe, Sanders, Edward, Discarded Materials, 1993 | |||||||||
| 271 | 5 | #505 Hymn To The Rebel Cafe, Sanders, Edward, 3 Hardcover copies, 1 Softcover 1993 | |||||||||
| It is unknown what title was designated with this project number and whether a file exists for this project in the series. | |||||||||||
| 271 | 6 | #507 Writing My Life, Morris, Wright, Correspondence and Artwork, 1993 | |||||||||
| 271 | 7 | #507 Writing My Life, Morris, Wright, Manuscript (1 of 2), 1993 | |||||||||
| box | folder | ||||||||||
| 272 | 1 | #507 Writing My Life, Morris, Wright, Manuscript (2 of 2), 1993 | |||||||||
| 272 | 2 | #507 Writing My Life, Morris, Wright, 3 Hardcover copies, 1 Softcover, 1993 | |||||||||
| 272 | 3 | #508 Time And Western Man, Lewis, Wyndham, Correspondence, 1993 | |||||||||
| 272 | 4 | #508 Time And Western Man, Lewis, Wyndham, Artwork, 1993 | |||||||||
| box | folder | ||||||||||
| 273 | 1 | #508 Time And Western Man, Lewis, Wyndham, Manuscript (1 of 2), 1993 | |||||||||
| 273 | 2 | #508 Time And Western Man, Lewis, Wyndham, Manuscript (2 of 2), 1993 | |||||||||
| 273 | 3 | #508 Time And Western Man, Lewis, Wyndham, Manuscript Index, 1993 | |||||||||
| 273 | 4 | #508 Time And Western Man, Lewis, Wyndham, Back Matter: Notes to afterword, 1993 | |||||||||
| 273 | 5 | #508 Time And Western Man, Lewis, Wyndham, Back Matter: 2 Canceled Chapters, and Explanatory Notes, 1993 | |||||||||
| 273 | 6 | #508 Time And Western Man, Lewis, Wyndham, Back Matter: Books by Wyndham Lewis, Index, and Critical Reception, 1993 | |||||||||
| 273 | 7 | #508 Time And Western Man, Lewis, Wyndham, Back Matter: Books by Wyndham Lewis, Textual appendix, 1993 | |||||||||
| box | folder | ||||||||||
| 274 | 1 | #508 Time And Western Man, Lewis, Wyndham, 3 Hardcover copies, 1 Softcover, 1993 | |||||||||
| box | folder | ||||||||||
| 275 | 1 | #509 Way West, Dorn, Edward, Correspondence, 1993 | |||||||||
| 275 | 2 | #509 Way West, Dorn, Edward, Artwork, 1993 | |||||||||
| 275 | 3 | #509 Way West, Dorn, Edward, Manuscript, 1993 | |||||||||
| 275 | 4 | #509 Way West, Dorn, Edward, 3 Hardcover copies, 1 Softcover, 1993 | |||||||||
| Series II: General Correspondence, 1971-1982 | |||||||||||
| This series is arranged in alphabetical order, according to sender, which include publishing houses, bookstores, authors, and acquaintances of John Martin. Letters are unrelated to the works listed in Series I; a few include unsolicited manuscripts, and very few examples of Martin’s responses are represented here. | |||||||||||
| box | folder | ||||||||||
| 276 | 1 | A, 1976-1982 | |||||||||
| 276 | 2 | Acker, Kathy, 1976-1977 | |||||||||
| 276 | 3 | Aldebaran Review, 1977 | |||||||||
| 276 | 4 | Allen, Don 1977-1978 | |||||||||
| box | folder | ||||||||||
| 27 | 5 | Allen, R.G., 1976-1977 | |||||||||
| box | folder | ||||||||||
| 276 | 6 | Alpert, Barry 1975-1977 | |||||||||
| 276 | 7 | The Alternative Press, 1977, 1979 | |||||||||
| 276 | 8 | Am Here Books (Richard Aaron), 1976 | |||||||||
| 276 | 9 | The American Poetry Review, 1975-1976 | |||||||||
| 276 | 10 | Ampersand Books, 1976-1979 | |||||||||
| 276 | 11 | Andersen, Mary K., 1975-1979 | |||||||||
| 276 | 12 | Andrews, Lawrence, 1980-1982 | |||||||||
| 276 | 13 | Anson-Cartwright, Hugh, 1977-1982 | |||||||||
| 276 | 14 | Antæus / The Echo Press, 1975-1976 | |||||||||
| 276 | 15 | Antin, Davio, 1972-1977 | |||||||||
| 276 | 16 | Aquila Publishing Company, 1974-1976 | |||||||||
| 276 | 17 | Aquila Publishing Company, 1974-1978 | |||||||||
| 276 | 18 | Arcade, The Comics Review, 1975-1977 | |||||||||
| 276 | 19 | Ashbery, John, 1976-1980 | |||||||||
| 276 | 20 | Auster, Paul, 1975-1976 | |||||||||
| 276 | 21 | B, 1975-1982 | |||||||||
| 276 | 22 | Bachy (Lawrence D. Stewart), 1975 | |||||||||
| 276 | 23 | Balaban, John, 1977 | |||||||||
| 276 | 24 | Baldwin, Neil, 1976, 1982 | |||||||||
| 276 | 25 | Banyan Press, 1979 | |||||||||
| 276 | 26 | Baranchik, Marc, 1976 | |||||||||
| 276 | 27 | Bartlett, Lee, 1979-1981 | |||||||||
| 276 | 28 | Bartlett, Lee, 1979-1981 | |||||||||
| 276 | 29 | Bell, Joe, 1976 | |||||||||
| 276 | 30 | Berkson, Bill, 1974-1975 | |||||||||
| 276 | 31 | Berrigan, Daniel, 1977 | |||||||||
| 276 | 32 | Bertholf, Robert, 1975-1979 | |||||||||
| box | folder | ||||||||||
| 277 | 1 | Betts, Glynne Robinson, 1979 | |||||||||
| 277 | 2 | Bitchrock, 1982 | |||||||||
| 277 | 3 | Blackburn, Joan/Paul, 1976-1979 | |||||||||
| 277 | 4 | Blackrose Bookstore, 1982 | |||||||||
| 277 | 5 | Blaser, Robin, 1975, 1977 | |||||||||
| 277 | 6 | Blasingame, Michael, 1975-1976 | |||||||||
| 277 | 7 | Blue Horse, 1981 | |||||||||
| 277 | 8 | The Book Bus/Visual Studies Workshop, 1977 | |||||||||
| 277 | 9 | Book Center, Inc., 1978 | |||||||||
| 277 | 10 | Book House Northwest, 1977 | |||||||||
| 277 | 11 | The Book Organization/The Book Bus, 1974-1976 | |||||||||
| 277 | 12 | Book Project (Luan Perry), 1976-1978 | |||||||||
| 277 | 13 | Book (Leeds, England), 1975 | |||||||||
| 277 | 14 | Bookslinger, 1979 | |||||||||
| 277 | 15 | Borchardt, Georges Inc., 1981 | |||||||||
| 277 | 16 | Borsten, Orin, 1974-1982 | |||||||||
| 277 | 17 | Boulevards, 1980 1974-1982 | |||||||||
| 277 | 18 | Boulton, J.T., 1980 | |||||||||
| 277 | 19 | Bowles, Paul, 1976-1978 | |||||||||
| 277 | 20 | Bowering, George, 1976 | |||||||||
| 277 | 21 | Brainard, Joe, 1971, 1975 | |||||||||
| 277 | 22 | Braverman, Kate, 1979-1980 | |||||||||
| 277 | 23 | Breger, Udo, 1975 | |||||||||
| 277 | 24 | Brenner, Summer, 1981 | |||||||||
| 277 | 25 | Bromige, David, 1968-1981 | |||||||||
| 277 | 26 | Brown, Steven Ford, 1976-1977 | |||||||||
| box | folder | ||||||||||
| 278 | 1 | Buell, Frederick, 1978 | |||||||||
| 278 | 2 | Burns, Howard, 1976 | |||||||||
| 278 | 3 | Burns, Jim, 1977 | |||||||||
| 278 | 4 | Butterick, George, 1979 | |||||||||
| 278 | 5 | Byrd, Donald J., 1978 | |||||||||
| 278 | 6 | C, 1975-1982 | |||||||||
| 278 | 7 | Calder, John LTD (Publishers), 1981 | |||||||||
| 278 | 8 | Carcanet New Press Limited, 1981 | |||||||||
| 278 | 9 | Carter, Ray, 1980 | |||||||||
| 278 | 10 | Caveman Press, 1976-1977 | |||||||||
| 278 | 11 | Charters, Ann, 1979-1980 | |||||||||
| 278 | 12 | Chavez, Damiana, 1975-1981 | |||||||||
| 278 | 13 | Christie, Tom, 1981 | |||||||||
| 278 | 14 | Clark, B. Hannetta, 1978-1980 | |||||||||
| 278 | 15 | Clark, L.D., 1979 | |||||||||
| 278 | 16 | Clark, Tom, 1976-1981 | |||||||||
| 278 | 17 | Cohen, Allen, 1979-1981 | |||||||||
| 278 | 18 | Cohen, Marvin, 1976-1977 | |||||||||
| 278 | 19 | Coleman, Wanda, 1979-1982 | |||||||||
| 278 | 20 | College Marketing Group, Inc., 1979-1982 | |||||||||
| 278 | 21 | Committee of Small Magazine Editors and Publishers (COSMEP), 1975-1978 | |||||||||
| 278 | 22 | Compendium, 1975, 1977 | |||||||||
| 278 | 23 | Congdon, Kirby, 1976 | |||||||||
| 278 | 23 | Congdon, Kirby, 1976 | |||||||||
| 278 | 24 | Cooney, Seamus, 1975-1981 | |||||||||
| 278 | 25 | Corman, Cid, 1975-1978, 1980 | |||||||||
| 278 | 26 | Cowasjee, Saros, 1976-1977 | |||||||||
| 278 | 27 | California Rehabilitation Center, 1981-1982 | |||||||||
| 278 | 28 | Creeley, Robert, 1970, 1974-1982 | |||||||||
| 278 | 29 | Crepuscular Press, 1976, 1980 | |||||||||
| 278 | 30 | Crozier, Andren, 1977-1982 | |||||||||
| 278 | 31 | Cullin, John, 1978 | |||||||||
| 278 | 32 | Curry, Dave, 1976-1977 | |||||||||
| 278 | 33 | Cushing, Thomas, 1981-1982 | |||||||||
| 278 | 34 | Cushman, Keith, 1975-1982 | |||||||||
| box | folder | ||||||||||
| 279 | 1 | D, 1975-1982 | |||||||||
| 279 | 2 | Dailey, Victoria K., 1976-1977 | |||||||||
| 279 | 3 | Dana, Robert, 1981-1982 | |||||||||
| 279 | 4 | Davidson, Michael, 1976-1977 | |||||||||
| 279 | 5 | Dawson, Fielding, 1975-1981 | |||||||||
| 279 | 6 | DeLoach, Allen, 1975 | |||||||||
| 279 | 7 | Dexter, Bruce, 1977 | |||||||||
| 279 | 8 | Dierkes, Henry, 1979 | |||||||||
| 279 | 9 | Dillon, Millicent, 1980-1981 | |||||||||
| 279 | 10 | Dobson, Sylvia, 1985 | |||||||||
| 279 | 11 | Doubleday, 1977 | |||||||||
| 279 | 12 | Douglas, Max, 1969-1972, 1977-1979 | |||||||||
| 279 | 13 | Douglas, Max, (includes 3 Manuscripts, undated), undated | |||||||||
| 279 | 14 | The Downtown Review, 1979 | |||||||||
| 279 | 15 | Dragonwagon, Crescent, 1980-1982 | |||||||||
| 279 | 16 | Duncan, Robert, 1971-1972 | |||||||||
| box | folder | ||||||||||
| 280 | 1 | E, 1975-1982 | |||||||||
| 280 | 2 | Eddington, Patrick, 1975, 1979 | |||||||||
| 280 | 3 | Edwards, Paul, 1981 | |||||||||
| 280 | 4 | Edwards Brothers, Inc., 1980-1982 | |||||||||
| 280 | 5 | Eiges, Mark, 1981 | |||||||||
| 280 | 6 | The Eighth Street Bookshop, Inc. 1976, 1979 | |||||||||
| 280 | 7 | Eiener, Larry, 1978-1980 | |||||||||
| 280 | 8 | The Elizabeth Press (James L. Weil), 1977-1978 | |||||||||
| 280 | 9 | The English Agency (Japan) LTD, 1982 | |||||||||
| 280 | 10 | Enslin, Theodore, 1975-1981 | |||||||||
| 280 | 11 | Eshelman, Clayton Poems 6, 1969-1982 | |||||||||
| 280 | 12 | Eshelman, Clayton, 1969-1982 | |||||||||
| 280 | 13 | Everman, Welch D., 1975, 1977 | |||||||||
| 280 | 14 | Everson, William, 1977-1981 | |||||||||
| 280 | 15 | F, 1976-1982 | |||||||||
| 280 | 16 | Faas, Ekbert, 1978-1982 | |||||||||
| 280 | 17 | Fabian, Robert, 1978 | |||||||||
| 280 | 18 | Fabricant, Andrew R., 1980-1981 | |||||||||
| 280 | 19 | Fagin, Larry, 1977-1978 | |||||||||
| 280 | 20 | Fante, Joyce, 1980, 1982 | |||||||||
| 280 | 21 | Fee, Ian, 1982 | |||||||||
| 280 | 22 | Feldman, Arthur, 1970, 1976-1982 | |||||||||
| 280 | 23 | Ferrier, Carole, 1975, 1978 | |||||||||
| 280 | 24 | Ferriss, Lucy, 1979-1980 | |||||||||
| box | folder | ||||||||||
| 281 | 1 | Finlay, Sue/Ian Hamilton, 1975-1979 | |||||||||
| 281 | 2 | Finney, Brian H., 1971 | |||||||||
| 281 | 3 | Fitzpatrick, Frank, 1979-1982 | |||||||||
| 281 | 4 | Fogel, Al, 1981-1982 | |||||||||
| 281 | 5 | Folmsbee, Jeff, 1982 | |||||||||
| 281 | 6 | Ford, Charles Henry, 1976-1982 | |||||||||
| 281 | 7 | Ford, Hugh, 1981 | |||||||||
| 281 | 8 | Forrest, Michael, 1979-1981 | |||||||||
| 281 | 9 | Fox, C. J., 1978, 1980-1982 | |||||||||
| 281 | 10 | Fraser, Kathleen, 1976 | |||||||||
| 281 | 11 | Frost, Everett C., 1979-1980 | |||||||||
| 281 | 12 | G, 1975-1982 | |||||||||
| 281 | 13 | Gangemi, Kenneth, 1976-1981 | |||||||||
| 281 | 14 | Gardner, Jean, 1980 | |||||||||
| 281 | 15 | Gay Sunshine, 1976, 1979 | |||||||||
| 281 | 16 | Genson, V. A., 1975, 1977-1978 | |||||||||
| 281 | 17 | Germain, Ed, 1975, 1977, 1979 | |||||||||
| 281 | 18 | Ghiselin, Brewster, 1974, | |||||||||
| 281 | 19 | Gifford, Barry, 1976-1977, 1980 | |||||||||
| 281 | 20 | Ginsberg, Allen, 1980 | |||||||||
| 281 | 21 | Gnomen Press, 1975, 1980-1981 | |||||||||
| 281 | 22 | Godine, David R., Publisher, Inc., 1981 | |||||||||
| 281 | 23 | Goodman, Percival, 1981 | |||||||||
| 281 | 25 | Gotham Book Mart, 1980-1981 | |||||||||
| 281 | 26 | Goyen, William, 1978, 1982 | |||||||||
| 281 | 27 | Graphic and Allied Systems, 1977-1979 | |||||||||
| 281 | 28 | Gray, Joan, 1980, 1982 | |||||||||
| 281 | 29 | Grey Fox Press, 1979 | |||||||||
| 281 | 30 | Grossinger, Richard, 1975-1981 | |||||||||
| 281 | 31 | Guest, Barbara, 1978-1980 | |||||||||
| 281 | 31 | Guest, Barbara, 1978-1980 | |||||||||
| 281 | 32 | Guggenheim, Mary, 1980 | |||||||||
| box | folder | ||||||||||
| 282 | 1 | H, 1975-1982 | |||||||||
| 282 | 2 | Hass, Robert B., 1980-1981 | |||||||||
| 282 | 3 | Hagen, Laura, 1976 | |||||||||
| 282 | 4 | Haggarty, Teddy M., 1975, 1981 | |||||||||
| 282 | 5 | Hall, Donald, 1977-1978 | |||||||||
| 282 | 6 | Hallman, Frank, 1975 | |||||||||
| 282 | 7 | Hamady, Walter/ The Perishable Press Limited, 1975-1980 | |||||||||
| 282 | 8 | Hanson, Nancy Kellog, 1979-1980 | |||||||||
| 282 | 9 | Hargraves, Michael, 1979 | |||||||||
| 282 | 10 | Harris, Mary Emma, 1980 | |||||||||
| 282 | 11 | Hartman, Ray, 1980-1982 | |||||||||
| 282 | 12 | Hanser, Susan, 1975-1976, 1978 | |||||||||
| 282 | 13 | Healey, Clair, 1975, 1981-1982 | |||||||||
| 282 | 14 | Heller, Michael, 1976, 1979-1982 | |||||||||
| 282 | 15 | Hemesley, B., 1979-1981 | |||||||||
| 282 | 16 | Hepworth, James R., 1975, 1976 | |||||||||
| 282 | 17 | Herms, 1980-1982 | |||||||||
| 282 | 18 | Higgins, Dick, 1975-1978 | |||||||||
| 282 | 19 | Hindrichs, Werner S., 1982 | |||||||||
| 282 | 20 | Hindus, Milton, 1976-1980 | |||||||||
| 282 | 21 | Hirshhorn Museum, 1981 | |||||||||
| 282 | 22 | Hobart and William Smith Colleges, 1975 | |||||||||
| 282 | 23 | Hocks, Paula, 1982 | |||||||||
| 282 | 24 | Horace Mann School, 1975 | |||||||||
| box | folder | ||||||||||
| 283 | 1 | I, 1977, 1979, 1982, | |||||||||
| 283 | 2 | Ignatow, David, 1976, 1982 | |||||||||
| 283 | 3 | Ingram Book Company, 1979 | |||||||||
| 283 | 4 | International Bookfinders Inc. (Mohr, Richard), 1976, 1979-1981 | |||||||||
| 283 | 5 | Intersection Poetry Series, 1977 | |||||||||
| 283 | 6 | Irby, Ken, 1971 | |||||||||
| 283 | 7 | J, 1976, 1979-1981 | |||||||||
| 283 | 8 | Jacada Publications, 1977 | |||||||||
| 283 | 9 | Jacobs, Yaakov, 1979-1980 | |||||||||
| 283 | 10 | Jaffe, Sherril, 1976-1981 | |||||||||
| 283 | 11 | Johnston, Alastair, 1975 | |||||||||
| 283 | 12 | Jonas, Stephen (Rafael De Gruttola, Robert Kelly), 1974 | |||||||||
| 283 | 13 | Jones, Bill, 1977-1978, 1981-1982 | |||||||||
| 283 | 14 | Joris, Pierre, 1977, 1980 | |||||||||
| box | folder | ||||||||||
| 284 | 1 | K, 1977, 1980 | |||||||||
| 284 | 2 | Keefe, Kathleen A., 1981 | |||||||||
| 284 | 3 | Kelly, Robert (see also Jonas, Stephen), 1981, | |||||||||
| 284 | 4 | Kessler, Jascha, 1975, 1977, 1981, | |||||||||
| 284 | 5 | Kherdian, David, 1976 | |||||||||
| 284 | 6 | Kitaj, R.B., 1980-1981 | |||||||||
| 284 | 7 | Klauck, Daniel L., 1975-1978 | |||||||||
| 284 | 8 | Klein, Philip C., 1976-1977 | |||||||||
| 284 | 9 | Koch, Kenneth, 1978 | |||||||||
| 284 | 10 | Kostelanetz, Richard, 1975-1982 | |||||||||
| 284 | 11 | Koller, James, 1976-1978 | |||||||||
| box | folder | ||||||||||
| 285 | 1 | L, 1975-1982 | |||||||||
| 285 | 2 | L, 1975-1982 | |||||||||
| 285 | 3 | Lally, Michael, 1978 | |||||||||
| 285 | 4 | Lepper, Gary, 1976-1980 | |||||||||
| 285 | 5 | Levin, Alexandra Lee, 1976-1977 | |||||||||
| 285 | 6 | Levin, Lawrence L., 1976 | |||||||||
| 285 | 7 | Levy, John, 1975-1978 | |||||||||
| 285 | 8 | Library of Congress, Copyright Office, 1977-1978 | |||||||||
| 285 | 9 | Litmus Inc. (Charles Potts), 1975-1976 | |||||||||
| 285 | 10 | Little Press and Gallery, 1977, 1980, | |||||||||
| 285 | 11 | Locklin, Gerry, 1976-1982 | |||||||||
| 285 | 12 | Lodestone Books, 1977-1980 | |||||||||
| 285 | 13 | Loewinsohn, Ron, 1976-1979 | |||||||||
| 285 | 14 | London Magazine Editions, 1975 | |||||||||
| box | folder | ||||||||||
| 286 | 1 | M, 1975-1982 | |||||||||
| 286 | 2 | Macmillan Publishers, LTD., New Zealand, 1978 | |||||||||
| 286 | 3 | Malanga, Gerard, 1974-1982 | |||||||||
| 286 | 4 | Maro Verlag, 1975, 1977, 1982 | |||||||||
| 286 | 5 | Marder, Irving, 1980 | |||||||||
| 286 | 6 | Materer, Timothy, 1979-1981 | |||||||||
| 286 | 7 | McBride Brothers and Broadley, LTD., 1979-1981 | |||||||||
| 286 | 8 | McClure, Michael, 1977-1979, 1982 | |||||||||
| 286 | 9 | McLaughlin, Thomas J., 1981-1982 | |||||||||
| 286 | 10 | Mead, Gary, 1982 | |||||||||
| 286 | 11 | Meltzer, David, 1975, 1979-1981 | |||||||||
| 286 | 12 | Menard Press (Anthony Rudolf), 1976-1978, 1980 | |||||||||
| 286 | 13 | Meyers, Jeffrey, 1980, 1982, | |||||||||
| 286 | 14 | Michel, Walter, 1980-1981, | |||||||||
| 286 | 15 | Miller, Hugh, 1978 | |||||||||
| 286 | 16 | Miller, Jeffrey, 1976-1982 | |||||||||
| 286 | 17 | Montgomery, John, 1976-1980 | |||||||||
| 286 | 18 | Moore, G. H., 1980 | |||||||||
| 286 | 19 | Moos, Einar, 1979, 1982 | |||||||||
| 286 | 20 | Morris, Wright, 1970 | |||||||||
| 286 | 21 | Morrow, Bradford, 1970 | |||||||||
| 286 | 22 | Moyo (Russell Esters), undated | |||||||||
| 286 | 23 | Mudborn Press (Judyl Mudfoot, Sasha Newborn), 1977-1978 | |||||||||
| 286 | 24 | Mudd, Harvey, 1981-1982 | |||||||||
| 286 | 25 | Müller, Martin, 1981-1982 | |||||||||
| 286 | 26 | Murray, Timothy D., 1979-1980 | |||||||||
| box | folder | ||||||||||
| 287 | 1 | N, 1975-1982 | |||||||||
| 287 | 2 | Naropa Institute, 1977-1979 | |||||||||
| 287 | 3 | Navero, William, 1975-1976 | |||||||||
| 287 | 4 | New Directions Publishing (James Laughlin), 1975, 1977, 1979 | |||||||||
| 287 | 5 | The Montemora Foundation, Inc. (Eliot Weinberger), 1976-1977 | |||||||||
| 287 | 6 | New Letters, 1975, 1979 | |||||||||
| 287 | 7 | Nicely, Tom, 1976 | |||||||||
| 287 | 8 | No Mountains Poetry Project, 1975 | |||||||||
| 287 | 9 | Noyes, Lucy Ferriss, 1974-1978 | |||||||||
| 287 | 10 | O, 1977-1982 | |||||||||
| 287 | 11 | Oates, Joyce Carol, 1975-1981 | |||||||||
| 287 | 12 | Olson, Toby, 1975, 1977 | |||||||||
| 287 | 13 | Oppen, George and Mary, 1977-1981 | |||||||||
| 287 | 14 | Owens, Peter, LTD, 1975 1977 | |||||||||
| 287 | 15 | Owens, Rochelle, 1969, 1975-1980 | |||||||||
| 287 | 16 | Oxford University Press, 1975, 1982 | |||||||||
| box | folder | ||||||||||
| 288 | 1 | P, 1975-1977, 1979-1982 | |||||||||
| 288 | 2 | Paideuma, 1978-1981 | |||||||||
| 288 | 3 | Palevsky, Joan, 1975-1976 | |||||||||
| 288 | 4 | Palmer, Michael, 1977-1980 | |||||||||
| 288 | 5 | Parmenter, Ross, 1975-1976, 1980 | |||||||||
| 288 | 6 | Peartree Books, 1975 | |||||||||
| 288 | 7 | Pentagram Press, 1976-1977 | |||||||||
| 288 | 8 | Permissions (Pending), 1975-1980 | |||||||||
| 288 | 9 | The Poetry Project, 1975 | |||||||||
| 288 | 10 | Pociao’s Book Store, 1975-1976 | |||||||||
| 288 | 11 | Pollini, Francis, 1978 | |||||||||
| 288 | 12 | Postner, David, 1971 | |||||||||
| 288 | 13 | Poulin, Al, 1975-1976 | |||||||||
| 288 | 14 | Pound, Omar, 1980-1982 | |||||||||
| 288 | 15 | Power, Kevin, 1977 | |||||||||
| 288 | 16 | Prisons (by state); see also Klauck, Daniel L., 1975-1978, 1984 | |||||||||
| 288 | 17 | Pushcart Press, 1975-1979 | |||||||||
| box | folder | ||||||||||
| 289 | 1 | Quality Paperback Book Service, Inc., 1975 | |||||||||
| 289 | 2 | Quasha, George, 1975-1976 | |||||||||
| 289 | 3 | R, 1976-1982 | |||||||||
| 289 | 4 | Rakosi, Carl, 1975-1982 | |||||||||
| 289 | 5 | Rasula, Jed, circa 1975-1979 | |||||||||
| 289 | 6 | Ravine, Edward, 1974-1975 | |||||||||
| 289 | 7 | Rechy, John, 1976 | |||||||||
| 289 | 8 | Reznikoff, Charles (Marie Syrkin, Camilla Reznikoff Wygan); See also: Hindus, Milton; Creeley, Robert; the Menard Press; California, University of San Diego—Library; Archive for New Poetry; United States Information Agency, 1975-1977 | |||||||||
| 289 | 9 | Reznikoff, Charles, 1978-1982 | |||||||||
| 289 | 10 | Richmond, Steve (Richmond: Book of Poems, Weissner, Carl: Letter 17/11/77), 1976-1978 | |||||||||
| 289 | 11 | Rissman, John and Bob (Rissman, John: 4 Poems), 1977 | |||||||||
| 289 | 12 | Roberts, F. Warren (David Farmer), 1975-1980 | |||||||||
| 289 | 13 | Roberts, John, 1980-1981 | |||||||||
| 289 | 14 | Roditi, Edouard, 1975-1983 | |||||||||
| 289 | 15 | Rota, Bertram, LTD (Anthony Rota), 1976-1979 | |||||||||
| 289 | 16 | Rothemberg, Jerome (Rothemberg: Abulafia’s Circles, 2 versions), 1975, 1978 | |||||||||
| 289 | 17 | Rumaker, Michael (correspondence and poems), 1975-1978 | |||||||||
| 289 | 18 | Rumaker, Michael (writings), 1965-1975 | |||||||||
| box | folder | ||||||||||
| 290 | 1 | S, 1975-1982 | |||||||||
| 290 | 2 | Sagar, Keith, 1976-1978 | |||||||||
| 290 | 3 | The Poetry Center, San Francisco State University (newsletters, flyers), 1975-1979 | |||||||||
| 290 | 4 | Sand Dollar, 1976 | |||||||||
| 290 | 5 | Schuyler, James (Maxine Groffsky), 1978-1979 | |||||||||
| 290 | 6 | Schwerner, Armano (writings), 1975 | |||||||||
| 290 | 7 | Shakely, Lauren (poems), 1975-1976 | |||||||||
| 290 | 8 | Shelmutt, Eve, 1979-1982 | |||||||||
| 290 | 9 | Siegel, Bobbe, 1976 | |||||||||
| 290 | 10 | Silbert, Layle, 1975-1982 | |||||||||
| box | folder | ||||||||||
| 291 | 1 | Simon and Schuster / Pocket Books, 1977 | |||||||||
| 291 | 2 | Singh, G, 1975-1978 | |||||||||
| 291 | 3 | Skylo Book Distribution, 1977 | |||||||||
| 291 | 4 | The Small Press Book Club, 1977 | |||||||||
| 291 | 5 | Society of Author’s Representatives, Inc., 1975-1977 | |||||||||
| 291 | 6 | Spencer, Roy, 1975-1982 | |||||||||
| 291 | 7 | Sorrentino, Gilbert, 1975-1982 | |||||||||
| 291 | 8 | Stein, Gertrude (Maurice Grosser, writings), 1975 | |||||||||
| 291 | 9 | Stephanchev, Stephen, 1975-1982 | |||||||||
| 291 | 10 | Stephens, Christopher P. Booksellers, Inc., 1975 | |||||||||
| 291 | 11 | Stevenson, Anne, 1977 | |||||||||
| 291 | 12 | Steward, Lawrence P., 1976 | |||||||||
| 291 | 13 | Stoher, Taylor, 1978-1980 | |||||||||
| 291 | 14 | The Subterranean Company, 1977 | |||||||||
| 291 | 15 | Swartz, S.C., 1978 | |||||||||
| 291 | 16 | Syrkin, Marie (See also Reznikoff, Charles), 1978-1979 | |||||||||
| 291 | 17 | T, circa 1972-1982 | |||||||||
| 291 | 18 | Taggart, John, 1977 | |||||||||
| 291 | 19 | Talon Books LTD, | |||||||||
| 291 | 20 | Tarn, Nathaniel, 1975-1982 | |||||||||
| 291 | 21 | Thayler, Carl, 1975 | |||||||||
| 291 | 22 | Thompson, William E. (Tom), 1977 | |||||||||
| 291 | 23 | Truck Distribution Service (David Wilk), 1976-1977 | |||||||||
| 291 | 24 | Two Hands Bookstore, 1977, 1980 | |||||||||
| box | folder | ||||||||||
| 292 | 1 | U, 1975 | |||||||||
| 292 | 2 | Unicorn Press (Alan Brilliant, Paul Eluard - writings, 1976-1979 | |||||||||
| 292 | 3 | United States Information Agency, 1978 | |||||||||
| 292 | 4 | University of California Los Angeles Library, 1979-1981 | |||||||||
| 292 | 5 | University of California San Diego Library, Archive for New Poetry Newsletter, 1975-1982 | |||||||||
| 292 | 6 | University of California Santa Barbara Library, 1976, 1981 | |||||||||
| 292 | 7 | V, 1977-1982, | |||||||||
| 292 | 8 | Vanguard Press, Inc., 1975 | |||||||||
| 292 | 9 | Vas Dias, Robert, 1978 | |||||||||
| 292 | 10 | Verlag Buchse Der Pandora GMBH, 1978 | |||||||||
| 292 | 11 | W, 1975-1981 | |||||||||
| 292 | 12 | Wakoski, Diane, 1979-1981 | |||||||||
| 292 | 13 | Waldman, Anne (writings), 1975-1977 | |||||||||
| 292 | 14 | Weiss, Burton, 1977-1979 | |||||||||
| 292 | 15 | Wellesley College Library, Special Collections (Eleanor L. Nicholes), 1976 | |||||||||
| 292 | 16 | Wenning, Henry W., 1978 | |||||||||
| 292 | 17 | White, Barbara A., 1978 | |||||||||
| 292 | 18 | Whole Earth Center, 1975 | |||||||||
| 292 | 19 | Wild and Wooley, 1977-1981 | |||||||||
| 292 | 20 | Will, Frederic, 1978 | |||||||||
| 292 | 21 | Williams, Gil and Deborah (The Bellevue Press), 1976, 1978 | |||||||||
| 292 | 22 | Williams, Jonathan (writings), 1975-1981 | |||||||||
| 292 | 23 | Wilson, Keith (writings), 1976 | |||||||||
| 292 | 24 | Wilson, Robert A., 1989 | |||||||||
| 292 | 25 | Winans, Al, 1976 | |||||||||
| 292 | 26 | Woolf, Douglas, 1975-1977 | |||||||||
| 292 | 27 | Wright, F.N., 1978 | |||||||||
| 292 | 28 | Y, circa 1975-1980 | |||||||||
| 292 | 29 | Yellin, Herb, circa 1975-1980 | |||||||||
| 292 | 30 | Young, William, 1979-1980 | |||||||||
| 292 | 31 | Z, 1978-1981 | |||||||||
| 292 | 32 | Zavatsky, Bill, 1976-1978 | |||||||||
| 292 | 33 | Zytaruk, George J., 1976-1977 | |||||||||
| Series III: Publicity Materials, Publication Lists, 1966-1994 | |||||||||||
| This series publicity materials, new title catalogs, checklists, and order forms. | |||||||||||
| box | |||||||||||
| 293 | 1966-1994 | ||||||||||
| Black Sparrow Publicity Materials (Publicity, Press Releases), | |||||||||||
| 293 | 1 | Correspondence, 1949-1957 | |||||||||
| 293 | 1 | Flyers/Announcements, #24-26, 30, 35-36, 50-52, 54, 67-68, 69-70 | |||||||||
| 293 | 2 | Flyers/Announcements, #71-71, 75-76, 79-81, 83-88, 90, 92-95, 97-99 | |||||||||
| 293 | 3 | Flyers/Announcements, #101-102, 104-112, 114-116, 123- 129-130, 132, 136-137, 140, 144, 154, 156, 159 | |||||||||
| 293 | 4 | Clippings, 1987-1990 | |||||||||
| 293 | 5 | Book Reviews/Press Releases, 1986-1988 | |||||||||
| 293 | 6 | Book Reviews/Press Releases, 1986-1988 | |||||||||
| 293 | 7 | Book Reviews/Press Releases, 1991-1994 | |||||||||
| box | |||||||||||
| 294 | 1966-1994 | ||||||||||
| Checklists and Order Forms, New Title Catalogs | |||||||||||
| 294 | 1 | Checklist and Order Form, undated | |||||||||
| 294 | 2 | September 1968 – December 1974 | |||||||||
| 294 | 3 | Fall/Winter 1975 | |||||||||
| 294 | 4 | Summer 1976 – Winter 1976/1977 | |||||||||
| 294 | 5 | Summer/Fall/Winter 1977 | |||||||||
| 294 | 6 | Spring/Summer 1978 | |||||||||
| 294 | 7 | Fall/Winter 1978 | |||||||||
| 294 | 8 | Fall/Winter 1979 – Spring 1980 | |||||||||
| 294 | 9 | Fall/Winter 1980 | |||||||||
| 294 | 10 | Spring/Summer 1981 | |||||||||
| 294 | 11 | Fall/Winter 1981 | |||||||||
| 294 | 12 | Spring/Summer 1982 | |||||||||
| 294 | 13 | Fall/Winter 1982 | |||||||||
| 294 | 14 | Spring/Summer 1983 | |||||||||
| 294 | 15 | Fall/Winter 1983 | |||||||||
| 294 | 16 | Wyndham Lewis Brochure, 1983 | |||||||||
| 294 | 17 | Spring/Summer, 1984 | |||||||||
| 294 | 18 | Fall/Winter 1984 | |||||||||
| 294 | 19 | Spring/Summer 1985 | |||||||||
| 294 | 20 | Fall/Winter 1985 | |||||||||
| 294 | 21 | Spring/Summer 1986 | |||||||||
| 294 | 22 | Fall/Winter 1986 | |||||||||
| 294 | 23 | Spring/Summer 1987 | |||||||||
| 294 | 24 | Fall/Winter 1987 | |||||||||
| 294 | 25 | Fall/Winter 1988 | |||||||||
| 294 | 26 | Spring/Summer 1989 | |||||||||
| 294 | 27 | Fall 1989 | |||||||||
| 294 | 28 | Spring/Summer 1990 | |||||||||
| 294 | 29 | Fall/Winter 1993 | |||||||||
| Series IV: Arabesque Books Collaborations, 1981 | |||||||||||
| This series includes titles published under the imprint Arabesque Books, and that was meant to focus on art books and portfolios. Harvey Mudd’s The Plain of Smokes includes original prints by Ken Price and Singular Aesthetic, by American photographer Paul Outerbridge, is a catalogue raisonne, or comprehensive listing of all his known works. Oversized items are located at the end of this series. | |||||||||||
| box | |||||||||||
| 295 | |||||||||||
| Mudd, Harvey, The Plain of Smokes, 1981 (Arabesque Books) | |||||||||||
| 295 | 1 | Correspondence | |||||||||
| 295 | 2 | Artwork | |||||||||
| 295 | 3 | Manuscripts | |||||||||
| 295 | 4 | Discarded Materials | |||||||||
| 295 | 5 | Ken Price Articles | |||||||||
| 295 | 6 | A Note on the Printing; A Note on the Text | |||||||||
| 295 | 7 | 2 Original Serigraph Prints by Ken Price (File Copy and 19/26) – See Oversized Items, Box 298 | |||||||||
| box | |||||||||||
| 296 | |||||||||||
| Outerbridge, Paul, Singular Aesthetic, 1981 (Arabesque Books) | |||||||||||
| 296 | 1 | Correspondence | |||||||||
| 296 | 2 | Discarded Materials | |||||||||
| 296 | 3 | Flyers and Proofs | |||||||||
| 296 | 4 | Half-title, Blank, Title Page, Verse Title Page | |||||||||
| 296 | 5 | Dedication, Epigraph, Acknowledgements, Table of Contents, Editor’s Introductions | |||||||||
| 296 | 6 | Half-title, Footnotes, Figures and Captions | |||||||||
| 296 | 7 | Platinum and Silver Bromide Prints: Half-title, Verso of Half-title, Title and Credit Index | |||||||||
| 296 | 8 | Drawings: Half-title, Verso of Half-title, Title and Credit Index | |||||||||
| 296 | 9 | Carbro-Color Prints, Half-title, Verso of Half-title, title and Credit Index | |||||||||
| 296 | 10 | Supplementary Photographs, 1921-1941 | |||||||||
| box | folder | ||||||||||
| 297 | 1 | Appendix A: The Carbro Process; Appendix B: Editor’s Notes | |||||||||
| 297 | 2 | Appendix C: Chronology of Outerbridge’s Life; Appendix D: Selected Bibliography | |||||||||
| 297 | 3 | Appendix E: Institutional Collections; Appendix F: Exhibitions and Colophon | |||||||||
| 297 | 4 | Layout Materials | |||||||||
| 297 | 5 | Mock up | |||||||||
| 297 | 6 | 2 Hardcover copies, 1 Softcover | |||||||||
| box | |||||||||||
| 298 | 1981-1990 | ||||||||||
| Oversized Items, | |||||||||||
| 298 | 1 | Mudd, Harvey, The Plain of Smokes. 2 Original Serigraph Prints by Ken Price, 1981 (File Copy and 19/26). #449 Hollywood, Bukowski, Charles, Cover Art Slides, 1989 | |||||||||
| 298 | 2 | #462 Comics, Crumb, Robert. Artwork, 1990 | |||||||||
| 298 | 3 | #462 Comics, Crumb Robert. 1 Hardcover Copy, 1990 | |||||||||
| 298 | 4 | #463 Septuagenarian Stew, Bukoskwi, Charles, Artwork, 1990 | |||||||||
| 298 | 5 | Clucas, Lowell, Winter Passage. Original (Poem on green paper). (Copy#7) | |||||||||